![M. David Mullen](https://m.media-amazon.com/images/M/MV5BNzRmOWZlOTYtNmU0Ni00ODQzLWIwYmMtMjdkODQ3ZGJjNDU2XkEyXkFqcGdeQXVyNjUxMjc1OTM@._V1_QL75_UY207_CR8,0,140,207_.jpg)
![M. David Mullen](https://m.media-amazon.com/images/M/MV5BNzRmOWZlOTYtNmU0Ni00ODQzLWIwYmMtMjdkODQ3ZGJjNDU2XkEyXkFqcGdeQXVyNjUxMjc1OTM@._V1_QL75_UY207_CR8,0,140,207_.jpg)
For two seasons, director of photography M. David Mullen has been responsible for inviting the audience into the world of a housewife-turned-comedian on Amazon Prime Video’s “The Marvelous Mrs. Maisel.” With often naturally-lit 360-shots, oners and long, wide shots of real locations, he captures the beauty of the somewhat simpler time of 1950s New York. Now, he sees his second consecutive Emmy nomination for cinematography of a one-hour, single-camera program for his work on the second season premiere entitled “Simone.”
“Simone” includes a couple of intricate oners. How collaborative is the process to decide what scenes call for such a visual technique?
They’re almost always from [co-creators] Amy [Sherman-Palladino] and Dan [Palladino]. After having worked with them for awhile, you can tell when you read the scene. They don’t write it in the script that it’s a oner, but the way it flows, it’s obvious if it keeps...
“Simone” includes a couple of intricate oners. How collaborative is the process to decide what scenes call for such a visual technique?
They’re almost always from [co-creators] Amy [Sherman-Palladino] and Dan [Palladino]. After having worked with them for awhile, you can tell when you read the scene. They don’t write it in the script that it’s a oner, but the way it flows, it’s obvious if it keeps...
- 8/1/2019
- by Danielle Turchiano
- Variety Film + TV
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