"Here comes my family." The BFI in the UK has revealed a new trailer for the 40th anniversary re-release of the acclaimed 1982 Ingmar Bergman film Fanny and Alexander, a Christmas classic from Sweden. The three-hour long saga of family and humanity first opened in Sweden in 1982, before arriving in US theaters in 1983. Two young Swedish children in the 1900s experience the many comedies & tragedies of their lively and affectionate family, the Ekdahls. "Although Bergman is as attuned as ever to the anguish of life, there is also much that is fondly recalled, from toy theatres and magic lantern shows to family Christmases and favoured relatives." Bergman intended Fanny and Alexander to be his final film before retiring, and his script is semi-autobiographical. It won four Academy Awards when it first opened. The film stars Pernilla Allwin, Bertil Guve, Jan Malmsjö, Börje Ahlstedt, Anna Bergman, Gunn Wållgren, Erland Josephson, Mats Bergman,...
- 10/27/2022
- by Alex Billington
- firstshowing.net
'Fanny and Alexander' movie: Ingmar Bergman classic with Bertil Guve as Alexander Ekdahl 'Fanny and Alexander' movie review: Last Ingmar Bergman 'filmic film' Why Ingmar Bergman's Fanny and Alexander / Fanny och Alexander bears its appellation is a mystery – one of many in the director's final 'filmic film' – since the first titular character, Fanny (Pernilla Allwin) is at best a third- or fourth-level supporting character. In fact, in the three-hour theatrical version she is not even mentioned by name for nearly an hour into the film. Fanny and Alexander should have been called "Alexander and Fanny," or simply "Alexander," since it most closely follows two years – from 1907 to 1909 – in the life of young, handsome, brown-haired Alexander Ekdahl (Bertil Guve), the original "boy who sees dead people." Better yet, it should have been called "The Ekdahls," for that whole family is central to the film, especially Fanny and Alexander's beautiful blonde mother Emilie,...
- 5/8/2015
- by Dan Schneider
- Alt Film Guide
40. Night of the Hunter (1955)
Scene: The Preacher on the Horizon
Video: http://youtu.be/9PyNL2ahKwc?list=PLZbXA4lyCtqolaQOAXly96de5FYQlPzqK Just like a few others in this section of the list, Charles Laughton’s brilliant Night of the Hunter isn’t really a horror film, but still sets out to keep the audience on edge. Starring a diabolical Robert Mitchum as a preacher/serial killer Reverend Harry Powell, it follows him as he tries to woo his former cellmate’s widow Willa (Shelly Winters), hoping to learn where he has hidden his bank loot. Powell devises that his children John and Pearl must know, but he struggles to gain young John’s trust. When Willa learns of his plan, Powell is forced to kill her and hide the body, leaving him as sole caretaker of the children, who flee down the river. And then the scene. Having believed they have escaped Powell,...
Scene: The Preacher on the Horizon
Video: http://youtu.be/9PyNL2ahKwc?list=PLZbXA4lyCtqolaQOAXly96de5FYQlPzqK Just like a few others in this section of the list, Charles Laughton’s brilliant Night of the Hunter isn’t really a horror film, but still sets out to keep the audience on edge. Starring a diabolical Robert Mitchum as a preacher/serial killer Reverend Harry Powell, it follows him as he tries to woo his former cellmate’s widow Willa (Shelly Winters), hoping to learn where he has hidden his bank loot. Powell devises that his children John and Pearl must know, but he struggles to gain young John’s trust. When Willa learns of his plan, Powell is forced to kill her and hide the body, leaving him as sole caretaker of the children, who flee down the river. And then the scene. Having believed they have escaped Powell,...
- 10/11/2014
- by Joshua Gaul
- SoundOnSight
Elitist and pretentious, or an endangered species? Whatever your feelings, there's no doubt that arthouse movies are among the finest ever made. Here the Guardian and Observer critics pick the 10 best
• Top 10 romantic movies
• Top 10 action movies
• Top 10 comedy movies
• Top 10 horror movies
• Top 10 sci-fi movies
• Top 10 crime movies
Peter Bradshaw on art movies
This is a red rag to a number of different bulls. Lovers of what are called arthouse movies resent the label for being derisive and philistine. And those who detest it bristle at the implication that there is no artistry or intelligence in mainstream entertainment.
For many, the stereotypical arthouse film is Ingmar Bergman's The Seventh Seal. Sergei Eisenstein's Battleship Potemkin was a classic art film from the 1920s and Luis Buñuel investigated cinema's potential for surreality like no one before or since. The Italian neorealists applied the severity of art to a representation...
• Top 10 romantic movies
• Top 10 action movies
• Top 10 comedy movies
• Top 10 horror movies
• Top 10 sci-fi movies
• Top 10 crime movies
Peter Bradshaw on art movies
This is a red rag to a number of different bulls. Lovers of what are called arthouse movies resent the label for being derisive and philistine. And those who detest it bristle at the implication that there is no artistry or intelligence in mainstream entertainment.
For many, the stereotypical arthouse film is Ingmar Bergman's The Seventh Seal. Sergei Eisenstein's Battleship Potemkin was a classic art film from the 1920s and Luis Buñuel investigated cinema's potential for surreality like no one before or since. The Italian neorealists applied the severity of art to a representation...
- 10/21/2013
- The Guardian - Film News
Fanny and Alexander Directed by: Ingmar Bergman Written by: Ingmar Bergman Starring: Börje Ahlstedt, Pernilla Allwin, Allan Edwall, Ewa Fröling, Bertil Guve I was faced with a dilemma when I finally sat down to watch Ingmar Bergman's epic 1982 family drama, Fanny and Alexander. Not unlike his "Scenes From a Marriage", Criterion's wonderful blu ray set contains two versions of the film: the 3 hour theatrical cut and the original five and a half hour TV miniseries. Which version do I watch? I've always hated being forced to make such choices and now that DVD and blu ray have afforded filmmakers the option to release various director's cuts and unrated versions, it seem to happen all too often. Luckily, this situation seemed a little more clear cut. Obviously if Bergman shot and released a five hour version, That was the complete version. So that's where I started. The first hour of...
- 11/17/2011
- by Jay C.
- FilmJunk
Pernilla Allwin, Bertil Guve in Ingmar Bergman's Fanny and Alexander Fanny And Alexander Review: Part I The Fanny and Alexander plot is basically as follows: The three sons of the widowed Helena (Gunn Wållgren) are involved in local businesses and in the theater. They are Gustav Adolf, Carl, and Oscar, who is Fanny and Alexander's father, and much older than his beautiful wife, Emilie. Then there is Isak Jacobi (Erland Josephson), the Jewish family friend and Helena's ex-lover. With his nephew Aron (Mats Bergman, the director's son), Isak runs the local puppet and magic shop in town. Aron's brother Ismael is locked away because he is either dangerous, preternaturally gifted, or both. When Oscar suddenly dies during a rehearsal for Hamlet — whose narrative provides this tale's spine — everything changes for the worse. Bishop Vergerus insinuates himself into the life and heart of Emilie Ekdahl; a year after Oscar's death,...
- 2/5/2011
- by Dan Schneider
- Alt Film Guide
Fanny Och Alexander / Fanny And Alexander (1982) Direction and Screenplay: Ingmar Bergman Cast: Pernilla Allwin, Bertil Guve, Ewa Fröling, Börje Ahlstedt, Jan Malmsjö, Allan Edwall, Gunn Wållgren, Jarl Kulle , Erland Josephson, Pernilla August, Harriet Andersson, Stina Ekblad, Mats Bergman, Gunnar Björnstrand, Lena Olin Oscar Movies Bertil Guve, Pernilla Allwin, Fanny and Alexander By Dan Schneider of Cosmoetica: Why Ingmar Bergman's final 'filmic film,' Fanny och Alexander / Fanny and Alexander (1982) bears its appellation is a mystery — one of many in the film — since the first titular character, Fanny (Pernilla Allwin) is at best a third- or fourth-level supporting character. In fact, in the three-hour theatrical version she is not even mentioned by name for nearly an hour into the film. Fanny and Alexander should have been called "Alexander and Fanny," or simply "Alexander," since it most closely follows two years in the life of young, handsome, brown-haired [...]...
- 2/5/2011
- by Dan Schneider
- Alt Film Guide
Ingmar Bergman, 1982
Ingmar Bergman's self-styled farewell to cinema is an opulent family saga, by turns bawdy, stark and strange. For novices who are put off by the director's reputation as a dour, difficult doom master, the film provides a good introduction. But it may also count as the ideal final destination: the picture in which Bergman took hold of his demons and forged a kind of truce.
The plot, in a nutshell, goes like this: two wealthy siblings, Fanny (Pernilla Allwin) and Alexander (Bertil Guve), grow up in the bosom of a lovingly dysfunctional home. Following their father's death, their mother marries the bishop (a superb performance from Jan Malmsjö) and an Oedipal struggle breaks out between Alexander and his icy new stepfather. Matters are resolved in a devastating final section inside an old curiosity shop in which Alexander is shown "the swift way that evil thoughts can go...
Ingmar Bergman's self-styled farewell to cinema is an opulent family saga, by turns bawdy, stark and strange. For novices who are put off by the director's reputation as a dour, difficult doom master, the film provides a good introduction. But it may also count as the ideal final destination: the picture in which Bergman took hold of his demons and forged a kind of truce.
The plot, in a nutshell, goes like this: two wealthy siblings, Fanny (Pernilla Allwin) and Alexander (Bertil Guve), grow up in the bosom of a lovingly dysfunctional home. Following their father's death, their mother marries the bishop (a superb performance from Jan Malmsjö) and an Oedipal struggle breaks out between Alexander and his icy new stepfather. Matters are resolved in a devastating final section inside an old curiosity shop in which Alexander is shown "the swift way that evil thoughts can go...
- 10/20/2010
- by Xan Brooks
- The Guardian - Film News
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