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- Follows patients and caregivers at a psychiatric centre with a unique floating structure located in the middle of the Seine river in central Paris.
- Two women separated by political revolutions find connection through letters, defying distance and turmoil.
- On the outskirts of Budapest, in the heart of the woods, hides a ramshackle little hut. Inside, two social outcasts have formed the unlikeliest of bonds: Fanni, a 19 year-old transgender teenager, and Laci, a 60 year-old homeless man. Together, they form a cantankerous, convivial, makeshift family life, supporting each other as father and daughter through hardship and change. Life is tough, but it is theirs. Set on the margins of Hungarian society, this is a film about perseverance, finding home, and the triumph of acceptance.
- Explores the never-before-seen footage of Tito's cameraman documenting his trips to Africa and Asia to promote a third way amidst the Cold War.
- "Srbenka" is a film about peer violence toward children of different nationality in Croatia. It examines how the generation born after the war copes with the dark shadows of history.
- A documentary essay about the relationships among Mediterranean men and their games. The film takes the form of a travelogue across Croatia, Italy, Slovenia and Turkey, and examines men, young and old, who come together like their ancestors did - to play games. During filming, however, the director suddenly faces a serious creative crisis and turns the camera on himself, turning the film into a playful homage to absurdity.
- Documentarian Mila Turajlic returns to the Festival with the story of Yugoslavian leader Josip Broz Tito's favourite cameraman, the Algerian War for Independence, and an untold chapter in the history of anti-colonial cinema.
- After hitting a dog with his car, Stefan, guilt-ridden, decides to bring it with him to the hometown lake, where he is headed in order to complete the film about his mother who has recently passed away.
- A love story Balkan style.
- "The wind got up in the night and took our plans away," reads the proverb in the opening titles of Museum of the Revolution. The words are a reference to the 1961 plan to build a grand museum in Belgrade as a tribute to Socialist Yugoslavia. It was supposed to "safeguard the truth" about the Yugoslav people. But the plan never got beyond the construction of the basement. The derelict building now tells a very different story from the one envisioned by the initiators 60 years ago. In the damp, pitch-dark building live the outcasts of a society reshaped by capitalism. The film focuses on a girl who earns a little cash on the street by cleaning car windows with her mother. The girl has a close friendship with an old woman who also lives in the basement. Against the background of a transforming city, the three women find refuge in each other.
- An intimate conversation between a 6 year old teacher and her mother.
- Conjuring reality and wonder, "Speak so I Can See You" takes us to a seemingly different era, by exploring the world of Radio Belgrade. One of Europe's oldest radio stations and a true institution of the city, the station still broadcasts original programming and helps keep history, culture and critical thought, as well as everrelevant questions about ourselves and the world, from slipping out of memory and mind. Set at the intersection of an observational documentary and a unique sensory experience, the film conjures everyday scenes at the station and immersing interludes exploring the relationship between sound and the space it inhabits. Through a synesthetic blend of sounds, words, notes, echoes and light, we are taken into a unique cinematic soundscape that doubles as a love letter to radiophonic art and its disarming insight into what makes us remember, understand, think, discover, and feel.
- The Blockade is a unique view from within on the most massive, longest, and politically most significant student protest in the country, since 1971, that started in April of 2009 at the Faculty of humanities and Social Sciences in Zagreb. The struggle against the commercialization of education and the blockade of teaching classes lasted for 34 days. The rebellion spread onto more than 20 faculties across the country and the students became an active and relevant political subject. The director followed everything: from the exhilarating preparation meetings and blocking of classes to the first signs of exhaustion, through personal situations and discussions late at night, from the initial support of most faculty members to the moment they turned their back to the movement and the attempt to reach the missing minister of education. This film shows that the blockade was not just physical and that it has a much broader meaning.
- Just married Croatian-Roma couple, Tea and Mirsad, are trying to live together, suspended between expectations from families and communities in culturally irreconcilable backgrounds that do not accept diversities.
- In Daone, a small mountain village in the North of Italy, a group of grannies in their seventies are planning a special trip. Almost none of them have ever been at the sea, and they want to see it for the first time. But they need the money to fund their journey. After some failed attempts, they decide to face their shyness, and to model for a calendar. When also this action seems to be useless, their last idea will make them pretty famous. The Sea, and their common dream, are waiting for them.
- A village in the outback of Dalmatia, autumn of 1991. The war is raging nearby. 10-year-old Mia and 12-year-old Lorena are having a big day: their father, Mirko, is going to be released from the camp where he spent the last three months as a prisoner of war.
- On the island where the filmmaker's grandmother is buried, women's tradition is to choose the image that will represent them on their graves after they are gone. As director Sara Jurincic and her mother travel to this island, we enter a world without men, where female ancestors take center stage. This film takes us on a cinematic odyssey to hear what the ancestors are whispering from their silent portraits.
- In Balkans every generation has its war. Sons are continuing fights started by their fathers. There are rifles and pistols in every hand. Concentration of arms has reached a critical point. Even the smallest incident would be disastrous to this fragile peace. Watching children playing with toy guns makes you wander: what are we leaving to the next generation?
- Music documentary based on a multihyphenate artist with severe brain damage called intellect.
- All Still Orbit links together two apparently unrelated moments in the construction of Brasília: the dream by an Italian saint used to justify its creation and a small city built by the workers constructing the new capital to house them and their families. How do you make sense of a city built on a dream? Are all dreams made equal? Sometimes a documentary can feel like a fairy tale.
- She is spending her life defying gravity on the vertical road that literary has no beginning or end, where she has nothing to hope for, where only injury or death can happen to her. She has only her memories.
- Documentary about free-diver Goran Colak and his boundary-pushing feats of survival without oxygen.
- Days of Madness portray an incredible odyssey of two mentally diverse and unjustly rejected people who are learning to accept it, faced with the blindness of the society and the health system that made them addicts.