![Image](https://m.media-amazon.com/images/M/MV5BNzY2MDA4OGUtNzE3Zi00ZWI1LTg3MTAtOGEyZjYzNmRhMTkyXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Munich-based arthouse distribution company Prokino Filmverleih has locked German-language and Swiss rights for the unconventional Icelandic road trip film “Driving Mum” from production-distribution outfit Alief (“Matadero”).
The project won the Grand Prix Prize for best film at the Tallinn Black Night Film Festival, earning additional accolades for its affecting score. It was also chosen as an Industry Select title at 2022’s Toronto Festival.
The deal, brokered between Miguel Angel Govea, a partner at Alief, and Ira Von Gienanth, managing director of production, acquisitions & sales at Prokino, comes ahead of the feature’s European Film Market screenings in Berlin.
“We’re thrilled to close German rights with Prokino. Ira and the team are a perfect match for Hilmar’s sentimental yet quirky tribute to motherhood,“ Govea remarked in a statement.
Directed by Reykjavík native Hilmar Oddsson (“December”), “Driving Mum” takes a wryly solemn look at isolation, despair and self-discovery as Jon...
The project won the Grand Prix Prize for best film at the Tallinn Black Night Film Festival, earning additional accolades for its affecting score. It was also chosen as an Industry Select title at 2022’s Toronto Festival.
The deal, brokered between Miguel Angel Govea, a partner at Alief, and Ira Von Gienanth, managing director of production, acquisitions & sales at Prokino, comes ahead of the feature’s European Film Market screenings in Berlin.
“We’re thrilled to close German rights with Prokino. Ira and the team are a perfect match for Hilmar’s sentimental yet quirky tribute to motherhood,“ Govea remarked in a statement.
Directed by Reykjavík native Hilmar Oddsson (“December”), “Driving Mum” takes a wryly solemn look at isolation, despair and self-discovery as Jon...
- 2/14/2023
- by Holly Jones
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BM2RlZWMwNzctOTNlYi00NGNmLTk2NDEtZGM0MGZmNjUyODdkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Haugesund’s New Nordic Films industry event will present 17 upcoming features.
Haugesund’s New Nordic Films industry event will present 17 upcoming features in its annual works in progress showcase.
The most high-profile film to show first footage will be Erik Poppe’s The Emigrants, produced by Sf Studios and the latest adaptation of the famed Vilhelm Moberg novels about a Swedish family that moves to America in the 1850s. The cast includes Lisa Carlehed, Gustaf Skarsgård, Tove Lo and Sofia Helin.
Further projects include Sagres, a Sweden-Finland-Belgium co-production sold by Totem Films. The debut feature from Stockholm-based Lovisa Siren...
Haugesund’s New Nordic Films industry event will present 17 upcoming features in its annual works in progress showcase.
The most high-profile film to show first footage will be Erik Poppe’s The Emigrants, produced by Sf Studios and the latest adaptation of the famed Vilhelm Moberg novels about a Swedish family that moves to America in the 1850s. The cast includes Lisa Carlehed, Gustaf Skarsgård, Tove Lo and Sofia Helin.
Further projects include Sagres, a Sweden-Finland-Belgium co-production sold by Totem Films. The debut feature from Stockholm-based Lovisa Siren...
- 8/13/2021
- by Wendy Mitchell
- ScreenDaily
![Image](https://m.media-amazon.com/images/M/MV5BZjg2ZWRlOWItYWRkMi00OWQ0LTllMjUtZWFkMTBmNzZhYjNlXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,35,500,281_.jpg)
Members of the association took this opportunity to discuss their situations and look for the best routes to navigate in these uncertain times. Crises are always accelerators for change and in today’s pandemic the independent distributors are fighting hard to be ahead of that change, to save their companies and to guarantee the circulation of the films they are passionate about. To raise awareness on the role of distributors in film industry Europa Distribution, in partnership with the Mia Market, organized in Rome a panel gathering together distributors coming from countries where the Covid situation was handled in very different ways: Margherita Chiti, Oscar Eriksson, Ira Von Gienanth and Huub Roelvink. The chair of the panel Michael Gubbins introduced the discussion with a provocation: would the role of distributors be better understood if they called themselves “publishers” instead? “At...
- 10/27/2020
- Cineuropa - The Best of European Cinema
![Image](https://m.media-amazon.com/images/M/MV5BMTE0ZTM5ZDItZmJjNC00Zjk2LWE4YmYtMjIwY2U0NjI5ZDRkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
In the eight-plus months since the first coronavirus cases were confirmed in Europe, the continent’s film industry has been in the midst of what has often felt like an unprecedented crisis. But for many arthouse distributors, the pandemic has simply accelerated changes that were already sweeping through the cinema business.
“The problems haven’t really changed,” said Huub Roelvink, founder and managing director of Dutch distributor Cherry Pickers, at Rome’s Mia market on Saturday. “They’ve just become more urgent.”
Roelvink was speaking alongside a panel of leading European executives as they discussed how arthouse distributors across the continent are responding to a time of widespread uncertainty.
Also appearing were Margherita Chiti, general manager and head of acquisitions and sales at Italy’s Teodora Film; Oscar Eriksson, head of acquisitions at Sweden’s Folkets Bio; and Ira Von Gienanth, CEO and acquisition manager for Germany’s ProKino. The panel,...
“The problems haven’t really changed,” said Huub Roelvink, founder and managing director of Dutch distributor Cherry Pickers, at Rome’s Mia market on Saturday. “They’ve just become more urgent.”
Roelvink was speaking alongside a panel of leading European executives as they discussed how arthouse distributors across the continent are responding to a time of widespread uncertainty.
Also appearing were Margherita Chiti, general manager and head of acquisitions and sales at Italy’s Teodora Film; Oscar Eriksson, head of acquisitions at Sweden’s Folkets Bio; and Ira Von Gienanth, CEO and acquisition manager for Germany’s ProKino. The panel,...
- 10/17/2020
- by Christopher Vourlias
- Variety Film + TV
Irish producer Mike Downey, who was recently elected as chairman of the board of the European Film Academy, has told Variety that he’d like to work more closely with other film academies, including the Academy of Motion Picture Arts and Sciences, as well as continuing Efa’s work as a campaigner for persecuted filmmakers.
Downey, CEO of Film and Music Entertainment, had previously served as Efa’s deputy chairman, and takes the baton as chairman from Polish director Agnieszka Holland, who has been at the helm for the past six years.
He told Variety: “I’ve just returned from the Asia Pacific Screen Awards, run by our sister organization the Asia Pacific Screen Academy. We have much in common and support many of the same principles and goals. I’d like to reach out to our colleagues around the world, in Asia, the U.S. – and along with our...
Downey, CEO of Film and Music Entertainment, had previously served as Efa’s deputy chairman, and takes the baton as chairman from Polish director Agnieszka Holland, who has been at the helm for the past six years.
He told Variety: “I’ve just returned from the Asia Pacific Screen Awards, run by our sister organization the Asia Pacific Screen Academy. We have much in common and support many of the same principles and goals. I’d like to reach out to our colleagues around the world, in Asia, the U.S. – and along with our...
- 12/10/2019
- by Leo Barraclough
- Variety Film + TV
This Cannes, the Marché du Film and Cinando handed out their first-ever prize: the Cinando Best Seller Award.
Thirteen sales agents from all horizons were invited to participate in a pitching contest that took place on May 17th at the Marché du Film. Selected pitchers were given details of a real project, “Codename Madeleine”, inspired by historical events, from an original idea by Pan Nalin, its director. They then had 48 hours to prepare a 5-minute pitch that would convince the Cinando Awards jury composed of three distributors: Norio Hatano from Longride (Japan), Ira von Gienanth from Prokino (Germany), Dylan Leiner from Sony Pictures Classics (USA) and producer-sales agent Raphaël Berdugo from Cité Films (France).
The jury announced the contest winners at an event at the Plage des Palmes on May 18th, alongside Jérôme Paillard, Market exec director, Nicolas Brigaud-Robert from Films Distribution and John Hopewell from Variety.
Awardees were announced as follows:
- Winners Ex aequo: Chantal Chateauneuf, Mongrel International (Canada) and Georgia Poivre, Films Distribution (France)
- Second Prize: Rahmat Adam, Creative Content Malaysia (Malaysia)
- Honorable Mention: Emmanuel Pisarra, Doc & Film International (France)
The 2 top winners got their portrait and interview in Variety.
Here their profiles written by John Hopewell.
Georgia Poivre, Films Distribution, France
From a an internship in acquisitions with Wild Bunch, based out of New York over 2012-13, to a gig in the home entertainment marketing department at Paris-h.Q.-ed Studiocanal in 2014, to international sales manager at Wide in 2015, Poivre has come a long way fast. She joined Paris-based Films Distribution – one of Europe’s highest-profile sale companies with subsids or affiliates in Berlin, Brussels and now London – as international sales manager in April.
Pitching, Poivre said Wednesday, “I tried to do what I’ve seen [Films Distribution partners] Nicolas [Brigaud-Robert] and Francois [Yon] do: Get to the passion of the story, its essence, the characters. Without motivation, there’s no character, no conflict, no story.” She was one of the only sales agents to key into what really – in part – might have driven Khan: Her desire to be an Indian “superhero,” in Poivre’s words, serving Britain in WWII so that Britain would serve India’s interests, granting it independence.
Also, her Jewish fiance was deported. “Sometimes, romantic motivation can be above all the rest,” Poivre said. “Dynamic,” in one juror’s words, the ex-Boston U alum, majoring in film and TV, was born and raised in Paris. She was also one of the only sales agents to give ‘Codename: Madeleine’ an industrial context.
“She talked about the timeline, when delivery would be, which kind of festivals the film was suited for,” said Gienanth.
“I try to get very passionate about what I’m selling, communicate not only the story but my excitement about it,” Poivre said.
“She takes pride and joy in getting people to agree with her, convincing a buyer to see a movie or buy it. By the same token, she’s kind and gentle, she doesn’t bully her buyer. If you push people too much, they get scared. It’s like hunting,” said Brigaud-Robert.
Chantal Chateauneuf, Mongrel International
“A good seller is not the person that tells you the entire story but is a person who tells you enough in order for you to want to engage with the story,” Leiner argued.
Chateauneuf was a case in point. With “a flow in her pitch,” said Gienanth, she captured the essence of the story concisely in very few minutes, no easy task.
“It important the sales agent knows about the director they’re pitching,” Gienanth added. Here Chateauneuf was in her element, Mongrel Intl. having sold “Codename: Madeleine’s” director Pan Nalin’s latest film, “Angry Indian Goddesses”: “He looks at women in India with a fresh, contemporary lens, focusing on the average woman, who is moderately educated, dealing with real female problems: Work-life balance, sexuality,” Chateauneuf enthused.
Like Poivre, Chateauneuf also keyed in what deep motivation” “Part of it is her father’s influence, her religious inclination, which inspired her to fight injustice around the world.”
Very together, Chateauneuf studied at Montreal’s McGill U, started at Mongrel as sales coordinator in 2014 and, when it launched an international sales division under Charlotte Mickie, moved to a sales position. “She’s efficient, astute and passionate. An amazing combination! We’re so lucky to have her on our team,” a proud Mickie glowed.
Thirteen sales agents from all horizons were invited to participate in a pitching contest that took place on May 17th at the Marché du Film. Selected pitchers were given details of a real project, “Codename Madeleine”, inspired by historical events, from an original idea by Pan Nalin, its director. They then had 48 hours to prepare a 5-minute pitch that would convince the Cinando Awards jury composed of three distributors: Norio Hatano from Longride (Japan), Ira von Gienanth from Prokino (Germany), Dylan Leiner from Sony Pictures Classics (USA) and producer-sales agent Raphaël Berdugo from Cité Films (France).
The jury announced the contest winners at an event at the Plage des Palmes on May 18th, alongside Jérôme Paillard, Market exec director, Nicolas Brigaud-Robert from Films Distribution and John Hopewell from Variety.
Awardees were announced as follows:
- Winners Ex aequo: Chantal Chateauneuf, Mongrel International (Canada) and Georgia Poivre, Films Distribution (France)
- Second Prize: Rahmat Adam, Creative Content Malaysia (Malaysia)
- Honorable Mention: Emmanuel Pisarra, Doc & Film International (France)
The 2 top winners got their portrait and interview in Variety.
Here their profiles written by John Hopewell.
Georgia Poivre, Films Distribution, France
From a an internship in acquisitions with Wild Bunch, based out of New York over 2012-13, to a gig in the home entertainment marketing department at Paris-h.Q.-ed Studiocanal in 2014, to international sales manager at Wide in 2015, Poivre has come a long way fast. She joined Paris-based Films Distribution – one of Europe’s highest-profile sale companies with subsids or affiliates in Berlin, Brussels and now London – as international sales manager in April.
Pitching, Poivre said Wednesday, “I tried to do what I’ve seen [Films Distribution partners] Nicolas [Brigaud-Robert] and Francois [Yon] do: Get to the passion of the story, its essence, the characters. Without motivation, there’s no character, no conflict, no story.” She was one of the only sales agents to key into what really – in part – might have driven Khan: Her desire to be an Indian “superhero,” in Poivre’s words, serving Britain in WWII so that Britain would serve India’s interests, granting it independence.
Also, her Jewish fiance was deported. “Sometimes, romantic motivation can be above all the rest,” Poivre said. “Dynamic,” in one juror’s words, the ex-Boston U alum, majoring in film and TV, was born and raised in Paris. She was also one of the only sales agents to give ‘Codename: Madeleine’ an industrial context.
“She talked about the timeline, when delivery would be, which kind of festivals the film was suited for,” said Gienanth.
“I try to get very passionate about what I’m selling, communicate not only the story but my excitement about it,” Poivre said.
“She takes pride and joy in getting people to agree with her, convincing a buyer to see a movie or buy it. By the same token, she’s kind and gentle, she doesn’t bully her buyer. If you push people too much, they get scared. It’s like hunting,” said Brigaud-Robert.
Chantal Chateauneuf, Mongrel International
“A good seller is not the person that tells you the entire story but is a person who tells you enough in order for you to want to engage with the story,” Leiner argued.
Chateauneuf was a case in point. With “a flow in her pitch,” said Gienanth, she captured the essence of the story concisely in very few minutes, no easy task.
“It important the sales agent knows about the director they’re pitching,” Gienanth added. Here Chateauneuf was in her element, Mongrel Intl. having sold “Codename: Madeleine’s” director Pan Nalin’s latest film, “Angry Indian Goddesses”: “He looks at women in India with a fresh, contemporary lens, focusing on the average woman, who is moderately educated, dealing with real female problems: Work-life balance, sexuality,” Chateauneuf enthused.
Like Poivre, Chateauneuf also keyed in what deep motivation” “Part of it is her father’s influence, her religious inclination, which inspired her to fight injustice around the world.”
Very together, Chateauneuf studied at Montreal’s McGill U, started at Mongrel as sales coordinator in 2014 and, when it launched an international sales division under Charlotte Mickie, moved to a sales position. “She’s efficient, astute and passionate. An amazing combination! We’re so lucky to have her on our team,” a proud Mickie glowed.
- 5/24/2016
- by Sydney Levine
- Sydney's Buzz
Six women have been elected onto the board of the European Film Academy (Efa).
Each board member is elected for a two-year term, with eight of the board up for re-election this time. Re-elected were two female members, Dagmar Jacobsen and Rebecca O’Brien. The six new board members are:
Tilde Corsi, Italy, producerIra von Gienanth, Germany, producer/distributorAngeles Gonzáles-Sinde, Spain, screenwriterVanessa Henneman, Netherlands, talent agentAgnès Jaoui, France, director/screenwriter/actressEwa Puszczynska, Poland, producer
They replace Adriana Chiesa di Palma (Italy), Stephan Hutter (Germany), Cedomir Kolar (France), Goran Paskaljevic (Serbia), Antonio Perez Perez (Spain) and Jani Thiltges (Luxembourg).
Efa Board
Chairwoman:
Agnieszka Holland, Poland, director
Deputy Chairmen:
Mike Downey, UK, producer
Antonio Saura, Spain, producer
Board Members:
Roberto Cicutto, Italy, producer
Tilde Corsi, Italy, producer
Helena Danielsson, Sweden, producer
Ira von Gienanth, Germany, producer/distributor
Ilann Girard, France, producer
Angeles Gonzáles-Sinde, Spain, screenwriter
Vanessa Henneman, Netherlands, talent agent
Dagmar Jacobsen, Germany, producer...
Each board member is elected for a two-year term, with eight of the board up for re-election this time. Re-elected were two female members, Dagmar Jacobsen and Rebecca O’Brien. The six new board members are:
Tilde Corsi, Italy, producerIra von Gienanth, Germany, producer/distributorAngeles Gonzáles-Sinde, Spain, screenwriterVanessa Henneman, Netherlands, talent agentAgnès Jaoui, France, director/screenwriter/actressEwa Puszczynska, Poland, producer
They replace Adriana Chiesa di Palma (Italy), Stephan Hutter (Germany), Cedomir Kolar (France), Goran Paskaljevic (Serbia), Antonio Perez Perez (Spain) and Jani Thiltges (Luxembourg).
Efa Board
Chairwoman:
Agnieszka Holland, Poland, director
Deputy Chairmen:
Mike Downey, UK, producer
Antonio Saura, Spain, producer
Board Members:
Roberto Cicutto, Italy, producer
Tilde Corsi, Italy, producer
Helena Danielsson, Sweden, producer
Ira von Gienanth, Germany, producer/distributor
Ilann Girard, France, producer
Angeles Gonzáles-Sinde, Spain, screenwriter
Vanessa Henneman, Netherlands, talent agent
Dagmar Jacobsen, Germany, producer...
- 1/12/2015
- ScreenDaily
London’s biggest film export event returns with a new name and strong selection of upcoming titles.
This year’s London Screenings (June 23-26) marks the 11th edition of the capital’s biggest film export event and has been given a make-over for 2014.
It has dropped the previous title of the London UK Film Focus (Luff) and will introduce various new strands. But organisers are quick to point out this isn’t a case of reinventing the event - more of “buffing it up” after more than a decade.
“Everyone felt that after doing it for 10 years, maybe it was time for a bit of a facelift,” says Adrian Wootton, CEO of Film London, which organises the London Screenings.
The budget of around $330,000 is roughly the same as in previous years. The key difference is that the event, which generates an estimated $8m a year in international business for British films and sales agents, has secured...
This year’s London Screenings (June 23-26) marks the 11th edition of the capital’s biggest film export event and has been given a make-over for 2014.
It has dropped the previous title of the London UK Film Focus (Luff) and will introduce various new strands. But organisers are quick to point out this isn’t a case of reinventing the event - more of “buffing it up” after more than a decade.
“Everyone felt that after doing it for 10 years, maybe it was time for a bit of a facelift,” says Adrian Wootton, CEO of Film London, which organises the London Screenings.
The budget of around $330,000 is roughly the same as in previous years. The key difference is that the event, which generates an estimated $8m a year in international business for British films and sales agents, has secured...
- 6/23/2014
- by geoffrey@macnab.demon.co.uk (Geoffrey Macnab)
- ScreenDaily
![Susanne Bier](https://m.media-amazon.com/images/M/MV5BMjQ2NTQyODg1NV5BMl5BanBnXkFtZTcwOTYzMjkzNA@@._V1_QL75_UY207_CR10,0,140,207_.jpg)
![Susanne Bier](https://m.media-amazon.com/images/M/MV5BMjQ2NTQyODg1NV5BMl5BanBnXkFtZTcwOTYzMjkzNA@@._V1_QL75_UY207_CR10,0,140,207_.jpg)
TrustNordisk has closed a number of deals on Susanne Bier’s upcoming feature A Second Chance, which will start shooting later this month.
The film was announced just ahead of Afm, where pre-sales started.
Deals have been done for Germany and Austria (Prokino), Australia and New Zealand (MadMan), Japan (Longride), Benelux (Cineart), Israel (Lev Cinema) and Former Yugoslavia (Discovery). There are further negotiations ongoing with a slew of other territories.
“Prokino is very happy to work again with Susanne Bier, Sisse Graum Jørgensen and the great team at Trust on this wonderful script, a very human drama with so many clever twists, that it kept us on the edge of our seats while reading it,“ said Ira von Gienanth, Managing Director for Aquisitions at Prokino.
“The massive interest from buyers at Afm for Susanne Bier’s new film underlines her status as a star director who knows how to touch the audience in the most powerful way. We...
The film was announced just ahead of Afm, where pre-sales started.
Deals have been done for Germany and Austria (Prokino), Australia and New Zealand (MadMan), Japan (Longride), Benelux (Cineart), Israel (Lev Cinema) and Former Yugoslavia (Discovery). There are further negotiations ongoing with a slew of other territories.
“Prokino is very happy to work again with Susanne Bier, Sisse Graum Jørgensen and the great team at Trust on this wonderful script, a very human drama with so many clever twists, that it kept us on the edge of our seats while reading it,“ said Ira von Gienanth, Managing Director for Aquisitions at Prokino.
“The massive interest from buyers at Afm for Susanne Bier’s new film underlines her status as a star director who knows how to touch the audience in the most powerful way. We...
- 11/15/2013
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
![Eric Cantona and Steve Evets in Looking for Eric (2009)](https://m.media-amazon.com/images/M/MV5BNjk1Mjk1NDk4NF5BMl5BanBnXkFtZTcwMDg1MDczMw@@._V1_QL75_UX140_CR0,4,140,207_.jpg)
![Eric Cantona and Steve Evets in Looking for Eric (2009)](https://m.media-amazon.com/images/M/MV5BNjk1Mjk1NDk4NF5BMl5BanBnXkFtZTcwMDg1MDczMw@@._V1_QL75_UX140_CR0,4,140,207_.jpg)
Still from Looking for Eric
Due to the acquisition stop of European TV stations, even very successful European art-house distributors are facing a difficult situation, reported Birgit Heidsiek from European Film Market at Berlinale 2013.
In Germany, TV buyers such as Ard Degeto no longer acquire any art-house films, even passing by Oscar or Golden Bear winners.
“The main TV stations stopped buying films two years ago,” said Licensing & Acquisition Managing Director Ira von Gienanth at the Munich-based arthouse distribution company Prokino. “Until 2017 they don’t have any slots for art-house films.”
A year ago, a group of 24 independent distributors cited their protest in an open letter, but did not receive an official response.
While there is now less TV money coming in, the costs have not gone down although many cinemas have been digitized. “In Germany, 70% of art-house cinemas have digital projection so that we still need to do an inter-negative,...
Due to the acquisition stop of European TV stations, even very successful European art-house distributors are facing a difficult situation, reported Birgit Heidsiek from European Film Market at Berlinale 2013.
In Germany, TV buyers such as Ard Degeto no longer acquire any art-house films, even passing by Oscar or Golden Bear winners.
“The main TV stations stopped buying films two years ago,” said Licensing & Acquisition Managing Director Ira von Gienanth at the Munich-based arthouse distribution company Prokino. “Until 2017 they don’t have any slots for art-house films.”
A year ago, a group of 24 independent distributors cited their protest in an open letter, but did not receive an official response.
While there is now less TV money coming in, the costs have not gone down although many cinemas have been digitized. “In Germany, 70% of art-house cinemas have digital projection so that we still need to do an inter-negative,...
- 2/14/2013
- by Cineuropa
- DearCinema.com
More of the trade came in Thursday night including Rainer Kölmel who sold Kinowelt to Pathe just before the latest market crash and who has produced The Two Lives of Daniel Shore, playing here. Daniel Gluckau is still acquiring films for Kinowelt and has just had a son born. Former Kinowelt sales man Stlios Ziannis has created his own international sales agency Aktis Film whose film 13 Semester is premiering here and was produced by 20th Century Fox Germany signaling their possibly renewed interest in German production. This film, depicting life in college is a new subject for German film. Aktis also intends to enter coproductions as well. Also attending are Rudy Tjio of Universum Ufa who will also be attending Afm, Antonio Exacoustos of Arri Media Worldsales, Wigbert Moschall of mdc int., Prokino's Ira von Gienanth, Mfa's Christian Meinke
Women in film are receiving some press these days, from an...
Women in film are receiving some press these days, from an...
- 10/30/2009
- by Sydney
- Sydney's Buzz
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