Break out the candles! The venerable Melbourne Underground Film Festival becomes a full-fledged teenager when it celebrates its 16th annual edition on September 11-20 this year.
Last year saw a stripped down Muff, focusing on local outre filmmakers and a fine selection of international weirdness — and they want more this year. The fest will also be returning to its new home, the Backlot Studios.
Sixteen years and counting, the Melbourne Underground Film Festival has shown a fierce commitment to under appreciated cinema and it’s awesome to see them still kicking it. If your film is kick ass, a little bit or a lot out there and faintly uncategorizable and possibly unloved wherever “decent” people like to congregate, then Muff might be a good home for it.
See below for submission deadlines, entry fee information, submission links and guidelines.
Deadline & Entry Fees
Deadline via Festhome:
June 30
Entry Fees:
Feature Film:...
Last year saw a stripped down Muff, focusing on local outre filmmakers and a fine selection of international weirdness — and they want more this year. The fest will also be returning to its new home, the Backlot Studios.
Sixteen years and counting, the Melbourne Underground Film Festival has shown a fierce commitment to under appreciated cinema and it’s awesome to see them still kicking it. If your film is kick ass, a little bit or a lot out there and faintly uncategorizable and possibly unloved wherever “decent” people like to congregate, then Muff might be a good home for it.
See below for submission deadlines, entry fee information, submission links and guidelines.
Deadline & Entry Fees
Deadline via Festhome:
June 30
Entry Fees:
Feature Film:...
- 1/23/2015
- by Mike Everleth
- Underground Film Journal
To celebrate their 13th anniversary this year, the Melbourne Underground Film Festival is going green!
No, they’re not out to save the kookaburra or anything. Instead, they’re hosting a special tribute to the New Irish Low Budget Cinema, featuring two films by acclaimed filmmaker Ivan Kavanagh, plus work by Colin Downey, Gary Kenneally and Gerard Lough.
Muff will host a repeat screening of Kavanagh’s celebrated thriller Tin Can Man — it previously screened at Muff in 2008 — as well as his latest film, The Fading Light. The three other Irish films screening all fall into the horror/thriller genres, from Downey’s The Looking Glass to Kenneally’s Stephen King adaptation The Boogeyman and Lough’s trilogy-ending The Shaken 3. And, in addition, the entire fest kicks off with the opening night Irish thriller Charlie Casanova by Terry McMahon.
But don’t think Muff is all Irish all the time this year,...
No, they’re not out to save the kookaburra or anything. Instead, they’re hosting a special tribute to the New Irish Low Budget Cinema, featuring two films by acclaimed filmmaker Ivan Kavanagh, plus work by Colin Downey, Gary Kenneally and Gerard Lough.
Muff will host a repeat screening of Kavanagh’s celebrated thriller Tin Can Man — it previously screened at Muff in 2008 — as well as his latest film, The Fading Light. The three other Irish films screening all fall into the horror/thriller genres, from Downey’s The Looking Glass to Kenneally’s Stephen King adaptation The Boogeyman and Lough’s trilogy-ending The Shaken 3. And, in addition, the entire fest kicks off with the opening night Irish thriller Charlie Casanova by Terry McMahon.
But don’t think Muff is all Irish all the time this year,...
- 8/17/2012
- by Mike Everleth
- Underground Film Journal
Movies were destroyed and awards given to the destructors at the 12th annual Melbourne Underground Film Festival, which was held back on Aug. 19-28.
The Best Film of the fest, as chosen by jury head Jimmy the Exploder in in consultation with The Muff team, was the controversial A Serbian Film by Srdjan Spasojevic, which has been banned in some parts of the country, but now available on DVD in others.
Other big winners are: Larry Wessel who took home Best Director and Best Documentary for his epic 4-hour profile of cult figure Boyd Rice, Iconoclast (Watch the trailer.); Viva Bianca and Hanna Mangan Lawrence appropriately shared the Best Actress award for their starring roles in Jon Hewitt‘s X (Watch the trailer); and John V. Soto”s Needle took home numerous awards such as Best Actor (Michael Dorman), Best Cinematography (D.P. Stephen F. Windon), Best Poster (Horror Version) and the Special Jury Prize.
The Best Film of the fest, as chosen by jury head Jimmy the Exploder in in consultation with The Muff team, was the controversial A Serbian Film by Srdjan Spasojevic, which has been banned in some parts of the country, but now available on DVD in others.
Other big winners are: Larry Wessel who took home Best Director and Best Documentary for his epic 4-hour profile of cult figure Boyd Rice, Iconoclast (Watch the trailer.); Viva Bianca and Hanna Mangan Lawrence appropriately shared the Best Actress award for their starring roles in Jon Hewitt‘s X (Watch the trailer); and John V. Soto”s Needle took home numerous awards such as Best Actor (Michael Dorman), Best Cinematography (D.P. Stephen F. Windon), Best Poster (Horror Version) and the Special Jury Prize.
- 8/31/2011
- by Mike Everleth
- Underground Film Journal
Destroy All Movies! That’s the cheeky theme to the 12th annual Melbourne Underground Film Festival, which will run on August 19-28.
Festival director Richard Wolstencroft lays out his philosophy for this year’s Muff in an excellent Director’s Statement, which is published in the fest’s program guide. He explains his provocative statement as thus:
“Destroy All Movies” can be taken as a query, a question and even a complaint about cinema itself. Most of us love movies. I still do, of course. I am obsessed by them as ever. Making, watching and showing them. But how often do we question our passion in this kind of ontological sense?
In that regard, Muff is a much more focused and scaled back event this year with less films screening, but with a tighter consideration of local talent, as well as a larger, more provocative stance as ever.
Muff has...
Festival director Richard Wolstencroft lays out his philosophy for this year’s Muff in an excellent Director’s Statement, which is published in the fest’s program guide. He explains his provocative statement as thus:
“Destroy All Movies” can be taken as a query, a question and even a complaint about cinema itself. Most of us love movies. I still do, of course. I am obsessed by them as ever. Making, watching and showing them. But how often do we question our passion in this kind of ontological sense?
In that regard, Muff is a much more focused and scaled back event this year with less films screening, but with a tighter consideration of local talent, as well as a larger, more provocative stance as ever.
Muff has...
- 7/29/2011
- by Mike Everleth
- Underground Film Journal
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