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1-14 of 14
- The film is the story of an interweaving of present and past, of philosophy and translation, of political and social claims, of generations of women fighting to claim their rights. It all starts with an extraordinary and unexpected finding that occurred in the present day that will shed new light on Hegel's thought in every area of his encyclopedic system. But it is also an original visual tale about the interweaving of distant lives, joined together by curiosity, passion and freedom: a story without end.
- The documentary details all the works that made up the exhibition "With Hegel in the XXI Century - A philosophical exhibition." For the first time, an exhibition was held where a group of artists created, according to their own art and style, a work of art referring to Hegelian philosophy. Never as in a time of disorientation and detachment as the present does it seem worthwhile and urgent to return to philosophizing with Hegel. For if much has been said about Hegelian philosophy, much remains to be said with Hegel. The exhibition was held at the premises of the University of RomaTre; the exhibition catalog was published by Artemide.
- A young couple facing a dilemma: either abort or not.
- A seventeen year old girl lives by herself in a luminous attic bedroom. Her father watches over her from a little town a few miles away, where he lives on his own. Its summertime and very, very hot. The bright clear light of Apulia accompanies this young woman in her summer holiday. Some relief comes from frequent showers. She often stands at the window her hair dripping wet, and watches out as she did when she was a child and enjoyed looking out of windows or lerning out of balcony rails. She loves her eyes for what they can get but about all for what they can give, to her dear ones or to the people she comes across, like the disables old man who accepts her cares and company. In the evening to earn some pocket money, she works as a waitres in a little pub where she meets a photographer who enables her to remember her mother who has recently dead and stimulates her love for photography. That's why some photos are suddenly inserted in the film, as a link between the girl's personal experience and the historical context of the last troubled decades. The girl in spite of her young age, has well realized the importance of observation and caught the precariousnes and instability of times. A september afternoon. The girl is going to see her father. She knocks at the door but nobody opens. She takes the key from her bag and walks in.
- Puglia, Italy. Spring. Nowadays. Two women, a photographer and a painter, working in the sunlight of Puglia, individually share two different stories with two different 20-year-old girls. Followed by youth, the two women will remember their first artistic passions. The story is a journey, throughout Mediterranean landscapes, in which a Painter and a Photographer will discover the desires of two young girls in which virtue of curiosity and courage will come across with extreme power. The film is a hymn of art, beauty and generosity.
- This is the story of an extraordinary and amazing artist's life, an outsider of contemporary art and faith, from 1926 to the present day and forever. In the history of humanity there have been few men who, after being consecrated to God, have become great artists: Andrej Rublëv, Leon Battista Alberti, Caldéron de la Barca, Vivaldi. Tito is the latest of these great artists. Father Tito Amodei was a sculptor and painter of prodigious expressive power. 1953, breaking the strict rules of the Passionist order, his superiors allowed Tito to attend the Academy of Fine Arts in Florence. It was a scandal. In his long career, he created large and small works, ranging from the figurative to the abstract, from nude art to religious themes. He regularly held exhibitions and major museums around the world host his pieces. His studio is in Rome, at the convent of the Passionists of the Holy Stairs. Tito died at the age of 91 in 2018. The film explores Tito's extraordinary life. It delves into his work process and his profound reflections on art as expression, on art as a profession, and on the relationship between art and the Catholic church.
- Seventy years after the end of World War II, the "invasion" of Berlin by Soviet troops is remembered through old photos and real testimonies. Berlin today is still an open-air building yard, a charming capital and, secretly, not very German always busy picking up structural and psychological debris; with the long and terrible passage of the Wall to the massive reception non-EU people that produced ghettos. The pictures, taken in 2015, will talk about this in Berlin developing a visual story inevitably caught between past and future; temporally tridimensional sequences.
- A young man reflects about the sense of life before to commit suicide.