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Screen Australia has unveiled 13 titles that will share in $3.7 million of production funding, with six documentaries to be supported through the Producer Program and seven projects via the Commissioned Program.
They include a feature documentary from Stranger Than Fiction that follows an Indigenous figure skater from Western Sydney, Harley Windsor, on his quest to compete in the Winter Olympics; a series going inside the Sydney Opera House for the ABC; and a feature documentary about a grandmother with dementia who became an internet sensation in Everybody’s Oma.
Screen Australia head of documentary Alex West said the documentaries were a testament to the talented filmmakers creating local stories with great impact.
“These projects will explore contemporary social issues including how First Nations artist Richard Bell’s work uses art to effect change in War & Order, as well as the complexities of teen parenting in Kids Raising Kids,” he said.
“They...
They include a feature documentary from Stranger Than Fiction that follows an Indigenous figure skater from Western Sydney, Harley Windsor, on his quest to compete in the Winter Olympics; a series going inside the Sydney Opera House for the ABC; and a feature documentary about a grandmother with dementia who became an internet sensation in Everybody’s Oma.
Screen Australia head of documentary Alex West said the documentaries were a testament to the talented filmmakers creating local stories with great impact.
“These projects will explore contemporary social issues including how First Nations artist Richard Bell’s work uses art to effect change in War & Order, as well as the complexities of teen parenting in Kids Raising Kids,” he said.
“They...
- 11/2/2021
- by Staff Writer
- IF.com.au
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Screen Australia-funded ‘Alick and Albert’ (Photo: Freshwater Pictures).
Screen Australia has decided to postpone the introduction of the revised documentary programs from July 1 until 2021, to the dismay of some factual filmmakers who wanted the new regime to happen sooner.
Announcing the move, Screen Australia CEO Graeme Mason said: “Documentary has a unique set of challenges in this current situation and many creators in this space were already operating in difficult circumstances. As such, my focus right now is on giving the documentary sector as much stability as possible.”
The existing documentary programs including the Producer Equity Program (Pep) will remain in place for the rest of 2020. The budget for documentary in 2019/20 remains unchanged and Mason said the documentary team headed by Bernadine Lim is now working on a very large number of new applications.
In a letter to Lim from 360 Degree Films’ Sally Ingleton on behalf of the Australian Independent Documentary Group,...
Screen Australia has decided to postpone the introduction of the revised documentary programs from July 1 until 2021, to the dismay of some factual filmmakers who wanted the new regime to happen sooner.
Announcing the move, Screen Australia CEO Graeme Mason said: “Documentary has a unique set of challenges in this current situation and many creators in this space were already operating in difficult circumstances. As such, my focus right now is on giving the documentary sector as much stability as possible.”
The existing documentary programs including the Producer Equity Program (Pep) will remain in place for the rest of 2020. The budget for documentary in 2019/20 remains unchanged and Mason said the documentary team headed by Bernadine Lim is now working on a very large number of new applications.
In a letter to Lim from 360 Degree Films’ Sally Ingleton on behalf of the Australian Independent Documentary Group,...
- 4/16/2020
- by The IF Team
- IF.com.au
Flickchicks’ ‘Bowled Over’ for Sbs’s ‘Untold Australia.’
The Australian International Documentary (Aid) group is urging Screen Australia to increase funding of single one-hours and feature documentaries.
This could be achieved by the agency reducing funding to broadcasters for format-based productions and by allocating a set percentage of its annual documentary spend ($16.26 million in 2018/19) on singles.
In response, Screen Australia reports it has 29 feature docs in various states of production which are yet to be released, compared with 27 TV docs, eight online and two Vr.
The group, which represents a broad church of factual producers, directors, writers and editors, supports the majority of Screen Australia’s proposed changes to docs funding guidelines.
The Aid welcomed the increase of up to $500,000 for development, the funds allocated to the Producer Program, reducing the cap for Commissioned Programs from $1 million to $750.000 and opening up funding to all major platforms.
However the group continues...
The Australian International Documentary (Aid) group is urging Screen Australia to increase funding of single one-hours and feature documentaries.
This could be achieved by the agency reducing funding to broadcasters for format-based productions and by allocating a set percentage of its annual documentary spend ($16.26 million in 2018/19) on singles.
In response, Screen Australia reports it has 29 feature docs in various states of production which are yet to be released, compared with 27 TV docs, eight online and two Vr.
The group, which represents a broad church of factual producers, directors, writers and editors, supports the majority of Screen Australia’s proposed changes to docs funding guidelines.
The Aid welcomed the increase of up to $500,000 for development, the funds allocated to the Producer Program, reducing the cap for Commissioned Programs from $1 million to $750.000 and opening up funding to all major platforms.
However the group continues...
- 1/8/2020
- by The IF Team
- IF.com.au
Pat Fiske.
After 45 years as a documentary filmmaker, Pat Fiske has some simple advice for aspiring practitioners: “Have many strings to your bow if you want to survive.”
The Us-born Fiske credits her multiple roles as a director, writer, producer, sound recordist and stills photographer for helping to sustain her career.
All that, plus she served as a documentary consultant at Sbs Independent and was co-head of the documentary department at Aftrs with Mitzi Goldman from 2002 to 2008.
The documentarian will be feted by her peers at an event hosted by the Australian Documentary Forum (OzDox) at the Aftrs Theatre on Wednesday November 13.
OzDox initiated the annual celebration with posthumous salutes to cinematographer Tony Wilson and filmmaker Dennis O’Rourke, followed by the very much alive Martha Ansara and Curtis Levy.
Speakers on the night will include Documentary Australia Foundation CEO Goldman, who says: “Pat is a legend – she’s supported so many,...
After 45 years as a documentary filmmaker, Pat Fiske has some simple advice for aspiring practitioners: “Have many strings to your bow if you want to survive.”
The Us-born Fiske credits her multiple roles as a director, writer, producer, sound recordist and stills photographer for helping to sustain her career.
All that, plus she served as a documentary consultant at Sbs Independent and was co-head of the documentary department at Aftrs with Mitzi Goldman from 2002 to 2008.
The documentarian will be feted by her peers at an event hosted by the Australian Documentary Forum (OzDox) at the Aftrs Theatre on Wednesday November 13.
OzDox initiated the annual celebration with posthumous salutes to cinematographer Tony Wilson and filmmaker Dennis O’Rourke, followed by the very much alive Martha Ansara and Curtis Levy.
Speakers on the night will include Documentary Australia Foundation CEO Goldman, who says: “Pat is a legend – she’s supported so many,...
- 10/30/2019
- by The IF Team
- IF.com.au
Graeme Mason.
Screen Australia expects to support the same number of documentary projects each year despite the proposed scrapping of the Producer Equity Program (Pep).
The Pep program had no qualitative controls and was becoming unsustainable due to the sheer volume of people who were trying to access that scheme, according to Screen Australia CEO Graeme Mason.
Mason told a Senate Estimates committee in Canberra earlier this week that the creatively-assessed completion fund for low budget projects, which the agency is proposing to replace Pep, would help producers develop projects and at completion.
Asked by Labor Senator Anne Urquhart if the proposed funding regime may result in fewer projects getting assistance, Mason said: “It would be fair to say that some would not be eligible or would not be successful that could have been in the past.
“In the last two years the scheme was going so far over its...
Screen Australia expects to support the same number of documentary projects each year despite the proposed scrapping of the Producer Equity Program (Pep).
The Pep program had no qualitative controls and was becoming unsustainable due to the sheer volume of people who were trying to access that scheme, according to Screen Australia CEO Graeme Mason.
Mason told a Senate Estimates committee in Canberra earlier this week that the creatively-assessed completion fund for low budget projects, which the agency is proposing to replace Pep, would help producers develop projects and at completion.
Asked by Labor Senator Anne Urquhart if the proposed funding regime may result in fewer projects getting assistance, Mason said: “It would be fair to say that some would not be eligible or would not be successful that could have been in the past.
“In the last two years the scheme was going so far over its...
- 10/24/2019
- by The IF Team
- IF.com.au
‘Backtrack Boys’ director Catherine Scott is among those who spearheaded the campaign.
More than 250 filmmakers have co-signed an open letter calling for a “radical overhaul” of government policy in order to sustainably support the independent documentary sector now and into the future.
The letter, from the newly formed Australian Independent Documentary (Aid) group, argues that recent policy changes have undermined the viability of the independent documentary sector and its ability to produce distinct and original Australian content for both local and international audiences.
It calls variously for Screen Australia to work with the public broadcasters to create a dedicated strand on Australian public broadcast television for original Australian documentary, and for the federal agency to stop allocating funds to foreign majority owned companies at development and production stage; to increase funding support for original Australian formats; recognise cinema-on-demand as a legitimate form of cinema distribution, and to establish a dedicated fund for international co-production.
More than 250 filmmakers have co-signed an open letter calling for a “radical overhaul” of government policy in order to sustainably support the independent documentary sector now and into the future.
The letter, from the newly formed Australian Independent Documentary (Aid) group, argues that recent policy changes have undermined the viability of the independent documentary sector and its ability to produce distinct and original Australian content for both local and international audiences.
It calls variously for Screen Australia to work with the public broadcasters to create a dedicated strand on Australian public broadcast television for original Australian documentary, and for the federal agency to stop allocating funds to foreign majority owned companies at development and production stage; to increase funding support for original Australian formats; recognise cinema-on-demand as a legitimate form of cinema distribution, and to establish a dedicated fund for international co-production.
- 3/5/2019
- by jkeast
- IF.com.au
Warwick Thornton.s doco.'We Don't Need A Map' will open the 2017 Sydney Film Festival..
Warwick Thornton.s We Don.t Need A Map will open this year.s Sydney Film Festival, with the event also marking the documentary.s world premiere..
The latest film from the Samson and Delilah director explores Australia.s relationship to the Southern Cross through colonial and indigenous history through to the present day..
We Don't Need A Map will compete in the festival.s Official Competition. Among the 12 films in the running for the $60,000 prize are Aussie theatre director Benedict Andrew.s debut feature Una, which stars Ben Mendelsohn, as well as Sofia Coppola.s Beguiled.and Michael Haneke.s Happy End, both of which will come to the festival from Cannes.
Overall the festival program boasts 288 films from 59 countries, including 37 world premieres. Bookending the fest will be Korean director Bong Joon-ho.s Cannes film.Okja,...
Warwick Thornton.s We Don.t Need A Map will open this year.s Sydney Film Festival, with the event also marking the documentary.s world premiere..
The latest film from the Samson and Delilah director explores Australia.s relationship to the Southern Cross through colonial and indigenous history through to the present day..
We Don't Need A Map will compete in the festival.s Official Competition. Among the 12 films in the running for the $60,000 prize are Aussie theatre director Benedict Andrew.s debut feature Una, which stars Ben Mendelsohn, as well as Sofia Coppola.s Beguiled.and Michael Haneke.s Happy End, both of which will come to the festival from Cannes.
Overall the festival program boasts 288 films from 59 countries, including 37 world premieres. Bookending the fest will be Korean director Bong Joon-ho.s Cannes film.Okja,...
- 5/10/2017
- by Jackie Keast
- IF.com.au
(L-r): Rosemary Blight and Kylie du Fresne.
Partners and producers at Goalpost Pictures, the company behind 'Cleverman', 'The Sapphires' and 'Holding the Man', Kylie du Fresne and Rosemary Blight have worked together for over 20 years. Jackie Keast talks to them about how they met and how their working relationship has developed.
Kylie du Fresne:
It.s a story that goes back something like 23 years. I was only a couple of years into the film industry and working as a freelancer. A friend of mine said, .There.s a woman who.s working in film publicity, she.s heavily pregnant and needs a hand.. So Rosemary and I started working together with me as her assistant..
In those early years, I was a freelancer. I.d work with her and then I.d go off and do other things. Rosemary went back into...
Partners and producers at Goalpost Pictures, the company behind 'Cleverman', 'The Sapphires' and 'Holding the Man', Kylie du Fresne and Rosemary Blight have worked together for over 20 years. Jackie Keast talks to them about how they met and how their working relationship has developed.
Kylie du Fresne:
It.s a story that goes back something like 23 years. I was only a couple of years into the film industry and working as a freelancer. A friend of mine said, .There.s a woman who.s working in film publicity, she.s heavily pregnant and needs a hand.. So Rosemary and I started working together with me as her assistant..
In those early years, I was a freelancer. I.d work with her and then I.d go off and do other things. Rosemary went back into...
- 9/5/2016
- by Jackie Keast
- IF.com.au
More than 84 Australian documentary filmmakers have signed a petition asking Prime Minister Julia Gillard “to confirm publicly Australia’s commitment to freedom of political comunication”, in support of Wikileaks founder Julian Assange.
They’re being coordinated by Carmela Baranowska, as part of a broader petition started on the ABC’s website and incorporating more than 500 signatures.
The petition has been signed by:
Carmela Baranowska – director, journalist Sharon Connolly – producer Bree Mckilligan – filmmaker Jono Van Hest – director Sarah Zadeh – filmmaker Joan Robinson – director Kerry Negara – director, producer Rebecca McLean – director Daryl Dellora – director, producer Sharyn Prentice – producer Fabio Cavadini – director, producer Mandy King – director, producer Sally Ingleton – documentary filmmaker Trish FitzSimons – filmmaker Georgia Wallace-Crabbe – producer, director Lana Schwarcz – puppeteer, filmmaker Tim Anderson – filmmaker Nick Torrens – director, producer Deborah Szapiro – producer Liz Burke – producer Nicholas Hansen – director, producer Philippa Campey – filmmaker Marsha Emerman – director, producer Trevor Blainey – producer Gil Scrine – distributor and...
They’re being coordinated by Carmela Baranowska, as part of a broader petition started on the ABC’s website and incorporating more than 500 signatures.
The petition has been signed by:
Carmela Baranowska – director, journalist Sharon Connolly – producer Bree Mckilligan – filmmaker Jono Van Hest – director Sarah Zadeh – filmmaker Joan Robinson – director Kerry Negara – director, producer Rebecca McLean – director Daryl Dellora – director, producer Sharyn Prentice – producer Fabio Cavadini – director, producer Mandy King – director, producer Sally Ingleton – documentary filmmaker Trish FitzSimons – filmmaker Georgia Wallace-Crabbe – producer, director Lana Schwarcz – puppeteer, filmmaker Tim Anderson – filmmaker Nick Torrens – director, producer Deborah Szapiro – producer Liz Burke – producer Nicholas Hansen – director, producer Philippa Campey – filmmaker Marsha Emerman – director, producer Trevor Blainey – producer Gil Scrine – distributor and...
- 12/16/2010
- by Miguel Gonzalez
- Encore Magazine
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