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1-34 of 34
- The film expresses the emotional feelings of a man with special needs, and a beautiful woman.
- Evolves around the rooms of a house as one of the main characters, Lisiska, is waiting and is studied in depth as she prepares herself for a meeting. The film attempts to display sexual barriers and misconceptions, and about the role-playing and the confusion around the whole question of sexual and sensual involvement. The essence is the confrontation with self-deception, lies and the real fear of contact with both sexes.
- Combines interviews, archival footage and Dwoskin's thoughtful remarks to arrive at a scrupulous anatomy of pain (disease, dental work and sadomasochism). Chats with chronic pain patients or those who are exacting it as an act of pleasure.
- A naked girl is filmed passing through a gallery of paintings, reminding us of the difference between the plasticity of painting and a body moving in an open space.
- Two semi-naked protagonists share the same outfit (pants for one; a T-shirt for the other) and drink wine directly from the bottle while sprawling on a bed.
- Stephen Dwoskin tells the double story on memory, bringing together the beauty of its documents and the sadness of its elusiveness. Extracts from the filmmaker's own films are collaged with photographs and bits of home movies, stills, etc.
- A compilation of six fiction feature films by French filmmaker Luc Moullet.
- An experimental film with no dialogue inspired by James Joyce's Ulysses.
- An ode to Stephen Dwoskin's father, Henry. The film blends found family footage of the young and the aging father, who died in 1976.
- A compilation of 14 films from Stephen Dwoskin, one of the most emotionally intense and underexposed filmmakers in British film. The first box of 5 DVDs includes Take Me, Dirty, Girl, Dad, Grandpère's Pear, Dear Frances (In Memoriam), etc.
- The film follows director Stephen Dwoskin at work in his Brixton home in 2005. Interviews by Cathy Day.
- An experimental black and white film by Stephen Dwoskin focusing on body paint and the female form.
- Using photographs taken by the author of the film Occupied Palestine (1981), "Real" tries to bear witness to a meeting between a young man and the struggle of a people for its survival, and to his queries concerning the "reality" of photography.
- A compilation of three fiction films by Swiss filmmaker Véronique Goël.
- An ode, made up of short shots as well as more insistent and lyrical ones, to a multitude of young women who populate the filmmaker's fantasies.
- Filmmaker Stephen Dwoskin presents and manipulates old home movie footage of his grandfather.
- Swiss Brazilian filmmaker Zaqueu Guimarães' student film.
- "Suddenly and sadly my dear friend Frances died. At that moment of loss, I needed to hold on to her. The film is just that." - Stephen Dwoskin.
- During a trip to Brazil, the director of Brazilian origin living in Switzerland recalls the years of youth experienced by his grandmother through the stories of her son (the director's dad), her sisters and the contemporaries who knew her.