When, in the opening minutes of Natatorium, a fresh-faced teen arrives at a blocky modernist showplace of a house, it seems she’s checking in to a swanky Airbnb. But the well-appointed dwelling, where an oppressively dark glacial blue predominates, turns out to be the unwholesome home of the grandparents she hasn’t seen in years. Estrangement and silence are the guiding principles within this hermetically sealed universe, which, as the title of Helena Stefánsdóttir’s drama indicates, contains an indoor swimming pool. “Don’t go into the basement” would be a handy subtitle. Not that the upper floors offer much refuge.
In a movie that ultimately centers on a trinity of female kin at cross-purposes — visiting Lilja, her formidable grandmother and moderately rebellious aunt — the 18-year-old outsider is the catalyst for the revelations and unraveling to come. Traveling from her island home, Lilja (Ilmur María Arnarsdóttir) arrives in the city by bus,...
In a movie that ultimately centers on a trinity of female kin at cross-purposes — visiting Lilja, her formidable grandmother and moderately rebellious aunt — the 18-year-old outsider is the catalyst for the revelations and unraveling to come. Traveling from her island home, Lilja (Ilmur María Arnarsdóttir) arrives in the city by bus,...
- 2/5/2024
- by Sheri Linden
- The Hollywood Reporter - Movie News
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