Second European edition of genre co-production market to feature two extra spotlights in addition to its 17-strong line-up.
Frontières International Co-Production Market has unveiled the full line-up for its second European edition, taking place at the Brussels International Fantastic Film Festival from April 9-11.
This year sees an expanded Frontières line-up which will allow more projects to participate in live pitch sessions. In addition, it will include a Market Spotlight, featuring projects co-presented by Blood Window at Ventana Sur and the European Genre Forum at Tallinn Black Nights, and a Seeking Director spotlight which will involved three projects in development.
The 17-strong Frontières line-up features the already-announced Érik Canuel’s On the Threshold (an English-language remake of Sur Le Seuil) alongside new projects from directors Alexandre O. Philippe, Casey Walker and John Harrison, and producers Carole Scotta and Andrew D. Corkin.
It also features Eugene Garcia’s Jessie’s Demons, the new project...
Frontières International Co-Production Market has unveiled the full line-up for its second European edition, taking place at the Brussels International Fantastic Film Festival from April 9-11.
This year sees an expanded Frontières line-up which will allow more projects to participate in live pitch sessions. In addition, it will include a Market Spotlight, featuring projects co-presented by Blood Window at Ventana Sur and the European Genre Forum at Tallinn Black Nights, and a Seeking Director spotlight which will involved three projects in development.
The 17-strong Frontières line-up features the already-announced Érik Canuel’s On the Threshold (an English-language remake of Sur Le Seuil) alongside new projects from directors Alexandre O. Philippe, Casey Walker and John Harrison, and producers Carole Scotta and Andrew D. Corkin.
It also features Eugene Garcia’s Jessie’s Demons, the new project...
- 2/6/2015
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
Review by Dane Marti
As a delightful, independent film, 3 Days Of Normal is a treat. Ordinarily, a quirky love story is definitely not my favorite genre. Perhaps it reminds me too much of my own tempestuous romantic existence. I like films in which I can escape. Then again, any guy would enjoy spending a few hours fantasizing about the lead actress.
The film takes place in a small town. The cinematography is gorgeous; fall colors seem to blanket the old houses and buildings in a blaze of red and orange. Although a relatively low-budget film, careful attention was paid to all the elements – especially the color and imagery.
As written by Jared Parsons and Jace McLean this story impressed me. Skillfully directed by Ishai Setton, the story of a small town police officer who slowly becomes entangled in the world of a crazy – and undeniably attractive – actress, is fraught with clever one liners,...
As a delightful, independent film, 3 Days Of Normal is a treat. Ordinarily, a quirky love story is definitely not my favorite genre. Perhaps it reminds me too much of my own tempestuous romantic existence. I like films in which I can escape. Then again, any guy would enjoy spending a few hours fantasizing about the lead actress.
The film takes place in a small town. The cinematography is gorgeous; fall colors seem to blanket the old houses and buildings in a blaze of red and orange. Although a relatively low-budget film, careful attention was paid to all the elements – especially the color and imagery.
As written by Jared Parsons and Jace McLean this story impressed me. Skillfully directed by Ishai Setton, the story of a small town police officer who slowly becomes entangled in the world of a crazy – and undeniably attractive – actress, is fraught with clever one liners,...
- 12/11/2012
- by Movie Geeks
- WeAreMovieGeeks.com
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