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- Jake and Mati are two outsiders in Porto who once experienced a brief connection. A mystery remains about the moments they shared, and in searching through memories, they relive the depths of a night uninhibited by the consequences of time.
- Illa of Arousa, 1971. María earns her living fishing and also helps other women in their deliveries. After an unexpected event, she is forced to flee from her and begins a dangerous journey that will make her fight for her survival.
- Follows Hugo as he takes a gap year and returns to Porto to regain balance with his family, but he attends a concert by Luís Stockman, who plays a theme that Hugo has been writing in his head for years.
- In the London suburbs, Bela and Jota face serious difficulties when "social services" raise concerns about the safety of their three children. The 7-year-old daughter's deafness triggers a process in the system that seems to go on forever.
- A 3-country observation of the millenials in Argentina, Mozambique, and the Philippines.
- In a parallel world Miguel tries to hack his way into joining an exodus to another planet. While he dwells in his dreams and frustrations of being left behind he meets Eva, who challenges and forces him to come to terms with his purpose
- Nora is released from prison and has only one goal in mind: to find a young neo-punk artist named Léa. Mirror of each other, these two soulmates will get to know each other and rebuild their lives together.
- The tragedy and comedy in Carlo's life begins, grows and ends like the tragedy and comedy of Portugal. In the company of his close friend, João da Ega, allegedly a brilliant writer, Carlos, with his idle existence as an aristocratic doctor, spends his time to enjoying friends and lovers. Until he falls in love. She is a new character in this revolutionary novel. It's a vertiginous passion that goes beyond that past gloominess to reach a new and darker abyss, incest.
- Pessoa famously published under many heteronyms: around 75 different names, each with fully fleshed out backgrounds, styles, appearances and philosophies. Taking this a step further, Não Sou Nada gives flesh to these characters, all working together under Pessoa, enacted by Miguel Borges, at the publishing house The Nothingness Club. Though mostly similar in appearance, the heteronyms differ hugely in personality above all, the gleefully unhinged Álvaro de Campos, enacted by Albano Jerónimo. These clashes start to become indistinguishable from dramatic rifts in Pessoa's psyche: as he is increasingly beset by philosophical turmoil, his heteronyms are murdered, one by one. Meanwhile, Victoria Guerra plays a double role as Pessoa's Madonna-mistress Ophélia: at once a saintly psychiatric nurse and duplicitous femme fatale.
- An actress goes to Azores to take part in the theatrical tour of The Tempest and on her arrival she finds no one from the company, there is not even a theatre. After meeting Ariel, the actress discovers that the play has already started, the whole island is a theatre and its inhabitants are characters.
- Plot undisclosed.
- A little girl reads a book before bedtime, and as she starts to drift off to sleep, the real world transforms into a fantastical place where the book's stories come to life. Ana, a character in her own tale, embarks on an extraordinary journey to carve out her place in a world filled with hidden surprises and mysteries.
- When her grandmother dies, 19-year-old Anabel becomes closer to Meiko, a shy young neighbour. Little by little, this simple approximation reveals hidden feelings and improbable similarities. Returning to her grandmother's apartment, Anabel encounters a strange presence which helps her understand the moment she is living through.
- A couple retreat to an Atlantic island to rebuild their relationship, strained by changes through the years. In this strange landscape a lighthouse seems to exert power, and a strange woman appears on the beach after almost drowning.
- TV Series
- A bunch of spectators trapped in a cinema theatre.
- During a night of humiliation, Raymond lives an inner revolt and a kaleidoscopic journey in a country that is about to collapse.
- Mother of Caliban and imprisoner of Ariel, Sycorax remains offstage for the duration of The Tempest, dismissed by Prospero as an evil sorceress. In this collaboration between Lois Patiño and Matías Piñeiro, she becomes the central subject, as a director (played by Piñeiro regular Agustina Muñoz), with the help of local women from a village in the Azores, attempts to give a face and voice to this silenced character.
- The last habitants of a village refuse to let themselves sink into oblivion.
- On a hot August afternoon, the family gathered at the table remembers uncle Botão: the Colonial War, emigration to France, where he lived and worked thirty years as a garbage man. Memories of each are crossed to tell the story of a man who lived a hard life through humor and fantasy, like when he returned to Belmonte, in a van full of trash, turned into a real treasure.
- In a rural setting, an old man is told his dead wife was seen at the market. Spiteful and sad, he chooses to hide away from the rest of the world. However, his friends insist that he shouldn't listen to hearsay. They say he should try to recover and, who knows, even remarry. It's a story about the delicateness of old age, of what is still left to dream and love when you reach this life stage and the body weakens. It takes place in an ancient and hidden Portugal that still exists in spite of our efforts of modernization.