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Best known for his cerebral, often nonlinear, storytelling, acclaimed Academy Award winner writer/director/producer Sir Christopher Nolan CBE was born in London, England. Over the course of more than 25 years of filmmaking, Nolan has gone from low-budget independent films to working on some of the biggest blockbusters ever made and became one of the most celebrated filmmakers of modern cinema.
At 7 years old, Nolan began making short films with his father's Super-8 camera. While studying English Literature at University College London, he shot 16-millimeter films at U.C.L.'s film society, where he learned the guerrilla techniques he would later use to make his first feature, Following (1998), on a budget of around $6,000. The noir thriller was recognized at a number of international film festivals prior to its theatrical release and gained Nolan enough credibility that he was able to gather substantial financing for his next film.
Nolan's second film was Memento (2000), which he directed from his own screenplay based on a short story by his brother Jonathan Nolan. Starring Guy Pearce, the film brought Nolan numerous honors, including Academy Award and Golden Globe Award nominations for Best Original Screenplay. Nolan went on to direct the critically acclaimed psychological thriller, Insomnia (2002), starring Al Pacino, Robin Williams and Hilary Swank.
The turning point in Nolan's career occurred when he was awarded the chance to revive the Batman franchise in 2005. In Batman Begins (2005), Nolan brought a level of gravitas back to the iconic hero, and his gritty, modern interpretation was greeted with praise from fans and critics alike. Before moving on to a Batman sequel, Nolan directed, co-wrote, and produced the mystery thriller The Prestige (2006), starring Christian Bale and Hugh Jackman as magicians whose obsessive rivalry leads to tragedy and murder.
In 2008, Nolan directed, co-wrote, and produced The Dark Knight (2008). Co-written with by his brother Jonathan, the film went on to gross more than a billion dollars at the worldwide box office. Nolan was nominated for a Directors Guild of America (D.G.A.) Award, Writers Guild of America (W.G.A.) Award and Producers Guild of America (P.G.A.) Award, and the film also received eight Academy Award nominations. The film is widely considered one of the best comic book adaptations of all times, with Heath Ledger's performance as the Joker receiving an extremely high acclaim. Ledger posthumously became the first Academy Award winning performance in a Nolan film.
In 2010, Nolan captivated audiences with the Sci-Fi thriller Inception (2010), starring Leonardo DiCaprio in the lead role, which he directed and produced from his own original screenplay that he worked on for almost a decade. The thought-provoking drama was a worldwide blockbuster, earning more than $800,000,000 and becoming one of the most discussed and debated films of the year, and of all times. Among its many honors, Inception received four Academy Awards and eight nominations, including Best Picture and Best Screenplay. Nolan was recognized by his peers with a W.G.A. Award accolade, as well as D.G.A. and P.G.A. Awards nominations for his work on the film.
As one of the best-reviewed and highest-grossing movies of 2012, The Dark Knight Rises (2012) concluded Nolan's Batman trilogy. Due to his success rebooting the Batman character, Warner Bros. enlisted Nolan to produce their revamped Superman movie Man of Steel (2013), which opened in the summer of 2013. In 2014, Nolan directed, wrote, and produced the Science-Fiction epic Interstellar (2014), starring Matthew McConaughey, Anne Hathaway and Jessica Chastain. Paramount Pictures and Warner Bros. released the film on November 5, 2014, to positive reviews and strong box-office results, grossing over $670 million dollars worldwide.
In July 2017, Nolan released his acclaimed War epic Dunkirk (2017), that earned him his first Best Director nomination at the Academy Awards, as well as winning an additional 3 Oscars. In 2020 he released his mind-bending Sci-Fi espionage thriller Tenet (2020) starring John David Washington in the lead role. Released during the COVID-19 pandemic, the movie grossed relatively less than Nolan's previous blockbusters, though it did do good numbers compared to other movies in that period of time. Hailed as Nolan's most complex film yet, the film was one of Nolan's less-acclaimed films at the time, yet slowly built a fan-base following in later years.
In July 2023, Nolan released his highly acclaimed biographic drama Oppenheimer (2023) starring Nolan's frequent collaborator Cillian Murphy- in the lead role for the first time in a Nolan film. The movie was a cultural phenomenon that on top of grossing almost 1 billion dollars at the Worldwide Box office, also swept the 2023/2024 award-season and gave Nolan his first Oscars, BAFTAs, Golden Globes, D.G.A. and P.G.A. Awards, as well as a handful of regional critics-circles awards and a W.G.A. nomination. Cillian's performance as quantum physicist J. Robert Oppenheimer was highly acclaimed as well, and became the first lead performance in a Nolan film to win the Academy Award.
During 2023, Nolan also received a fellowship from the British Film Institute (BFI). In March 2024, it was announced that Nolan is to be knighted by King Charles III and from now on will go by the title 'Sir Christopher Nolan'.
Nolan resides in Los Angeles, California with his wife, Academy Award winner producer Dame Emma Thomas, and their children. Sir Nolan and Dame Thomas also have their own production company, Syncopy.- Writer
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James Francis Cameron was born on August 16, 1954 in Kapuskasing, Ontario, Canada. He moved to the United States in 1971. The son of an engineer, he majored in physics at California State University before switching to English, and eventually dropping out. He then drove a truck to support his screenwriting ambition. He landed his first professional film job as art director, miniature-set builder, and process-projection supervisor on Roger Corman's Battle Beyond the Stars (1980) and had his first experience as a director with a two week stint on Piranha II: The Spawning (1982) before being fired.
He then wrote and directed The Terminator (1984), a futuristic action-thriller starring Arnold Schwarzenegger, Michael Biehn and Linda Hamilton. It was a low budget independent film, but Cameron's superb, dynamic direction made it a surprise mainstream success and it is now regarded as one of the most iconic pictures of the 1980s. After this came a string of successful, bigger budget science-fiction action films such as Aliens (1986), The Abyss (1989) and Terminator 2: Judgment Day (1991). In 1990, Cameron formed his own production company, Lightstorm Entertainment. In 1997, he wrote and directed Titanic (1997), a romance epic about two young lovers from different social classes who meet on board the famous ship. The movie went on to break all box office records and earned eleven Academy Awards. It became the highest grossing movie of all time until 12 years later, Avatar (2009), which invented and pioneered 3D film technology, and it went on to beat "Titanic", and became the first film to cost two billion dollars until 2019 when Marvel took the record.
James Cameron is now one of the most sought-after directors in Hollywood. He was formerly married to producer Gale Anne Hurd, who produced several of his films. In 2000, he married actress Suzy Amis, who appeared in Titanic, and they have three children.- Producer
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Damien Sayre Chazelle is an American director and screenwriter. He was born in Providence, Rhode Island. His mother, Celia Sayre (Martin) Chazelle, is an American-Canadian writer and professor of history at The College of New Jersey. His father, Bernard Chazelle, is a French-American Eugene Higgins Professor of computer science at Princeton University, originally from Clamart, France. Chazelle has a sister, Anna, who is an actress and circus performer.- Producer
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Sanjay Leela Bhansali is among the most celebrated Film Makers of the Bollywood. Having worked with the biggest stars of Indian Film Industry, Bhansali is the most sought-for director of the Bollywood. He started his career as an assistant director to Vidhu Vinod Chopra. If one has to name his 'niche' genre, it would definitely be Mega-Musicals. From Devdas to Bajirao Mastani, Hum Dil De Chuke Sanam to Saawariya, love of cinema and music, proclaims through every movie he writes or direct.
His 1999 Romantic-Drama, Hum Dil De Chuke Sanam, starring heartthrob duo Salman-Aishwarya became one of the most critically cherished movies of the Genre. Amitabh Bachan, starrer Black was equally appreciated by the critics. But he made his presence felt with 2002 adaptation of the Hindi literary masterpiece, Devdas, for a silver-screen experience. He received a nomination for Best Foreign Film at BAFTA for the movie.
Devdas has become a name synonymous with a passionate, intense love that does not find consummation. This similar theme has been repeated numerous time in the literary work. And one of them is Romeo & Juliet. He translated this classic tale into Indian Folk Idiom.- Producer
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Alfonso Cuarón Orozco was born on November 28th 1961 in Mexico City, Mexico. From an early age, he yearned to be either a film director or an astronaut. However, he did not want to enter the army, so he settled for directing. He didn't receive his first camera until his twelfth birthday, and then immediately started to film everything he saw, showing it afterwards to everyone. In his teen years, films were his hobby. Sometimes he said to his mother he would go to a friend's home, when in fact he would go to the cinema. His ambition was to know every theatre in the city. Near his house there were two studios, Studios Churubusco and Studios 212. After finishing school, Cuarón decided to study cinema right away. He tried to study at C.C.C. (Centro de Capacitación Cinematográfica) but wasn't accepted because at that time they weren't accepting students under twenty-four years old. His mother didn't support that idea of cinema, so he studied philosophy in the morning and in the afternoon he went to the C.U.E.C. (Centro Universitario de Estudios Cinematográficos). During that time he met many people who would later become his collaborators and friends. One of them was Luis Estrada. Cuaron also became good friends with Carlos Marcovich and Emmanuel Lubezki. Luis Estrada directed a short called "Vengance is Mine", on which Alfonso and Emmanuel collaborated. The film was in English, a fact which bothered many teachers of the C.U.E.C. such as Marcela Fernández Violante. The disagreement caused such arguments that in 1985, Alfonso was expelled from the university.
During his time studying at C.U.E.C. he met Mariana Elizondo, and with her he had his first son, Jonás Cuarón. After Alfonso was expelled, he thought he could never be a director and so went on to work in a Museum so he could sustain his family. One day, José Luis García Agraz and Fernando CáMara went to the museum and made an offer to Cuarón. They asked him to work as cable person in "La víspera (1982)", a job which was to prove to be his salvation. After that he was assistant director in Garcia Agraz's "Nocaut (1984)", as well as numerous other films.
He was also second unit director in "Gaby: A True Story (1987)", and co-wrote and directed some episodes in the series "A Hora Marcada (1967)". One New Year's Eve, he decided he would not continue to be an assistant director, and with his brother Carlos started writing what would be his first feature film: "Love in the Time of Hysteria (1991)" (Love in the time of Hysteria). After the screenplay was written, the problem became how to get financial backing for the movie. I.M.C.I.N.E. (Instituto Mexicano de Cinematografia), which supports movies financially, had already decided which projects it would support that year, much to Alfonso's initial chagrin. However, the director of one of those already-chosen projects was unable to direct it, so his project was canceled, and "Sólo con tu pareja" took its place. Despite this being chosen, there was a lot of tension between Alfonso and the I.M.C.I.N.E. executives. Nevertheless, after the movie was finished, it was a huge success. In Toronto festival the films won many awards, and Alfonso started to be noticed by Hollywood producers. Sydney Pollack was the first one to invite him to shoot in Hollywood. He proposed a feature film to be directed by Alfonso, but the project didn't work and was canceled. Alfonso moved to Los Angeles without anything concrete, and stayed with some friends, as he had no money. Soon after that, Pollack called him again to direct an episode called "Murder, Obliquely (1993)" of the series "Fallen Angels (1993)", that was the first job he had in U.S., and also the first time he worked with Alan Rickman.
After a while, and no real directing jobs, Alfonso wanted to direct something as he needed money. He finally signed a contract with Warner Brothers to direct the film Addicted to Love (1995). However, one night, he read the screenplay for another film, A Little Princess (1995) and fell in love with it. He talked to Warner Brothers and after some meetings he gave up directing "Addicted to Love" in order to do "A Little Princess". Even thought it wasn't a great box office success, the film received two nominations for the Oscars, and won many other awards. After "A Little Princess" Alfonso developed a project with Richard Gere starring. The project was canceled, but Cuarón got an offer from Twentieth Century Fox to direct the modern adaptation of the Charles Dickens' classic Great Expectations (1998). He initially didn't want to direct it but the studio insisted, and in the end he accepted it. The experience was very painful and difficult for him mainly because there was never a definitive screenplay.
He then reunited with producer Jorge Vergara and founded both Anhelo Productions and Moonson Productions. Anhelo's first picture was also Alfonso's next film, the erotic road movie "And Your Mother Too (2001)", which was a huge success. During the promotion of the film in Venice, Alfonso met the cinema critic Annalisa Bugliani. They started dating and married that same year. "Children of Men (2006)" was to be Alfonso's next film, a futuristic, dystopian story. During the pre-production of the film, Warner Brothers invited Alfonso to direct the third Harry Potter film, "Harry Potter and the Prisoner of Azkaban (2004)", an offer which he accepted after some consideration. The film would prove to be the greatest box office success of his career.
In 2003, he had a daughter named Bu Cuaron, and in February 2005 another son, called Olmo Teodoro Cuarón. Alfonso Cuarón signed a three-year first-look deal with Warner Brothers, which allowed his films to be distributed world-wide. He directed one five-minute segment of the anthology film Paris, I Love You (2006) with Nick Nolte and Ludivine Sagnier. His next project, the futuristic film Children of Men (2006) with Clive Owen, Julianne Moore and Michael Caine premiered at the Venice Film Festival in 2006 having been nominated for three Academy Awards. After his youngest son was diagnosed with autism and the divorce from Annalisa Bugliani he took a break from directing and settled in London where he plans to work on his next projects.
In 2013, Alfonso directed the space thriller Gravity (2013), which would go win 7 academy awards.
Alfonso is the only filmmaker to have ever won twice for a clean sweep for the awards, for "Gravity" and "Roma", for Best Director at the Oscars, Golden Globes, BAFTAs, and DGA Awards.- Producer
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One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.
Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.
Spielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in "E.T." Spielberg was also one of the pioneers of the big-grossing special-effects movies, like "E.T." and "Close Encounters", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up "Raiders" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.
The late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark "Who Framed Roger Rabbit", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as "Steven Spielrock". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.
As a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).
Spielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.
Spielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series "Medal of Honor" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment.- Writer
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James Gunn was born and raised in St. Louis, Missouri, to Leota and James Francis Gunn. He is from a large Catholic family, with Irish and Czech ancestry. His father and his uncles were all lawyers. He has been writing and performing as long as he can remember. He began making 8mm films at the age of twelve. Many of these were comedic splatter films featuring his brothers being disemboweled by zombies. He attended Saint Louis University High (SLUH) college preparatory school but later dropped out of college to pursue a rock and roll career.
His band, "the Icons", released one album, "Mom, We Like It Here on Earth". He earned very little money doing this and so during this time, he also worked as an orderly in Tucson, Arizona, upon which many of the situations in his first novel, "The Toy Collector", are based. He wrote and drew comic strips for underground and college newspapers.
Gunn eventually returned to school and received his B.A. at Saint Louis University in his native St. Louis. He moved to New York where he received an MFA in creative writing from Columbia University, which he today thinks may have been a wonderfully expensive waste of time. While finishing his MFA, he started writing "The Toy Collector" and began working for "Troma Studios", America's leading B-Movie production company. While there he wrote and produced the cult classic Tromeo and Juliet (1996) and, with Lloyd Kaufman, he wrote "All I Need to Know about Filmmaking I Learned from the Toxic Avenger".
Gunn had a spiritual awakening in Cannes in 1997 and quit Troma and relocated from New York to Los Angeles. He wrote and acted in the film The Specials (2000) with Rob Lowe, Jamie Kennedy, Thomas J. Churchill and his brother Sean Gunn. He wrote two scripts for Warner Brothers live action movies: Spy vs. Spy (1985) and Scooby-Doo (2002). In 1999, after almost five years, he finished "The Toy Collector". After doing Scooby-Doo 2: Monsters Unleashed (2004), Gunn made his directorial debut with Slither (2006). He later made the superhero film Super (2010) and the successful Marvel films Guardians of the Galaxy (2014) and its sequel Guardians of the Galaxy Vol. 2 (2017)
Gunn has four brothers, all of whom are in the entertainment industry. His brother, Patrick Gunn, is a Senior VP at Artisan Entertainment, the company responsible for distributing (and the marketing campaign of) The Blair Witch Project (1999). His brother, Brian Gunn, is a screenwriter who works in partnership with their cousin Mark Gunn.
Gunn's brother, Matt Gunn wrote and starred in the winner of the 1997 Sundance Film Festival, Man About Town (1997). Gunn's brother, Sean Gunn, is an actor regularly seen in films, commercials, and such TV shows as Angel (1999). James and Sean have collaborated on two occasions Sean starred in Tromeo and Juliet (1996), and they acted together and co-produced The Specials (2000). The brothers have one sister, Beth, who is a lawyer.
Gunn married actress and cartoonist Jenna Fischer in 2000. They divorced in 2008. He is now in a relationship with Jennifer Holland- Writer
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Bong Joon-ho is a South Korean filmmaker. The recipient of three Academy Awards, his filmography is characterized by emphasis on social themes, genre-mixing, black humor, and sudden tone shifts. He first became known to audiences and achieved a cult following with his directorial debut film, the black comedy Barking Dogs Never Bite (2000), before achieving both critical and commercial success with his subsequent films: the crime thriller Memories of Murder (2003), the monster film The Host (2006), the science fiction action film Snowpiercer (2013), and the black comedy thriller Parasite (2019), all of which are among the highest-grossing films in South Korea, with Parasite also being the highest-grossing South Korean film in history.
All of Bong's films have been South Korean productions, although both Snowpiercer and Okja (2017) are mostly in the English language. Two of his films have screened in competition at the Cannes Film Festival-Okja in 2017 and Parasite in 2019; the latter earned the Palme d'Or, which was a first for a South Korean film. Parasite also became the first South Korean film to receive Academy Award nominations, with Bong winning Best Picture, Best Director, and Best Original Screenplay, making Parasite the first film not in English to win Best Picture. In 2017, Bong was included on Metacritic's list of the 25 best film directors of the 21st century. In 2020, Bong was included in Time's annual list of 100 Most Influential People and Bloomberg 50.- Director
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Zachary Edward "Zack" Snyder (born March 1, 1966) is an American film director, film producer, and screenwriter, best known for action and science fiction films. Snyder made his feature film debut with the 2004 remake Dawn of the Dead and has gone on to be known for his comic book movies and superhero films, including 300 (2007), Watchmen (2009), Man of Steel (2013) and its upcoming sequel, Batman v Superman: Dawn of Justice (2016). Snyder is the co-founder of Cruel and Unusual Films, a production company he established in 2004, alongside his wife Deborah Snyder and producing partner Wesley Coller.- Director
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Denis Villeneuve is a French Canadian film director and writer. He was born in 1967, in Trois-Rivières, Québec, Canada. He started his career as a filmmaker at the National Film Board of Canada. He is best known for his feature films Arrival (2016), Sicario (2015), Prisoners (2013), Enemy (2013), and Incendies (2010). He is married to Tanya Lapointe.- Producer
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Martin Charles Scorsese was born on November 17, 1942 in Queens, New York City, to Catherine Scorsese (née Cappa) and Charles Scorsese, who both worked in Manhattan's garment district, and whose families both came from Palermo, Sicily. He was raised in the neighborhood of Little Italy, which later provided the inspiration for several of his films. Scorsese earned a B.S. degree in film communications in 1964, followed by an M.A. in the same field in 1966 at New York University's School of Film. During this time, he made numerous prize-winning short films including The Big Shave (1967), and directed his first feature film, Who's That Knocking at My Door (1967).
He served as assistant director and an editor of the documentary Woodstock (1970) and won critical and popular acclaim for Mean Streets (1973), which first paired him with actor and frequent collaborator Robert De Niro. In 1976, Scorsese's Taxi Driver (1976), also starring De Niro, was awarded the Palme d'Or at the Cannes Film Festival, and he followed that film with New York, New York (1977) and The Last Waltz (1978). Scorsese directed De Niro to an Oscar-winning performance as boxer Jake LaMotta in Raging Bull (1980), which received eight Academy Award nominations, including Best Picture and Best Director, and is hailed as one of the masterpieces of modern cinema. Scorsese went on to direct The Color of Money (1986), The Last Temptation of Christ (1988), Goodfellas (1990), Cape Fear (1991), The Age of Innocence (1993), Casino (1995) and Kundun (1997), among other films. Commissioned by the British Film Institute to celebrate the 100th anniversary of the birth of cinema, Scorsese completed the four-hour documentary, A Personal Journey with Martin Scorsese Through American Movies (1995), co-directed by Michael Henry Wilson.
His long-cherished project, Gangs of New York (2002), earned numerous critical honors, including a Golden Globe Award for Best Director; the Howard Hughes biopic The Aviator (2004) won five Academy Awards, in addition to the Golden Globe and BAFTA awards for Best Picture. Scorsese won his first Academy Award for Best Director for The Departed (2006), which was also honored with the Director's Guild of America, Golden Globe, New York Film Critics, National Board of Review and Critic's Choice awards for Best Director, in addition to four Academy Awards, including Best Picture. Scorsese's documentary of the Rolling Stones in concert, Shine a Light (2008), followed, with the successful thriller Shutter Island (2010) two years later. Scorsese received his seventh Academy Award nomination for Best Director, as well as a Golden Globe Award, for Hugo (2011), which went on to win five Academy Awards.
Scorsese also serves as executive producer on the HBO series Boardwalk Empire (2010) for which he directed the pilot episode. Scorsese's additional awards and honors include the Golden Lion from the Venice Film Festival (1995), the AFI Life Achievement Award (1997), the Honoree at the Film Society of Lincoln Center's 25th Gala Tribute (1998), the DGA Lifetime Achievement Award (2003), The Kennedy Center Honors (2007) and the HFPA Cecil B. DeMille Award (2010). Scorsese and actor Leonardo DiCaprio have worked together on five separate occasions: Gangs of New York (2002), The Aviator (2004), The Departed (2006), Shutter Island (2010) and The Wolf of Wall Street (2013).- Producer
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David Fincher was born in 1962 in Denver, Colorado, and was raised in Marin County, California. When he was 18 years old he went to work for John Korty at Korty Films in Mill Valley. He subsequently worked at ILM (Industrial Light and Magic) from 1981-1983. Fincher left ILM to direct TV commercials and music videos after signing with N. Lee Lacy in Hollywood. He went on to found Propaganda in 1987 with fellow directors Dominic Sena, Greg Gold and Nigel Dick. Fincher has directed TV commercials for clients that include Nike, Coca-Cola, Budweiser, Heineken, Pepsi, Levi's, Converse, AT&T and Chanel. He has directed music videos for Madonna, Sting, The Rolling Stones, Michael Jackson, Aerosmith, George Michael, Iggy Pop, The Wallflowers, Billy Idol, Steve Winwood, The Motels and, most recently, A Perfect Circle.
As a film director, he has achieved huge success with Se7en (1995), Fight Club (1999) and, Panic Room (2002).- Director
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Chloé Zhao or Zhao Ting (born March 31, 1982) is a Chinese film director, screenwriter, and producer. Her debut feature film, Songs My Brothers Taught Me (2015), premiered at Sundance Film Festival. Her second feature film, The Rider (2017), was critically acclaimed and received several accolades including nominations for Independent Spirit Award for Best Film and Best Director.
Zhao was born and raised in Beijing, China, to father and stepmother, Chinese actress Song DanDan. Growing up, she was very rebellious, and drawn to influences from Western pop culture. She attended a boarding school in London before moving to Los Angeles to finish high school. Zhao studied at Mount Holyoke College earning a bachelor's degree in political science. She worked odd jobs as a party promoter, in real estate, and bartending before studying film production at New York University Tisch School of the Arts.
In 2010, Zhao's short film Daughters premiered at the Clermont-Ferrand International Short Film Festival and won Best Student Live Action Short at the 2010 Palm Springs International ShortFest and Special Jury Prize at the 2010 Cinequest Film Festival.
In 2015, Zhao directed her first feature film, Songs My Brothers Taught Me. Filmed on location at the Pine Ridge Indian Reservation in South Dakota, the film depicts the relationship between a Lakota Sioux brother and his younger sister. The film premiered as part of the U.S. Dramatic Competition at Sundance Film Festival. It later played at Cannes Film Festival as part of the Director's Fortnight selection. The film was nominated for Best First Feature at the 31st Independent Spirit Awards.
In 2017, she directed The Rider, a contemporary western drama which follows a young cowboy's journey to discover himself after a near-fatal accident ends his professional riding career. Similar to her first feature, Zhao utilised a cast of non-actors who lived on the ranch where the film was shot. Zhao's impetus for making the film came when Brady Jandreau - a cowboy whom she met and befriended on the reservation where she shot her first film - suffered a severe head injury when he was thrown off his horse during a rodeo competition. Jandreau later starred in the film playing a fictionalised version of himself as Brady Blackburn. The film premiered at Cannes Film Festival as part of the Directors' Fortnight selection and won the Art Cinema Award. The film earned her nominations for Best Feature and Best Director at the 33rd Independent Spirit Awards. At the same ceremony, Zhao became the inaugural winner of the Bonnie Award, named after Bonnie Tiburzi, which recognizes a mid-career female director. The film was released on April 13, 2018 by Sony Pictures Classics and was critically acclaimed.
In April 2018, it was announced that Amazon Studios greenlit Zhao's upcoming untitled Bass Reeves biopic, a historical Western about the first black U.S. Deputy Marshal. Zhao is set to direct the film and write the screenplay. In September 2018, Marvel Studios hired her to direct a film based on the Eternals.- Producer
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Vikramaditya Motwane is a writer, director and producer (unfortunately not always in that order) and a partner in Phantom Films with Anurag Kashyap, Vikas Bahl and Madhu Mantena. His directorial debut Udaan (2010) was selected to compete in the 'Un Certain Regard' category at the 2010 Cannes Film Festival. He's since directed Robber (2013), Trapped (2016) and Bhavesh Joshi Superhero (2018) and was the showrunner and co-director on Sacred Games (2018), Netflix's first Indian original.- Producer
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Taika Waititi, also known as Taika Cohen, hails from the Raukokore region of the East Coast of the North Island of New Zealand, and is the son of Robin (Cohen), a teacher, and Taika Waititi, an artist and farmer. His father is Maori (Te-Whanau-a-Apanui), and his mother is of Ashkenazi Jewish, Irish, Scottish, and English descent. Taika has been involved in the film industry for several years, initially as an actor, and now focusing on writing and directing.
Two Cars, One Night is Taika's first professional film-making effort and since its completion in 2003 he has finished another short "Tama Tu" about a group of Maori Soldiers in Italy during World War 2. As a performer and comedian, Taika has been involved in some of the most innovative and successful original productions seen in New Zealand. He regularly does stand-up gigs in and around the country and in 2004 launched his solo production, "Taika's Incredible Show". In 2005 he staged the sequel, "Taika's Incrediblerer Show". As an actor, Taika has been critically acclaimed for both his Comedic and Dramatic abilities. In 2000 he was nominated for Best Actor at the Nokia Film Awards for his role in the Sarkies Brother's film "Scarfies".
Taika is also an experienced painter and photographer, having exhibited both mediums in Wellington and Berlin, and a fashion designer. He attended the Sundance Writers Lab with "Choice", a feature loosely based on "Two Cars, One Night".
Taika became a blockbuster director with his film Thor: Ragnarok (2017), and received critical acclaim, and a Best Adapted Screenplay Oscar, for his film Jojo Rabbit (2019).- Director
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Stanley Kubrick was born in Manhattan, New York City, to Sadie Gertrude (Perveler) and Jacob Leonard Kubrick, a physician. His family were Jewish immigrants (from Austria, Romania, and Russia). Stanley was considered intelligent, despite poor grades at school. Hoping that a change of scenery would produce better academic performance, Kubrick's father sent him in 1940 to Pasadena, California, to stay with his uncle, Martin Perveler. Returning to the Bronx in 1941 for his last year of grammar school, there seemed to be little change in his attitude or his results. Hoping to find something to interest his son, Jack introduced Stanley to chess, with the desired result. Kubrick took to the game passionately, and quickly became a skilled player. Chess would become an important device for Kubrick in later years, often as a tool for dealing with recalcitrant actors, but also as an artistic motif in his films.
Jack Kubrick's decision to give his son a camera for his thirteenth birthday would be an even wiser move: Kubrick became an avid photographer, and would often make trips around New York taking photographs which he would develop in a friend's darkroom. After selling an unsolicited photograph to Look Magazine, Kubrick began to associate with their staff photographers, and at the age of seventeen was offered a job as an apprentice photographer.
In the next few years, Kubrick had regular assignments for "Look", and would become a voracious movie-goer. Together with friend Alexander Singer, Kubrick planned a move into film, and in 1950 sank his savings into making the documentary Day of the Fight (1951). This was followed by several short commissioned documentaries (Flying Padre (1951), and (The Seafarers (1953), but by attracting investors and hustling chess games in Central Park, Kubrick was able to make Fear and Desire (1952) in California.
Filming this movie was not a happy experience; Kubrick's marriage to high school sweetheart Toba Metz did not survive the shooting. Despite mixed reviews for the film itself, Kubrick received good notices for his obvious directorial talents. Kubrick's next two films Killer's Kiss (1955) and The Killing (1956) brought him to the attention of Hollywood, and in 1957 he directed Kirk Douglas in Paths of Glory (1957). Douglas later called upon Kubrick to take over the production of Spartacus (1960), by some accounts hoping that Kubrick would be daunted by the scale of the project and would thus be accommodating. This was not the case, however: Kubrick took charge of the project, imposing his ideas and standards on the film. Many crew members were upset by his style: cinematographer Russell Metty complained to producers that Kubrick was taking over his job. Kubrick's response was to tell him to sit there and do nothing. Metty complied, and ironically was awarded the Academy Award for his cinematography.
Kubrick's next project was to direct Marlon Brando in One-Eyed Jacks (1961), but negotiations broke down and Brando himself ended up directing the film himself. Disenchanted with Hollywood and after another failed marriage, Kubrick moved permanently to England, from where he would make all of his subsequent films. Despite having obtained a pilot's license, Kubrick was rumored to be afraid of flying.
Kubrick's first UK film was Lolita (1962), which was carefully constructed and guided so as to not offend the censorship boards which at the time had the power to severely damage the commercial success of a film. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) was a big risk for Kubrick; before this, "nuclear" was not considered a subject for comedy. Originally written as a drama, Kubrick decided that too many of the ideas he had written were just too funny to be taken seriously. The film's critical and commercial success allowed Kubrick the financial and artistic freedom to work on any project he desired. Around this time, Kubrick's focus diversified and he would always have several projects in various stages of development: "Blue Moon" (a story about Hollywood's first pornographic feature film), "Napoleon" (an epic historical biography, abandoned after studio losses on similar projects), "Wartime Lies" (based on the novel by Louis Begley), and "Rhapsody" (a psycho-sexual thriller).
The next film he completed was a collaboration with sci-fi author Arthur C. Clarke. 2001: A Space Odyssey (1968) is hailed by many as the best ever made; an instant cult favorite, it has set the standard and tone for many science fiction films that followed. Kubrick followed this with A Clockwork Orange (1971), which rivaled Lolita (1962) for the controversy it generated - this time not only for its portrayal of sex, but also of violence. Barry Lyndon (1975) would prove a turning point in both his professional and private lives. His unrelenting demands of commitment and perfection of cast and crew had by now become legendary. Actors would be required to perform dozens of takes with no breaks. Filming a story in Ireland involving military, Kubrick received reports that the IRA had declared him a possible target. Production was promptly moved out of the country, and Kubrick's desire for privacy and security resulted in him being considered a recluse ever since.
Having turned down directing a sequel to The Exorcist (1973), Kubrick made his own horror film: The Shining (1980). Again, rumors circulated of demands made upon actors and crew. Stephen King (whose novel the film was based upon) reportedly didn't like Kubrick's adaptation (indeed, he would later write his own screenplay which was filmed as The Shining (1997).)
Kubrick's subsequent work has been well spaced: it was seven years before Full Metal Jacket (1987) was released. By this time, Kubrick was married with children and had extensively remodeled his house. Seen by one critic as the dark side to the humanist story of Platoon (1986), Full Metal Jacket (1987) continued Kubrick's legacy of solid critical acclaim, and profit at the box office.
In the 1990s, Kubrick began an on-again/off-again collaboration with Brian Aldiss on a new science fiction film called "Artificial Intelligence (AI)", but progress was very slow, and was backgrounded until special effects technology was up to the standard the Kubrick wanted.
Kubrick returned to his in-development projects, but encountered a number of problems: "Napoleon" was completely dead, and "Wartime Lies" (now called "The Aryan Papers") was abandoned when Steven Spielberg announced he would direct Schindler's List (1993), which covered much of the same material.
While pre-production work on "AI" crawled along, Kubrick combined "Rhapsody" and "Blue Movie" and officially announced his next project as Eyes Wide Shut (1999), starring the then-married Tom Cruise and Nicole Kidman. After two years of production under unprecedented security and privacy, the film was released to a typically polarized critical and public reception; Kubrick claimed it was his best film to date.
Special effects technology had matured rapidly in the meantime, and Kubrick immediately began active work on A.I. Artificial Intelligence (2001), but tragically suffered a fatal heart attack in his sleep on March 7th, 1999.
After Kubrick's death, Spielberg revealed that the two of them were friends that frequently communicated discreetly about the art of filmmaking; both had a large degree of mutual respect for each other's work. "AI" was frequently discussed; Kubrick even suggested that Spielberg should direct it as it was more his type of project. Based on this relationship, Spielberg took over as the film's director and completed the last Kubrick project.
How much of Kubrick's vision remains in the finished project -- and what he would think of the film as eventually released -- will be the final great unanswerable mysteries in the life of this talented and private filmmaker.- Director
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Edgar Howard Wright (born 18 April 1974) is an English director, screenwriter, producer, and actor. He is best known for his comedic Three Flavours Cornetto film trilogy consisting of Shaun of the Dead (2004), Hot Fuzz (2007), and The World's End (2013), made with recurrent collaborators Simon Pegg, Nira Park and Nick Frost. He also collaborated with them as the director of the television series Spaced.- Director
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Alejandro González Iñárritu (ih-nyar-ee-too), born August 15th, 1963, is a Mexican film director.
González Iñárritu is the first Mexican director to be nominated for the Academy Award for Best Director and by the Directors Guild of America for Best Director. He is also the first Mexican-born director to have won the Prix de la mise en scene or best director award at Cannes (2006), the second one being Carlos Reygadas in 2012. His six feature films, 'Amores Perros' (2000), '21 Grams' (2003), 'Babel' (2006), 'Biutiful' (2010), 'Birdman' (2014) and 'The Revenant' (2015), have gained critical acclaim world-wide including two Academy Award nominations.
Alejandro González Iñárritu was born in Mexico City.
Crossing the Atlantic Ocean on a cargo ship at the ages of seventeen and nineteen years, González Iñárritu worked his way across Europe and Africa. He himself has noted that these early travels as a young man have had a great influence on him as a film-maker. The setting of his films have often been in the places he visited during this period.
After his travels, González Iñárritu returned to Mexico City and majored in communications at Universidad Iberoamericana. In 1984, he started his career as a radio host at the Mexican radio station WFM, a rock and eclectic music station. In 1988, he became the director of the station. Over the next five years, González Iñárritu spent his time interviewing rock stars, transmitting live concerts, and making WFM the number one radio station in Mexico. From 1987 to 1989, he composed music for six Mexican feature films. He has stated that he believes music has had a bigger influence on him as an artist than film itself.
In the nineties, González Iñárritu created Z films with Raul Olvera in Mexico. Under Z Films, he started writing, producing and directing short films and advertisements. Making the final transition into T.V Film directing, he studied under well-known Polish theatre director Ludwik Margules, as well as Judith Weston in Los Angeles.
In 1995, González Iñárritu wrote and directed his first T.V pilot for Z Films, called Detras del dinero, -"Behind the Money", starring Miguel Bosé. Z Films went on to be one of the biggest and strongest film production companies in Mexico, launching seven young directors in the feature film arena. In 1999, González Iñárritu directed his first feature film Amores perros, written by Guillermo Arriaga. Amores perros explored Mexican society in Mexico City told via three intertwining stories. In 2000, Amores perros premiered at the Cannes Film Festival and won the Critics Weeks Grand Prize. It also introduced audiences for the first time to Gael García Bernal. Amores perros went on to be nominated for Best Foreign Film at the Academy Awards.
After the success of Amores Perros, González Iñárritu and Guillermo Arriaga revisited the intersecting story structure of Amores perros in González Iñárritu's second film, 21 Grams. The film starred Benicio del Toro, Naomi Watts and Sean Penn, and was presented at the Venice Film Festival, winning the Volpi Cup for actor Sean Penn. At the 2004 Academy Awards, Del Toro and Watts received nominations for their performances.
In 2005 González Iñárritu embarked on his third film, Babel, set in 4 countries on 3 continents, and in 4 different languages. Babel consists of four stories set in Morocco, Mexico, the United States, and Japan. The film stars Brad Pitt, Cate Blanchett and Adriana Barraza. The majority of the rest of the cast, however, was made up of non-professional actors and some new actors, such as Rinko Kikuchi. It was presented at Cannes 2006, where González Iñárritu earned the Best Director Prize (Prix de la mise en scène). Babel was released in November 2006 and received seven nominations at the 79th Annual Academy Awards, including Best Picture and Best Director. González Iñárritu is the first Mexican director nominated for a DGA award and for an Academy Award. Babel went on to win Best Motion Picture in the drama category at the Golden Globe Awards on January 15, 2007. Gustavo Santaolalla won the Academy Award that year for Best Original Score. After Babel, Alejandro and his writing partner Guillermo Arriaga professionally parted ways, following González Iñárritu barring Arriaga from the set during filming (Arriaga told the LA Times in 2009 "It had to come to an end, but I still respect González Iñárritu").
In 2008 and 2009, González Iñárritu directed and produced Biutiful, starring Javier Bardem, written by González Iñárritu, Armando Bo, and Nicolas Giacobone. The film premiered at the Cannes Film Festial on May 17, 2010. Bardem went on to win Best Actor (shared with Elio Germano for La nostra vita) at Cannes. Biutiful is González Iñárritu's first film in his native Spanish since his debut feature Amores perros. For the second time in his career his film was nominated for Best Foreign Language Film at the 83rd Academy Awards. It was also nominated for the 2011 Golden Globes in the category of Best Foreign Film, for the 2011 BAFTA awards in the category of Best Film Not in the English Language and Best Actor. Javier Bardem's performance was also nominated for Academy Award for Best Actor.
In 2014, González Iñárritu directed Birdman, starring Michael Keaton, Naomi Watts, Edward Norton, Emma Stone, Zach Galifianakis, and Andrea Riseborough. The film is Iñárritu's first comedy. Birdman is about an actor who played an iconic superhero, and who tries to revive his career by doing a play based on the Raymond Carver short story What We Talk About When We Talk About Love. The film was released on October 17, 2014.
In April 2014, it was announced that González Iñárritu's next film as a director will be The Revenant, which he co-wrote with Mark L. Smith. It is based on the novel of same name by Michael Punke. The film stars Leonardo DiCaprio, Tom Hardy and Will Poulter with shooting began in September 2014, for a December 25, 2015 release.The Revenant is being filmed in Alberta and B.C. with production scheduled to wrap in February 2015. The film will be a 19th Century period piece, and is described as a "gritty thriller" about a fur trapper who seeks revenge against a group of men who robbed and abandoned him after he was mauled by a grizzly bear.
From 2001 to 2011, González Iñárritu directed several short films.
In 2001, he directed an 11 minute film segment for 11.09.01- which is composed of several short films that explore the effects of the 9/11 terrorist attacks from different points of view around the world.
In 2007, he made ANNA which screened at the 2007 Cannes Film Festival inside Chacun son cinéma. It was part of the 60th anniversary of the film festival and it was a series of shorts by 33 world-renown film directors.
In 2012, he made the experimental short film Naran Ja: One Act Orange Dance - inspired by L.A Dance Project's premiere performance. The short features excerpts of the new choreography Benjamin Millepied crafted for Moving Parts. The story takes place in a secluded, dusty space and centers around LADP dancer Julia Eichten.
In 2001/2002, González Iñárritu directed "Powder Keg", an episode for the BMW film series The Hire, starring Clive Owen as the driver.
In 2010, González Iñárritu directed Write the Future, a football-themed commercial for Nike ahead of the 2010 FIFA World Cup, which went on to win Grand Prix at the Cannes Lions advertising festival.
In 2012, he directed Procter and Gamble's "Best Job" commercial spot for the 2012 Olympic Ceremonies. It went on to win the Best Primetime Commercial Emmy at Creative Arts Emmy Awards.- Director
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Wesley Wales Anderson was born in Houston, Texas. His mother, Texas Ann (Burroughs), is an archaeologist turned real estate agent, and his father, Melver Leonard Anderson, worked in advertising and PR. He has two brothers, Eric and Mel. Anderson's parents divorced when he was a young child, an event that he described as the most crucial event of his brothers and his growing up. During childhood, Anderson also began writing plays and making super-8 movies. He was educated at Westchester High School and then St. John's, a private prep school in Houston, Texas, which was later to prove an inspiration for the film Rushmore (1998).
Anderson attended the University of Texas in Austin, where he majored in philosophy. It was there that he met Owen Wilson. They became friends and began making short films, some of which aired on a local cable-access station. One of their shorts was Bottle Rocket (1993), which starred Owen and his brother Luke Wilson. The short was screened at the Sundance Film Festival, where it was successfully received, so much so that they received funding to make a feature-length version. Bottle Rocket (1996) was not a commercial hit, but it gained a cult audience and high-profile fans, which included Martin Scorsese.
Success followed with films such as Rushmore (1998), The Life Aquatic with Steve Zissou (2004), The Royal Tenenbaums (2001) and an animated feature, Fantastic Mr. Fox (2009). The latter two films earned Anderson Oscar nominations.- Director
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Anderson was born in 1970. He was one of the first of the "video store" generation of film-makers. His father was the first man on his block to own a V.C.R., and from a very early age Anderson had an infinite number of titles available to him. While film-makers like Spielberg cut their teeth making 8 mm films, Anderson cut his teeth shooting films on video and editing them from V.C.R. to V.C.R.
Part of Anderson's artistic D.N.A. comes from his father, who hosted a late night horror show in Cleveland. His father knew a number of oddball celebrities such as Robert Ridgely, an actor who often appeared in Mel Brooks' films and would later play "The Colonel" in Anderson's Boogie Nights (1997). Anderson was also very much shaped by growing up in "The Valley", specifically the suburban San Fernando Valley of greater Los Angeles. The Valley may have been immortalized in the 1980s for its mall-hopping "Valley Girls", but for Anderson it was a slightly seedy part of suburban America. You were close to Hollywood, yet you weren't there. Would-bes and burn-outs populated the area. Anderson's experiences growing up in "The Valley" have no doubt shaped his artistic self, especially since three of his four theatrical features are set in the Valley.
Anderson got into film-making at a young age. His most significant amateur film was The Dirk Diggler Story (1988), a sort of mock-documentary a la This Is Spinal Tap (1984), about a once-great pornography star named Dirk Diggler. After enrolling in N.Y.U.'s film program for two days, Anderson got his tuition back and made his own short film, Cigarettes & Coffee (1993). He also worked as a production assistant on numerous commercials and music videos before he got the chance to make his first feature, something he liked to call Sydney, but would later become known to the public as Hard Eight (1996). The film was developed and financed through The Sundance Lab, not unlike Quentin Tarantino's Reservoir Dogs (1992). Anderson cast three actors whom he would continue working with in the future: Altman veteran Philip Baker Hall, the husky and lovable John C. Reilly and, in a small part, Philip Seymour Hoffman, who so far has been featured in all four of Anderson's films. The film deals with a guardian angel type (played by Hall) who takes down-on-his-luck Reilly under his wing. The deliberately paced film featured a number of Anderson trademarks: wonderful use of source light, long takes and top-notch acting. Yet the film was reedited (and retitled) by Rysher Entertainment against Anderson's wishes. It was admired by critics, but didn't catch on at the box office. Still, it was enough for Anderson to eventually get his next movie financed. "Boogie Nights" was, in a sense, a remake of "The Dirk Diggler Story", but Anderson threw away the satirical approach and instead painted a broad canvas about a makeshift family of pornographers. The film was often joyous in its look at the 1970s and the days when pornography was still shot on film, still shown in theatres, and its actors could at least delude themselves into believing that they were movie stars. Yet "Boogie Nights" did not flinch at the dark side, showing a murder and suicide, literally in one (almost) uninterrupted shot, and also showing the lives of these people deteriorate, while also showing how their lives recovered.
Anderson not only worked with Hall, Reilly and Hoffman again, he also worked with Julianne Moore, Melora Walters, William H. Macy and Luis Guzmán. Collectively, Anderson had something that was rare in U.S. cinema: a stock company of top-notch actors. Aside from the above mentioned, Anderson also drew terrific performances from Burt Reynolds and Mark Wahlberg, two actors whose careers were not exactly going full-blast at the time of "Boogie Nights", but who found themselves to be that much more employable afterwards.
The success of "Boogie Nights" gave Anderson the chance to really go for broke in Magnolia (1999), a massive mosaic that could dwarf Altman's Nashville (1975) in its number of characters.
Anderson was awarded a "Best Director" award at Cannes for Punch-Drunk Love (2002).- Producer
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Darren Aronofsky was born February 12, 1969, in Brooklyn, New York. Growing up, Darren was always artistic: he loved classic movies and, as a teenager, he even spent time doing graffiti art. After high school, Darren went to Harvard University to study film (both live-action and animation). He won several film awards after completing his senior thesis film, "Supermarket Sweep", starring Sean Gullette, which went on to becoming a National Student Academy Award finalist. Aronofsky didn't make a feature film until five years later, in February 1996, where he began creating the concept for Pi (1998). After Darren's script for Pi (1998) received great reactions from friends, he began production. The film re-teamed Aronofsky with Gullette, who played the lead. This went on to further successes, such as Requiem for a Dream (2000), The Wrestler (2008) and Black Swan (2010). Most recently, he completed the films Noah (2014) and Mother! (2017).- Director
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Alfred Joseph Hitchcock was born in Leytonstone, Essex, England. He was the son of Emma Jane (Whelan; 1863 - 1942) and East End greengrocer William Hitchcock (1862 - 1914). His parents were both of half English and half Irish ancestry. He had two older siblings, William Hitchcock (born 1890) and Eileen Hitchcock (born 1892). Raised as a strict Catholic and attending Saint Ignatius College, a school run by Jesuits, Hitch had very much of a regular upbringing. His first job outside of the family business was in 1915 as an estimator for the Henley Telegraph and Cable Company. His interest in movies began at around this time, frequently visiting the cinema and reading US trade journals.
Hitchcock entering the film industry in 1919 as a title card designer. It was there that he met Alma Reville, though they never really spoke to each other. It was only after the director for Always Tell Your Wife (1923) fell ill and Hitchcock was named director to complete the film that he and Reville began to collaborate. Hitchcock had his first real crack at directing a film, start to finish, in 1923 when he was hired to direct the film Number 13 (1922), though the production wasn't completed due to the studio's closure (he later remade it as a sound film). Hitchcock didn't give up then. He directed The Pleasure Garden (1925), a British/German production, which was very popular. Hitchcock made his first trademark film in 1927, The Lodger: A Story of the London Fog (1927) . In the same year, on the 2nd of December, Hitchcock married Alma Reville. They had one child, Patricia Hitchcock who was born on July 7th, 1928. His success followed when he made a number of films in Britain such as The Lady Vanishes (1938) and Jamaica Inn (1939), some of which also gained him fame in the USA.
In 1940, the Hitchcock family moved to Hollywood, where the producer David O. Selznick had hired him to direct an adaptation of 'Daphne du Maurier''s Rebecca (1940). After Saboteur (1942), as his fame as a director grew, film companies began to refer to his films as 'Alfred Hitchcock's', for example Alfred Hitcock's Psycho (1960), Alfred Hitchcock's Family Plot (1976), Alfred Hitchcock's Frenzy (1972).
Hitchcock was a master of pure cinema who almost never failed to reconcile aesthetics with the demands of the box-office.
During the making of Frenzy (1972), Hitchcock's wife Alma suffered a paralyzing stroke which made her unable to walk very well. On March 7, 1979, Hitchcock was awarded the AFI Life Achievement Award, where he said: "I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat, and the fourth is as fine a cook as ever performed miracles in a domestic kitchen and their names are Alma Reville." By this time, he was ill with angina and his kidneys had already started to fail. He had started to write a screenplay with Ernest Lehman called The Short Night but he fired Lehman and hired young writer David Freeman to rewrite the script. Due to Hitchcock's failing health the film was never made, but Freeman published the script after Hitchcock's death. In late 1979, Hitchcock was knighted, making him Sir Alfred Hitchcock. On the 29th April 1980, 9:17AM, he died peacefully in his sleep due to renal failure. His funeral was held in the Church of Good Shepherd in Beverly Hills. Father Thomas Sullivan led the service with over 600 people attended the service, among them were Mel Brooks (director of High Anxiety (1977), a comedy tribute to Hitchcock and his films), Louis Jourdan, Karl Malden, Tippi Hedren, Janet Leigh and François Truffaut.- Producer
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Academy Award-winning filmmaker Ron Howard is one of this generation's most popular directors. From the critically acclaimed dramas A Beautiful Mind (2001) and Apollo 13 (1995) to the hit comedies Parenthood (1989) and Splash (1983), he has created some of Hollywood's most memorable films.
Howard made his directorial debut in 1978 with the comedy Grand Theft Auto (1977). He began his career in film as an actor. He first appeared in The Journey (1959) and The Music Man (1962), then as Opie on the long-running television series The Andy Griffith Show (1960). Howard later starred in the popular series Happy Days (1974) and drew favorable reviews for his performances in American Graffiti (1973) and The Shootist (1976).
Howard and long-time producing partner Brian Grazer first collaborated on the hit comedies "Night Shift" and "Splash." The pair co-founded Imagine Entertainment in 1986 to create independently produced feature films.
Howard's portfolio includes some of the most popular films of the past 20 years. In 1991, Howard created the acclaimed drama "Backdraft", starring Robert De Niro, Kurt Russell and William Baldwin. He followed it with the historical epic Far and Away (1992), starring Tom Cruise and Nicole Kidman. Howard directed Mel Gibson, Rene Russo, Gary Sinise and Delroy Lindo in the 1996 suspense thriller Ransom (1996). Howard worked with Tom Hanks, Kevin Bacon, Ed Harris, Bill Paxton, Gary Sinise and Kathleen Quinlan on "Apollo 13," which was re-released recently in the IMAX format.
Howard's skill as a director has long been recognized. In 1995, he received his first Best Director of the Year award from the DGA for "Apollo 13." The true-life drama also garnered nine Academy Award nominations, winning Oscars for Best Film Editing and Best Sound. It also received Best Ensemble Cast and Best Supporting Actor awards from the Screen Actor's Guild. Many of Howard's past films have received nods from the Academy, including the popular hits Backdraft (1991), "Parenthood" and Cocoon (1985), the last of which took home two Oscars.
Howard directed and produced Cinderella Man (2005) starring Oscar winner Russell Crowe, with whom he previously collaborated on "A Beautiful Mind," for which Howard earned an Oscar for Best Director and which also won awards for Best Picture, Best Screenplay and Best Supporting Actress. The film garnered four Golden Globes as well, including the award for Best Motion Picture Drama. Additionally, Howard won Best Director of the Year from the Directors Guild of America. Howard and producer Brian Grazer received the first annual Awareness Award from the National Mental Health Awareness Campaign for their work on the film.
Howard was honored by the Museum of Moving Images in December 2005, and by the American Cinema Editors in February 2006. Howard and his creative partner Brian Grazer, were honored by the Producers Guild of America with the Milestone Award in January 2009, NYU's Tisch School of Cinematic Arts with the Big Apple Award in November 2009 and by the Simon Wiesenthal Center with their Humanitarian Award in May 2010. In June 2010, Howard was honored by the Chicago Film Festival with their Gold Hugo - Career Achievement Award. In March 2013, Howard was inducted into the Television Hall of Fame. In December 2015, Howard was honored with a star in the Motion Pictures category, making him one of the very few to have been recognized with two stars on the Hollywood Walk of Fame.
Howard also produced and directed the film adaptation of Peter Morgan's critically acclaimed play Frost/Nixon (2008). The film was nominated for five Academy Awards including Best Picture, and was also nominated for The Darryl F. Zanuck Producer of the Year Award in Theatrical Motion Pictures by the PGA.
Howard has also served as an executive producer on a number of award-winning films and television shows, such as the HBO miniseries From the Earth to the Moon (1998), Fox's Emmy Award winner for Best Comedy, Arrested Development (2003), a series which he also narrated, Netflix's release of new episodes of "Arrested Development," and NBC's "Parenthood."
Howard's recent films include the critically acclaimed drama Rush (2013), staring Chris Hemsworth and Daniel Brühl, written by Peter Morgan; and Made in America (2013), a music documentary he directed staring Jay-Z for Showtime.
Howard's other films include In the Heart of the Sea (2015), based on the true story that inspired Moby Dick; his adaptation of Dan Brown's best-selling novels Angels & Demons (2009), and The Da Vinci Code (2006) staring Oscar winner Tom Hanks; the blockbuster holiday favorite "Dr. Seuss' How the Grinch Stole Christmas (2000)" starring Jim Carrey; "Parenthood" starring Steve Martin; the fantasy epic Willow (1988); Night Shift (1982) starring Henry Winkler, Michael Keaton and Shelley Long; and the suspenseful western, The Missing (2003), staring Oscar winners Cate Blanchett and Tommy Lee Jones.
Recently, Howard directed Inferno (2016), the third installment of Dan Brown 's Robert Langdon franchise and The Beatles: Eight Days a Week - The Touring Years (2016), a documentary about the rock legends The Beatles. He also produced the second season of Breakthrough (2015), Mars (2016), and directed the first episode of Genius (2017), based on the life of Albert Einstein, all for NatGeo.- Writer
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Asghar Farhadi is an Iranian film director, screenwriter, and producer. He is considered one of the most prominent filmmakers of Iranian cinema as well as world cinema in the 21st century. His films have gained recognition for their focus on the human condition, and portrayals of intimate and challenging stories of internal family conflicts. In 2012, he was included on the annual Time 100 list of the most influential people in the world. That same year, he also received the Legion of Honour from France.
Farhadi was born in Isfahan, Iran. At the age of 15, in 1987, he joined the Isfahan branch office of the Iranian Youth Cinema Society, which had been established for 4 years earlier and he made several short films. He is also a graduate of theatre, with a BA in dramatic arts and MA in stage direction from University of Tehran and Tarbiat Modares University, respectively.
While completing his studies, he wrote a number of radio plays for Iran's national broadcasting service and directed several television programs. In 2001 Farhadi co-wrote the screenplay for the political satire Ertefa-e past (Low Heights, 2002), with famed war film director, Ebrahim Hatamikia.
Farhadi's first feature film, Dancing in the Dust (2003), tells the story of a young man who is forced to divorce his wife and go hunting snakes in the desert in order to repay his debts to his in-laws. His next film, The Beautiful City (2004), is about a young man who is sentenced to death for a crime he did not commit.
Farhadi's breakthrough came with his third film, About Elly (2009), which won the Golden Bear at the Berlin Film Festival. The film tells the story of a group of friends who go on a weekend trip to the Caspian Sea, and the secrets that are revealed over the course of the weekend.
Farhadi's next film, A Separation (2011), won the Academy Award for Best Foreign Language Film. The film tells the story of a middle-class Iranian couple who are going through a divorce, and the moral dilemmas they face as they try to decide what is best for their young daughter.
Farhadi's subsequent films, The Past (2013) and The Salesman (2016), were also critically acclaimed. The Salesman won a second Academy Award for Best Foreign Language Film.
Farhadi's latest film, A Hero (2021), was selected to compete for the Palme d'Or at the 2021 Cannes Film Festival. The film tells the story of a man who is released from prison and tries to win back his wife's trust.
Farhadi's films are known for their their complex and suspenseful plots, their realistic characters, and their exploration of moral dilemmas. His films often deal with themes of family, relationships, and social class.
Farhadi is a master of creating suspense, and his films are often compared to those of Alfred Hitchcock. He is also a skilled director of actors, and his films have featured some of the most celebrated Iranian actors, including Shahab Hosseini, Leila Hatami, and Taraneh Alidoosti.
In 2022, Farhadi was accused of plagiarism by a former student, who claimed that he had stolen the idea for his film A Hero from a documentary she had made. Farhadi denied the allegations, and a court in Iran eventually ruled in his favor. However, the allegations have tarnished Farhadi's reputation and raised questions about his creative process.
Asghar Farhadi is one of the most important filmmakers of our time. His films are both entertaining and thought-provoking, and they offer a unique insight into Iranian society and culture. He is a true auteur, and his work is sure to be studied and admired for many years to come.- Writer
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Woody Allen was born on November 30, 1935, as Allen Konigsberg, in The Bronx, NY, the son of Martin Konigsberg and Nettie Konigsberg. He has one younger sister, Letty Aronson. As a young boy, he became intrigued with magic tricks and playing the clarinet, two hobbies that he continues today.
Allen broke into show business at 15 years when he started writing jokes for a local paper, receiving $200 a week. He later moved on to write jokes for talk shows but felt that his jokes were being wasted. His agents, Charles Joffe and Jack Rollins, convinced him to start doing stand-up and telling his own jokes. Reluctantly he agreed and, although he initially performed with such fear of the audience that he would cover his ears when they applauded his jokes, he eventually became very successful at stand-up. After performing on stage for a few years, he was approached to write a script for Warren Beatty to star in: What's New Pussycat (1965) and would also have a moderate role as a character in the film. During production, Woody gave himself more and better lines and left Beatty with less compelling dialogue. Beatty inevitably quit the project and was replaced by Peter Sellers, who demanded all the best lines and more screen-time.
It was from this experience that Woody realized that he could not work on a film without complete control over its production. Woody's theoretical directorial debut was in What's Up, Tiger Lily? (1966); a Japanese spy flick that he dubbed over with his own comedic dialogue about spies searching for the secret recipe for egg salad. His real directorial debut came the next year in the mockumentary Take the Money and Run (1969). He has written, directed and, more often than not, starred in about a film a year ever since, while simultaneously writing more than a dozen plays and several books of comedy.
While best known for his romantic comedies Annie Hall (1977) and Manhattan (1979), Woody has made many transitions in his films throughout the years, transitioning from his "early, funny ones" of Bananas (1971), Love and Death (1975) and Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972); to his more storied and romantic comedies of Annie Hall (1977), Manhattan (1979) and Hannah and Her Sisters (1986); to the Bergmanesque films of Stardust Memories (1980) and Interiors (1978); and then on to the more recent, but varied works of Crimes and Misdemeanors (1989), Husbands and Wives (1992), Mighty Aphrodite (1995), Celebrity (1998) and Deconstructing Harry (1997); and finally to his films of the last decade, which vary from the light comedy of Scoop (2006), to the self-destructive darkness of Match Point (2005) and, most recently, to the cinematically beautiful tale of Vicky Cristina Barcelona (2008). Although his stories and style have changed over the years, he is regarded as one of the best filmmakers of our time because of his views on art and his mastery of filmmaking.