![Cody Stokes](https://m.media-amazon.com/images/M/MV5BOTFhMWZkZGUtNzJiOC00MDk3LThkODctNDVkY2UzOWU5ZDE2XkEyXkFqcGdeQXVyMjMxOTgzNTE@._V1_QL75_UY207_CR4,0,140,207_.jpg)
![Cody Stokes](https://m.media-amazon.com/images/M/MV5BOTFhMWZkZGUtNzJiOC00MDk3LThkODctNDVkY2UzOWU5ZDE2XkEyXkFqcGdeQXVyMjMxOTgzNTE@._V1_QL75_UY207_CR4,0,140,207_.jpg)
Shot in St. Louis by former St. Louis Filmmakers Showcase award-winner Cody Stokes, The Ghost Who Walks is a huge hit currently on Netflix. It’s breathlessly paced ride through the hidden underbelly of the city. After five years in prison, Nolan (Garland Scott) is given his freedom, but his release required that he rat on his former boss — a betrayal that carries a death sentence. Nolan must now scramble to find his ex, Lena (Alexia Rasmussen), and the 5-year-old daughter he’s never met before Donnie (Gil Darnell) can track him down and kill him. Nolan’s quest is simple: Put his family back together and escape. But to build a better future, Nolan first must face his past in all its forms. Can Nolan survive the night? Or is he already a ghost, doomed from the moment the prison doors opened?
Cody Stokes took the time to talk...
Cody Stokes took the time to talk...
- 4/22/2020
- by Tom Stockman
- WeAreMovieGeeks.com
The Ghost Who Walks will screen at The Tivoli Theater (6350 Delmar) Friday, Nov 15 at 9:30pmas part of this year’s St. Louis International Film Festival.Writer and Director Cody Stokes and producer Dan Gartner will be in attendance and will host a post-screening Q&a. Ticket information can be found Here
Shot in St. Louis by former St. Louis Filmmakers Showcase award-winner Cody Stokes, The Ghost Who Walks is a breathlessly paced ride through the hidden underbelly of the city. After five years in prison, Nolan (Garland Scott) is given his freedom, but his release required that he rat on his former boss — a betrayal that carries a death sentence. Nolan must now scramble to find his ex, Lena (Alexia Rasmussen), and the 5-year-old daughter he’s never met before Donnie (Gil Darnell) can track him down and kill him. Nolan’s quest is simple: Put his family back together and escape.
Shot in St. Louis by former St. Louis Filmmakers Showcase award-winner Cody Stokes, The Ghost Who Walks is a breathlessly paced ride through the hidden underbelly of the city. After five years in prison, Nolan (Garland Scott) is given his freedom, but his release required that he rat on his former boss — a betrayal that carries a death sentence. Nolan must now scramble to find his ex, Lena (Alexia Rasmussen), and the 5-year-old daughter he’s never met before Donnie (Gil Darnell) can track him down and kill him. Nolan’s quest is simple: Put his family back together and escape.
- 11/14/2019
- by Movie Geeks
- WeAreMovieGeeks.com
The Ghost Who Walks will screen at The Tivoli Theater (6350 Delmar) Friday, Nov 15 at 9:30pm as part of this year’s St. Louis International Film Festival. Writer and Director Cody Stokes and producer Dan Gartner will be in attendance and will host a post-screening Q&a. Ticket information can be found Here
Shot in St. Louis by former St. Louis Filmmakers Showcase award-winner Cody Stokes, The Ghost Who Walks is a breathlessly paced ride through the hidden underbelly of the city. After five years in prison, Nolan (Garland Scott) is given his freedom, but his release required that he rat on his former boss — a betrayal that carries a death sentence. Nolan must now scramble to find his ex, Lena (Alexia Rasmussen), and the 5-year-old daughter he’s never met before Donnie (Gil Darnell) can track him down and kill him. Nolan’s quest is simple: Put his family back together and escape.
Shot in St. Louis by former St. Louis Filmmakers Showcase award-winner Cody Stokes, The Ghost Who Walks is a breathlessly paced ride through the hidden underbelly of the city. After five years in prison, Nolan (Garland Scott) is given his freedom, but his release required that he rat on his former boss — a betrayal that carries a death sentence. Nolan must now scramble to find his ex, Lena (Alexia Rasmussen), and the 5-year-old daughter he’s never met before Donnie (Gil Darnell) can track him down and kill him. Nolan’s quest is simple: Put his family back together and escape.
- 11/13/2019
- by Tom Stockman
- WeAreMovieGeeks.com
"If I was you, kid, I'd run like hell..." Ghost Walker Films has released the official trailer for an indie crime drama titled The Ghost Who Walks, the feature directorial debut of filmmaker / cinematographer Cody Stokes. This is playing at the Sidewalk Film Festival in Alabama coming up this month, and is still looking for a distributor after premiering this summer. This "action-packed tale of redemption" is about a criminal fresh out of jail who rats out his former boss for one last chance to reunite his family and become the father he never was. Garland Scott stars, along with Frank Mosley, Alexia Rasmussen, Gil Darnell, Dasha Nekrasova, Nattalyee Randall, Linda Kennedy, and Peter Mayer. The plot isn't that original, but the film looks like it has an energy and vibrant style that sets it apart from everything else. And it's an awesome trailer with some seriously slick, intense editing at the end.
- 8/19/2019
- by Alex Billington
- firstshowing.net
Cody Stokes first came onto our radar back in 2014 as co-writer, editor, and cinematographer of Nathan Silver’s Uncertain Terms, and now he’s completed his directorial feature debut The Ghost Who Walks. A stylish, holiday-set crime thriller-meets-family drama, it’s set to make its world premiere at the Sidewalk Film Festival this month and we’re pleased to exclusively premiere the trailer.
“When I talk about my film The Ghost Who Walks, my elevator pitch is that it’s Carlito’s Way meets It’s a Wonderful Life,” says Stokes. “It’s a Christmas film, a crime thriller, and a family drama all rolled into one. Then doused in hard liquor and covered with broken glass.”
In developing the story of an imprisoned criminal who rats out his former boss for one last chance to reunite his family and become the father he never was, Stokes says “I came...
“When I talk about my film The Ghost Who Walks, my elevator pitch is that it’s Carlito’s Way meets It’s a Wonderful Life,” says Stokes. “It’s a Christmas film, a crime thriller, and a family drama all rolled into one. Then doused in hard liquor and covered with broken glass.”
In developing the story of an imprisoned criminal who rats out his former boss for one last chance to reunite his family and become the father he never was, Stokes says “I came...
- 8/16/2019
- by Jordan Raup
- The Film Stage
Keen-eyed cinephiles with a penchant for true American indies from this past decade will recognize Cody Stokes as the cinematographer and co-writer of Uncertain Terms and Soft in the Head, seminal micro-budget features from prolific director Nathan Silver. Stokes' own work as a director has fallen both on the narrative and documentary sides, and includes the excellent, A Year Long Morning (viewable on the filmmaker's website). Ahead of its bow at the 21st annual Sidewalk Film Festival on August 24, Screen Anarchy is pleased to share a sneak peek of Stokes' feature directorial debut, The Ghost Who Walks, a moody crime drama with a tinge of Christmas spirit. Winner of the coveted U.S. In Progress prize at the 2018 Champs-Elysees Film Festival, Stokes had the...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 8/9/2019
- Screen Anarchy
And the winner is……..St. Louis!
With this years St. Louis Filmmakers Showcase, we’ve again proven that our city is packed with ridiculously talented filmmakers, actors, and other artisans.
The St. Louis Filmmakers Showcase, an annual presentation of the nonprofit Cinema St. Louis, serves as the area’s primary venue for films made by local artists. The Showcase screens works that were written, directed, edited, or produced by St. Louis natives or films with strong local ties. The various film programs that screened at Washington University’s Brown Hall from July 12-14 & 19-21 . The programs ranged from full-length fiction features and documentaries to multi-film compilations of fiction and documentary shorts. Many programs included post-screening Q&As with filmmakers. Filmmakers of all ages within a 120 mile radius of St. Louis were strongly encouraged to submit their works, or at the very least attend the event to celebrate the amazingly talented St.
With this years St. Louis Filmmakers Showcase, we’ve again proven that our city is packed with ridiculously talented filmmakers, actors, and other artisans.
The St. Louis Filmmakers Showcase, an annual presentation of the nonprofit Cinema St. Louis, serves as the area’s primary venue for films made by local artists. The Showcase screens works that were written, directed, edited, or produced by St. Louis natives or films with strong local ties. The various film programs that screened at Washington University’s Brown Hall from July 12-14 & 19-21 . The programs ranged from full-length fiction features and documentaries to multi-film compilations of fiction and documentary shorts. Many programs included post-screening Q&As with filmmakers. Filmmakers of all ages within a 120 mile radius of St. Louis were strongly encouraged to submit their works, or at the very least attend the event to celebrate the amazingly talented St.
- 7/22/2019
- by Tom Stockman
- WeAreMovieGeeks.com
The 19th Annual Whitaker St. Louis Filmmakers Showcase, a presentation of the nonprofit Cinema St. Louis, serves as the area’s primary venue for films made by local artists. The Showcase screens works that were written, directed, edited, or produced by St. Louis residents or films with strong local ties.
The 19 film programs that screen at Washington University’s Brown Hall from July 12-14 & 19-21 serve as the Showcase’s centerpiece. The programs range from full-length fiction features and documentaries to multi-film compilations of fiction and documentary shorts. Many programs include post-screening Q&As with filmmakers. There are 106 films in this year’s event.
The Showcase also hosts a free closing-night awards party on Sunday, July 21, at Blueberry Hill’s Duck Room. Cinema St. Louis will announce the Showcase films chosen for inclusion in the St. Louis International Film Festival, and juried awards for the best Showcase films will be given.
The 19 film programs that screen at Washington University’s Brown Hall from July 12-14 & 19-21 serve as the Showcase’s centerpiece. The programs range from full-length fiction features and documentaries to multi-film compilations of fiction and documentary shorts. Many programs include post-screening Q&As with filmmakers. There are 106 films in this year’s event.
The Showcase also hosts a free closing-night awards party on Sunday, July 21, at Blueberry Hill’s Duck Room. Cinema St. Louis will announce the Showcase films chosen for inclusion in the St. Louis International Film Festival, and juried awards for the best Showcase films will be given.
- 6/17/2019
- by Tom Stockman
- WeAreMovieGeeks.com
Blake Eckard’s Coyotes Kill For Fun screens Saturday, November 4th at 7:00pm at The Tivoli Theater (6350 Delmar Blvd, St. Louis) as part of this year’s St. Louis International Film Festival. Ticket information can be found Here.
In “Coyotes Kill for Fun,” the latest from Northwest Missouri indie filmmaker and Sliff favorite Blake Eckard, a backwoods babysitter agrees to help an abused mother of two escape her lunatic boyfriend, but his psychotic brother is headed back to the area, and he has a fraught history with everyone involved. Filmed over three years in Missouri, Montana, and La, “Coyotes” had a long gestation: Two-thirds was first shot back in March 2014, and a trio of cinematographers — Eckard, St. Louisan Cody Stokes, and American-indie legend Jon Jost — passed the baton behind the camera. Despite the prolonged production, “Coyotes” maintains a totally consistent — and utterly original — vision. The film features such Eckard regulars as Tyler Messner,...
In “Coyotes Kill for Fun,” the latest from Northwest Missouri indie filmmaker and Sliff favorite Blake Eckard, a backwoods babysitter agrees to help an abused mother of two escape her lunatic boyfriend, but his psychotic brother is headed back to the area, and he has a fraught history with everyone involved. Filmed over three years in Missouri, Montana, and La, “Coyotes” had a long gestation: Two-thirds was first shot back in March 2014, and a trio of cinematographers — Eckard, St. Louisan Cody Stokes, and American-indie legend Jon Jost — passed the baton behind the camera. Despite the prolonged production, “Coyotes” maintains a totally consistent — and utterly original — vision. The film features such Eckard regulars as Tyler Messner,...
- 11/2/2017
- by Movie Geeks
- WeAreMovieGeeks.com
Blake Eckard’s Coyotes Kill For Fun screens Saturday, November 4th at 7:00pm at The Tivoli Theater (6350 Delmar Blvd, St. Louis) as part of this year’s St. Louis International Film Festival. Ticket information can be found Here.
Blake Eckard’s Backroad Blues screens Sunday, November 5th at 1:30pm at the .Zack (3224 Locust St.). The Backroad Blues screening is a free event.
In Coyotes Kill For Fun, the latest from Northwest Missouri indie filmmaker and Sliff favorite Blake Eckard, a backwoods babysitter agrees to help an abused mother of two escape her lunatic boyfriend, but his psychotic brother is headed back to the area, and he has a fraught history with everyone involved. Filmed over three years in Missouri, Montana, and La, “Coyotes” had a long gestation: Two-thirds was first shot back in March 2014, and a trio of cinematographers — Eckard, St. Louisan Cody Stokes, and American-indie legend Jon Jost...
Blake Eckard’s Backroad Blues screens Sunday, November 5th at 1:30pm at the .Zack (3224 Locust St.). The Backroad Blues screening is a free event.
In Coyotes Kill For Fun, the latest from Northwest Missouri indie filmmaker and Sliff favorite Blake Eckard, a backwoods babysitter agrees to help an abused mother of two escape her lunatic boyfriend, but his psychotic brother is headed back to the area, and he has a fraught history with everyone involved. Filmed over three years in Missouri, Montana, and La, “Coyotes” had a long gestation: Two-thirds was first shot back in March 2014, and a trio of cinematographers — Eckard, St. Louisan Cody Stokes, and American-indie legend Jon Jost...
- 10/31/2017
- by Tom Stockman
- WeAreMovieGeeks.com
Rebounds and Role-play: Silver’s Latest Returns to Uncomfortable Interactions
With his fourth feature film, Uncertain Terms, indie film director Nathan Silver advances the knack he has for exploring awkward and uncomfortable human interactions within the confines of people suffering through displaced, temporary scenarios. Perhaps more thematically aligned with his 2012 film, Exit Elena, Silver’s penchant for characters seemingly hell bent on making wrong decisions, (a la his aggravating protagonist in Soft in the Head) takes center stage here. Relationships and the nascent notion of responsibility are hardly finite fixtures, something playfully, agonizingly explored.
Robbie (David Dahlbom) has left Brooklyn to works as a handyman for his Aunt Carla (Cindy Silver) in the Hudson Valley. It’s not at first clear why, but he seems to be running away from something back home and without much of a plan. Carol runs a home for pregnant teen girls in the countryside,...
With his fourth feature film, Uncertain Terms, indie film director Nathan Silver advances the knack he has for exploring awkward and uncomfortable human interactions within the confines of people suffering through displaced, temporary scenarios. Perhaps more thematically aligned with his 2012 film, Exit Elena, Silver’s penchant for characters seemingly hell bent on making wrong decisions, (a la his aggravating protagonist in Soft in the Head) takes center stage here. Relationships and the nascent notion of responsibility are hardly finite fixtures, something playfully, agonizingly explored.
Robbie (David Dahlbom) has left Brooklyn to works as a handyman for his Aunt Carla (Cindy Silver) in the Hudson Valley. It’s not at first clear why, but he seems to be running away from something back home and without much of a plan. Carol runs a home for pregnant teen girls in the countryside,...
- 6/3/2015
- by Nicholas Bell
- IONCINEMA.com
Uncertain Terms
Written by Chloe Domont, Nathan Silver and Cody Stokes
Directed by Nathan Silver
USA, 2014
Director Nathan Silver is a rare talent in American indie cinema, capable of drawing great depth from seemingly innocuous situations. His films focus on displacement and youthful uncertainty, tapping as authentically as anyone else into some of his generations most immediate concerns. Though there’s noticeably more at stake than in his breakthrough gem Exit Elena, Silver’s fourth feature is a similarly quiet, intimate portrayal of everyday life.
Uncertain Terms is set in a home for pregnant teenagers, designed to protect them from the judgement and overwhelming pressure of society and family. Run by Carla (Cindy Silver), who went through a difficult time when she fell pregnant at a young age, the home is a frank, liberal environment focused on commonality and support. The girls are from varied backgrounds and have contrasting personalities...
Written by Chloe Domont, Nathan Silver and Cody Stokes
Directed by Nathan Silver
USA, 2014
Director Nathan Silver is a rare talent in American indie cinema, capable of drawing great depth from seemingly innocuous situations. His films focus on displacement and youthful uncertainty, tapping as authentically as anyone else into some of his generations most immediate concerns. Though there’s noticeably more at stake than in his breakthrough gem Exit Elena, Silver’s fourth feature is a similarly quiet, intimate portrayal of everyday life.
Uncertain Terms is set in a home for pregnant teenagers, designed to protect them from the judgement and overwhelming pressure of society and family. Run by Carla (Cindy Silver), who went through a difficult time when she fell pregnant at a young age, the home is a frank, liberal environment focused on commonality and support. The girls are from varied backgrounds and have contrasting personalities...
- 6/27/2014
- by Rob Dickie
- SoundOnSight
Writer and director Nathan Silver is known for “The Blind” (2008), “Exit Elena” (2012) and “Soft In The Head” (2013). At this year's Los Angeles Film Festival he will premiere his new film “Uncertain Terms.”[Editor's Note: Indiewire reached out to filmmakers with films playing at the 20th La Film Festival (June 11-19) to ask them about how they shot their indie, and what advice they had for other filmmakers. We'll be posting their responses throughout the run of the festival. Go Here for the master list.] What was the most difficult shoot on your movie and how did you pull it off? The Dp, Cody Stokes, and camera crew sweated their way through long handheld takes. They're the ones who pulled off the shots, and seeing as the average for most takes was ten minutes, I don't know that there were any easy shots, per se. What's the one thing you wish someone had told you Before you started your movie? Don't cast your mother in one of the leading roles, have her host your...
- 6/17/2014
- by Oliver MacMahon
- Indiewire
Head Case: Silver Returns With Another Slice of Low-fi Discomfort
At the end of the final credits of Soft in the Head, Nathan Silver dedicates his latest film “For the Idiot,” a nod to his inspiration for as partially being born out of a desire to adapt Dostoevsky’s famous classic, The Idiot, concerning a character released from a sanitarium, whose subsequent interactions with the outside world suggests that the cruelty and duplicity of others is more vicious than the sanitarium. In his 2012 darkly comedic Exit Elena, Silver examines an awkward and uncomfortable relationship allowed to develop because of accepted notions of polite social exchange in a situation predicated by monetary necessity for its main character. His latest also glorifies in the discomfort of mixing company of those living in the comfortable scripts of their lives with the instability of those in a slipping down desperation to find themselves without proper support or resources.
At the end of the final credits of Soft in the Head, Nathan Silver dedicates his latest film “For the Idiot,” a nod to his inspiration for as partially being born out of a desire to adapt Dostoevsky’s famous classic, The Idiot, concerning a character released from a sanitarium, whose subsequent interactions with the outside world suggests that the cruelty and duplicity of others is more vicious than the sanitarium. In his 2012 darkly comedic Exit Elena, Silver examines an awkward and uncomfortable relationship allowed to develop because of accepted notions of polite social exchange in a situation predicated by monetary necessity for its main character. His latest also glorifies in the discomfort of mixing company of those living in the comfortable scripts of their lives with the instability of those in a slipping down desperation to find themselves without proper support or resources.
- 4/14/2014
- by Nicholas Bell
- IONCINEMA.com
Nathan Silver’s second feature Exit Elena opens at the reRun Theater this coming Friday, but the prolific Silver has already premiered his third feature, Soft in the Head, on the festival circuit and has just wrapped production on his fourth, entitled Simian. Below is a photo blog written by Silver, Simian‘s producer and co-writer Chloe Domont and Cody Stokes, the film’s co-writer, cinematographer and editor. We just finished shooting Simian, a narrative feature that follows Robbie, a Norman Mailer wannabe who takes refuge at a makeshift home for pregnant teens. The idyllic backdrop of the Hudson Valley seems to be …...
- 7/10/2013
- by Nathan Silver, Chloe Domont and Cody Stokes
- Filmmaker Magazine-Director Interviews
The Stella Artois poured freely (because it was free) at the Contemporary Art Museum in downtown St. Louis last night. It was the closing-night party for the 21st Annual Whitaker St. Louis International Film Festival where the slate of audience-choice and juried-competition winners were announced to an attentive crowd.
Audience Choice Awards
Best Narrative Feature: .The Sapphires,. directed by Wayne Blair
Best International Narrative Feature: .Quartet,. directed by Dustin Hoffman Leon Award for Best Documentary Feature: .The Entertainers,. directed by Michael Zimmer Juried Competition Awards New Filmmakers Forum Emerging Filmmaker Award (The Bobbie) Winner ($500 cash prize): .Faith, Love and Whiskey,. directed by Kristina Nikolova Special Jury Citation: .Sun Don.t Shine,. directed by Amy Seimetz St. Louis Film Critics. Joe Pollack Awards
Best Narrative Feature: .Barbara,. directed by Christian Petzold Special Jury Citation for Acting in Narrative Feature: Rachel Mwanza, lead actress of .War Witch. Best Documentary Feature: .Uprising,...
Audience Choice Awards
Best Narrative Feature: .The Sapphires,. directed by Wayne Blair
Best International Narrative Feature: .Quartet,. directed by Dustin Hoffman Leon Award for Best Documentary Feature: .The Entertainers,. directed by Michael Zimmer Juried Competition Awards New Filmmakers Forum Emerging Filmmaker Award (The Bobbie) Winner ($500 cash prize): .Faith, Love and Whiskey,. directed by Kristina Nikolova Special Jury Citation: .Sun Don.t Shine,. directed by Amy Seimetz St. Louis Film Critics. Joe Pollack Awards
Best Narrative Feature: .Barbara,. directed by Christian Petzold Special Jury Citation for Acting in Narrative Feature: Rachel Mwanza, lead actress of .War Witch. Best Documentary Feature: .Uprising,...
- 11/19/2012
- by Tom Stockman
- WeAreMovieGeeks.com
Day seven of the 21st Annual Whitaker St. Louis International Film Festival already?!? There are still four days and hundreds of great films to go!
Sliff’s main venues are the the Hi-Pointe Theatre, Tivoli Theatre, Plaza Frontenac Cinema, Webster University’s Winifred Moore Auditorium, Washington University’s Brown Hall Auditorium and the Wildey Theatre in Edwardsville, Il
The entire schedule for the 21st Annual Whitaker St. Louis International Film Festival be found Here.
http://cinemastlouis.org/sliff-2012
Here is what will be screening at The 21st Whitaker St. Louis International Film Festival today, Wednesday, November 14th
Booker’S Place
Booker’S Place plays at 7:15pm at the Tivoli Theatre
Booker Wright was an African-American restaurant owner who also served double-duty as a waiter in a whites-only restaurant in Mississippi in the 1960s. He became an unlikely activist for the civil-rights movement when he appeared on a 1965 network TV...
Sliff’s main venues are the the Hi-Pointe Theatre, Tivoli Theatre, Plaza Frontenac Cinema, Webster University’s Winifred Moore Auditorium, Washington University’s Brown Hall Auditorium and the Wildey Theatre in Edwardsville, Il
The entire schedule for the 21st Annual Whitaker St. Louis International Film Festival be found Here.
http://cinemastlouis.org/sliff-2012
Here is what will be screening at The 21st Whitaker St. Louis International Film Festival today, Wednesday, November 14th
Booker’S Place
Booker’S Place plays at 7:15pm at the Tivoli Theatre
Booker Wright was an African-American restaurant owner who also served double-duty as a waiter in a whites-only restaurant in Mississippi in the 1960s. He became an unlikely activist for the civil-rights movement when he appeared on a 1965 network TV...
- 11/14/2012
- by Tom Stockman
- WeAreMovieGeeks.com
The annual St. Louis Filmmakers Showcase is a great way to support the many local filmmakers who practice their art in our area. Cinema St. Louis, our city’s non-profit cinema-related event planning group, will present The Whitaker St. Louis Filmmakers Showcase July 8-12. This is the 12th annual presentation, which serves as the area’s primary venue for films made by local artists. The Showcase screens works that were written, directed, edited, or produced by St. Louis natives or films with strong local ties. The 16 film programs that screen at the Tivoli from July 8-12 serve as the Showcase’s centerpiece. The programs range from full-length fiction features and documentaries to multi-film compilations of fiction and documentary shorts. Many programs include post-screening Q&As with filmmaker. It all ends with a closing-Night Awards Party Thursday July 12th sponsored by Stella Artois from 8 p.m. to midnight at Blueberry Hill‘s Duck Room,...
- 6/25/2012
- by Tom Stockman
- WeAreMovieGeeks.com
In his film, "Heartland Transport" - available in its entirety at the bottom of this page courtesy of SnagFilms - filmmaker Cody Stokes follows 17 same-sex couples who must travel to Iowa to be legally married. "Heartland Transport" Director: Cody Stokes The full film is available free on SnagFilms (and at the end of this article). This interview with Cody is part of a new series of SnagFilms filmmaker profiles that will be featured weekly on indieWIRE. The really short synopsis of the film? “Heartland Transport” is the story of 17 same-sex couples who travel from St. Louis, Mo., to Iowa City, Iowa, to be legally married Okay, a little bit more? This film is about American citizens taking part in a civil liberty they have too long been denied. America is one of the greatest nations in the world. But you can't have peaks without valleys, and throughout our history we've...
- 1/7/2012
- Indiewire
imdb.1eye.us, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.