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When Glenn Close took on the role of Mamaw, the tough but tender grandmother to J.D. Vance in “Hillbilly Elegy,” one of her first calls was to an acclaimed makeup and prosthetics designer. “Team Mamaw started with Matthew Mungle, who had worked with me on ‘Albert Nobbs,’” says Close. “I did not want to see myself when I looked the mirror as Mamaw because I am so different from her in life. I wanted the audience to not see Glenn Close.”
Like Close herself, Mungle is nominated for an Academy Award for his work on the film, along with makeup department head Eryn Krueger Mekash and hair department head Patricia Dehaney. Mungle knew he and Close had similar philosophies about prosthetics.
“Glenn knows I will always come from the direction of not cover an actor’s face with prosthetics,” he says. “I believe it can inhibit their performance, especially if...
Like Close herself, Mungle is nominated for an Academy Award for his work on the film, along with makeup department head Eryn Krueger Mekash and hair department head Patricia Dehaney. Mungle knew he and Close had similar philosophies about prosthetics.
“Glenn knows I will always come from the direction of not cover an actor’s face with prosthetics,” he says. “I believe it can inhibit their performance, especially if...
- 4/14/2021
- by Jenelle Riley
- Variety Film + TV
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