![Image](https://m.media-amazon.com/images/M/MV5BNjQzOWQxNGItZDFiYy00NzUzLTg5ZmItOTA2MzAwY2Q3NzlkXkEyXkFqcGc@._V1_QL75_UY281_CR89,0,500,281_.jpg)
Saoirse Ronan protagoniza este drama ambientado en la Segunda Guerra Mundial. © Apple TV+
La película “Blitz”, dirigida por el aclamado cineasta Steve McQueen, inaugurará el Festival de Cine de Londres – saltándose los Festivales de Venecia, Toronto y Telluride – y ya tiene fecha de estreno en Apple TV+.
“Blitz” sigue el épico viaje de George (Elliott Heffernan), un niño de 9 años, a través del Londres de la Segunda Guerra Mundial cuando su madre, Rita (Saoirse Ronan), lo envía a un lugar seguro en la campiña inglesa. George, desafiante y decidido a volver a casa con Rita y su abuelo Gerald (Paul Weller) en el este de Londres, emprende una aventura en la que se enfrenta a inmensos peligros, mientras una angustiada Rita busca a su hijo desaparecido.
Escrita y dirigida por Steve McQueen, la película está protagonizada por Saoirse Ronan y el debutante Elliott Heffernan, con Harris Dickinson (“El Clan de Hierro...
La película “Blitz”, dirigida por el aclamado cineasta Steve McQueen, inaugurará el Festival de Cine de Londres – saltándose los Festivales de Venecia, Toronto y Telluride – y ya tiene fecha de estreno en Apple TV+.
“Blitz” sigue el épico viaje de George (Elliott Heffernan), un niño de 9 años, a través del Londres de la Segunda Guerra Mundial cuando su madre, Rita (Saoirse Ronan), lo envía a un lugar seguro en la campiña inglesa. George, desafiante y decidido a volver a casa con Rita y su abuelo Gerald (Paul Weller) en el este de Londres, emprende una aventura en la que se enfrenta a inmensos peligros, mientras una angustiada Rita busca a su hijo desaparecido.
Escrita y dirigida por Steve McQueen, la película está protagonizada por Saoirse Ronan y el debutante Elliott Heffernan, con Harris Dickinson (“El Clan de Hierro...
- 7/2/2024
- by Marta Medina
- mundoCine
![Image](https://m.media-amazon.com/images/M/MV5BODgwYTFiZTMtZWYwNy00N2U3LWI2N2YtODNhOGI0MWRhN2JmXkEyXkFqcGc@._V1_QL75_UX500_CR0,0,500,281_.jpg)
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film Forum
Films by Oshima, Tony Scott, Alex Cox, John Carpenter, Abel Ferrara, and Tobe Hooper play in “Out of the 80s“; Le Samouraï continues in a new 4K restoration; Back to the Future plays on Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier has its final weekend with two films by Rivette.
Museum of the Moving Image
The Thin Red Line, The Big Lebowski, and Defending Your Life all play on 35mm as part of “See It Big at the ’90s Multiplex.”
Bam
The rarely screened films of György Pálfi are given a retrospective.
Metrograph
Films by Haneke, Kiarostami, and more play in an mk2 retrospective; Saturday brings Three Days of the Condor on 35mm; ’90s Noir, Euro-Heists, Dream with Your Eyes Open, and Ethics of Care, continue, while a Chris Marker series includes Sans Soleil and a shorts program.
Film Forum
Films by Oshima, Tony Scott, Alex Cox, John Carpenter, Abel Ferrara, and Tobe Hooper play in “Out of the 80s“; Le Samouraï continues in a new 4K restoration; Back to the Future plays on Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier has its final weekend with two films by Rivette.
Museum of the Moving Image
The Thin Red Line, The Big Lebowski, and Defending Your Life all play on 35mm as part of “See It Big at the ’90s Multiplex.”
Bam
The rarely screened films of György Pálfi are given a retrospective.
Metrograph
Films by Haneke, Kiarostami, and more play in an mk2 retrospective; Saturday brings Three Days of the Condor on 35mm; ’90s Noir, Euro-Heists, Dream with Your Eyes Open, and Ethics of Care, continue, while a Chris Marker series includes Sans Soleil and a shorts program.
- 5/31/2024
- by Nick Newman
- The Film Stage
![Image](https://m.media-amazon.com/images/M/MV5BMjg5MmZiNzUtOTM2MC00Njg1LTkwYzAtZWY3Y2Q1YzJhZTlkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
In 1971, just six years after Frank Herbert published his groundbreaking science-fiction novel "Dune," Arthur P. Jacobs' Apjac International obtained the rights to the story for a film adaptation. The producer behind "Planet of the Apes" was ready to craft another world set in a distant future, but with the sequel film "Beneath the Planet of the Apes" on its way, "Dune" was delayed.
Jacobs went through a handful of different directors and screenwriters in early development, but he tragically passed away in 1973. David Lynch would eventually bring "Dune" to the big screen in 1984, but there were multiple failed attempts that paved the way for his film and a remake in his wake that led to Denis Villeneuve's recent adaptations. The messy histories of failed "Dune" adaptations could justify their own feature-length documentaries but allow this to be a crash course on the bizarre "Dune" movies that never came to be.
Jacobs went through a handful of different directors and screenwriters in early development, but he tragically passed away in 1973. David Lynch would eventually bring "Dune" to the big screen in 1984, but there were multiple failed attempts that paved the way for his film and a remake in his wake that led to Denis Villeneuve's recent adaptations. The messy histories of failed "Dune" adaptations could justify their own feature-length documentaries but allow this to be a crash course on the bizarre "Dune" movies that never came to be.
- 3/4/2024
- by BJ Colangelo
- Slash Film
![Image](https://m.media-amazon.com/images/M/MV5BNzg5MjRjZDctMTUzZS00YTkxLThlMzgtZGM3MTFmNDg4MzljXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BNzg5MjRjZDctMTUzZS00YTkxLThlMzgtZGM3MTFmNDg4MzljXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
In the larger-than-life world of lucha libre, there are “technicos” (good guys who fight for truth, justice, and the rule-abiding way) and there are “rudos” (villains who lie, cheat, and steal victories). There’s also a third category that’s neither hero nor heel, however, and that’s the “exotico.” A relatively late addition to Mexican wrestling’s stable of archetypes, these male luchadors often dressed in drag and played camped-up caricatures of feminine men. They were the target of taunting by homophobic crowds, a sort of toxified comic relief...
- 9/21/2023
- by David Fear
- Rollingstone.com
![Cassandro](https://m.media-amazon.com/images/M/MV5BYWMwMjEyMTYtYzc5Yy00MTYwLTljN2YtZmJmMmYwYTgyMDAzXkEyXkFqcGdeQXVyNTI5NjIyMw@@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Cassandro](https://m.media-amazon.com/images/M/MV5BYWMwMjEyMTYtYzc5Yy00MTYwLTljN2YtZmJmMmYwYTgyMDAzXkEyXkFqcGdeQXVyNTI5NjIyMw@@._V1_QL75_UX140_CR0,1,140,207_.jpg)
The actor has his best role in years and radiates charisma and infectiously upbeat energy in this heartwarmer about a pioneering openly gay Mexican wrestler
In the macho world of Mexican lucha libre wrestling, “exóticos” are male fighters who compete in drag. Mostly they are straight, but this heartfelt and sweet drama based on real events tells the story of Saúl Armendáriz, an openly gay wrestler who shot to fame as an exótico in the early 90s. It gives Gael García Bernal his best role in years: Saúl is funny, infectiously upbeat, sometimes heartbreakingly vulnerable. He radiates the kind of magnetism that made him a world cinema it-boy in the early 00s (notably in another cross-dressing role: Pedro Almodóvar’s Bad Education).
Bernal’s Saúl begins his wrestling career using a male alter ego, El Topo. As everyone knows, wrestling is rigged, and since Saúl is slightly built he is...
In the macho world of Mexican lucha libre wrestling, “exóticos” are male fighters who compete in drag. Mostly they are straight, but this heartfelt and sweet drama based on real events tells the story of Saúl Armendáriz, an openly gay wrestler who shot to fame as an exótico in the early 90s. It gives Gael García Bernal his best role in years: Saúl is funny, infectiously upbeat, sometimes heartbreakingly vulnerable. He radiates the kind of magnetism that made him a world cinema it-boy in the early 00s (notably in another cross-dressing role: Pedro Almodóvar’s Bad Education).
Bernal’s Saúl begins his wrestling career using a male alter ego, El Topo. As everyone knows, wrestling is rigged, and since Saúl is slightly built he is...
- 9/13/2023
- by Cath Clarke
- The Guardian - Film News
![Roger Ross Williams](https://m.media-amazon.com/images/M/MV5BMTgzNDI2MTYxN15BMl5BanBnXkFtZTcwODM2MTMyMw@@._V1_QL75_UY207_CR6,0,140,207_.jpg)
![Roger Ross Williams](https://m.media-amazon.com/images/M/MV5BMTgzNDI2MTYxN15BMl5BanBnXkFtZTcwODM2MTMyMw@@._V1_QL75_UY207_CR6,0,140,207_.jpg)
From raging bulls to aging wrestlers, the ring has long provided a place for films to grapple with themes of masculinity. Roger Ross Williams’s rousing wrestling biopic Cassandro tells the story of a man, Saúl Armendáriz (Gael García Bernal), who rose to the very top of the industry by grabbing its outdated gender conventions and flipping them on their heads.
The film begins in the world of 1980s lucha libre, where the most aggressive brand of machismo has everyone in a chokehold. The wrestlers throw homophobic barbs at each other in the locker room before the matches begin, and the crowd takes up those same slurs after the bell rings. In both cases, the person most often on the receiving end is the night’s exótico, a wrestler defined by their flamboyant femininity. Naturally, the exótico is never allowed to win, as they’re here to be defeated by...
The film begins in the world of 1980s lucha libre, where the most aggressive brand of machismo has everyone in a chokehold. The wrestlers throw homophobic barbs at each other in the locker room before the matches begin, and the crowd takes up those same slurs after the bell rings. In both cases, the person most often on the receiving end is the night’s exótico, a wrestler defined by their flamboyant femininity. Naturally, the exótico is never allowed to win, as they’re here to be defeated by...
- 9/11/2023
- by Ross McIndoe
- Slant Magazine
Film writer Max Evry goes behind the erratic ride of David Lynch’s Dune like never before, with a years-in-the-making oral history culled from a lineup of new interviews with the film’s stars, creatives, film executives, and insiders – not to mention Lynch himself.
Following his underground hit Eraserhead and critically acclaimed The Elephant Man, visionary filmmaker David Lynch set his sights on bringing Frank Herbert’s beloved sci-fi novel Dune to the screen. The project had already vexed directors such as Alejandro Jodorowsky (El Topo) and Ridley Scott (Alien). But by the early ‘80s Universal Pictures was prepared to give Lynch the keys to the kingdom &nda...
Following his underground hit Eraserhead and critically acclaimed The Elephant Man, visionary filmmaker David Lynch set his sights on bringing Frank Herbert’s beloved sci-fi novel Dune to the screen. The project had already vexed directors such as Alejandro Jodorowsky (El Topo) and Ridley Scott (Alien). But by the early ‘80s Universal Pictures was prepared to give Lynch the keys to the kingdom &nda...
- 8/13/2023
- QuietEarth.us
![Gael García Bernal in Cassandro (2023)](https://m.media-amazon.com/images/M/MV5BY2RhYWNjZDQtOTI0Ny00OTMzLWIzMTItOTBjZDc2ZjhkOTJiXkEyXkFqcGdeQXVyMTUzMTg2ODkz._V1_QL75_UX140_CR0,0,140,207_.jpg)
![Gael García Bernal in Cassandro (2023)](https://m.media-amazon.com/images/M/MV5BY2RhYWNjZDQtOTI0Ny00OTMzLWIzMTItOTBjZDc2ZjhkOTJiXkEyXkFqcGdeQXVyMTUzMTg2ODkz._V1_QL75_UX140_CR0,0,140,207_.jpg)
Although it takes less than half an hour to drive from Ciudad Juárez to El Paso, the cities might as well be located on different planets. Mexico’s Ciudad Juárez is constantly on the news for its high number of murders, with women being killed at an alarming rate, and is often considered one of the most dangerous cities in the world. In El Paso, Texas, your biggest threats might be heat and dryness, and in 2020 the city was ranked among the five safest places to live in the United States.
For people born in El Paso to immigrant Mexican parents, the opportunity of free mobility between both worlds can provide something akin to constant cultural shock, life and death separated by a literal bridge. In Roger Ross Williams’ feature-length narrative debut Cassandro, the director plays with this dynamic without ever recurring to sensationalism to tell the story of the title luchador,...
For people born in El Paso to immigrant Mexican parents, the opportunity of free mobility between both worlds can provide something akin to constant cultural shock, life and death separated by a literal bridge. In Roger Ross Williams’ feature-length narrative debut Cassandro, the director plays with this dynamic without ever recurring to sensationalism to tell the story of the title luchador,...
- 1/31/2023
- by Jose Solís
- The Film Stage
![Image](https://m.media-amazon.com/images/M/MV5BODJkZjhmYWYtYmMxZS00NDUxLThkMWQtNGM4YTYxZDYwMzUzXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR312,0,500,281_.jpg)
Gay luchador Saúl Armendáriz is an LGBTQ icon, bringing much-needed representation that changed the lives of many folks around the world. Roger Ross Williams’ Cassandro brings that story to the silver screen to provide a deeper look into the man behind the makeup. The screenplay that he wrote alongside David Teague plays it a bit too safe by biopic tropes, especially considering the rulebreaker that it chronicles the life of.
‘Cassandro’ looks at the rise of Saúl Armendáriz in the lucha libre wrestling scene Gael García Bernal as Saúl Armendáriz | Courtesy of Sundance Institute
In the lucha libre wrestling scene of Juárez, Mexico, Saúl (Y tu mamá también actor Gael García Bernal) plays the character El Topo, a generic, masked runt who loses every match. However, he’s tired of playing the runt and wants to finally be the victorious man on the stage. Saúl seeks out...
‘Cassandro’ looks at the rise of Saúl Armendáriz in the lucha libre wrestling scene Gael García Bernal as Saúl Armendáriz | Courtesy of Sundance Institute
In the lucha libre wrestling scene of Juárez, Mexico, Saúl (Y tu mamá también actor Gael García Bernal) plays the character El Topo, a generic, masked runt who loses every match. However, he’s tired of playing the runt and wants to finally be the victorious man on the stage. Saúl seeks out...
- 1/27/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
![Image](https://m.media-amazon.com/images/M/MV5BZjg2Yjg2NzktNzI3NC00ZTBmLWEzZGItMDI5ZGMxYTdlZTJiXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
In 2016, documentarian Roger Ross Williams made a short film about Saúl Armendáriz, an American-born, openly gay wrestler known as Cassandro, who was nicknamed the "Liberace of Lucha Libre." Seven years later, Williams explores the same subject in his first scripted feature "Cassandro," this time with "Y tu mamá también" and "Werewolf By Night" actor Gael García Bernal in the lead role. The result is a steadily entertaining character piece, full of impressive lucha libre sequences and anchored by a strong lead performance from García Bernal.
As the movie opens, Saúl prepares to wrestle in a makeshift ring in an auto parts shop in Juárez, Mexico. His Lucha Libre character is El Topo, a boring henchman who gets pummeled by Gigántico, the brutish local favorite. Saúl likes his work but yearns for better storylines and more exciting matches. Gigántico, he says, has "no poetry," no sense of showmanship. He wants to...
As the movie opens, Saúl prepares to wrestle in a makeshift ring in an auto parts shop in Juárez, Mexico. His Lucha Libre character is El Topo, a boring henchman who gets pummeled by Gigántico, the brutish local favorite. Saúl likes his work but yearns for better storylines and more exciting matches. Gigántico, he says, has "no poetry," no sense of showmanship. He wants to...
- 1/24/2023
- by Ben Pearson
- Slash Film
![Image](https://m.media-amazon.com/images/M/MV5BNTZmOTM5MTItZjZlOC00MWI2LTgxYzEtZGQ2ZGQ1ZTgzMjM4XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BNTZmOTM5MTItZjZlOC00MWI2LTgxYzEtZGQ2ZGQ1ZTgzMjM4XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
Gael García Bernal stars in ‘Cassandro’ (Photo © 2022 Amazon Content Services LLC)
Cassandro, writer/director Roger Ross Williams’ joyous celebration of the indomitable spirit of Saúl Armendáriz, is the perfect vehicle to introduce the Lucha Libre world and its groundbreaking, barrier-busting gay star to a wider audience.
The film catches up with Saúl (played by Gael García Bernal) in the 1980s when he’s wrestling as designated loser El Topo (which translates to The Mole). Saúl’s in a rut, and the only way out is to transform into an exótico. But that transformation would require him to incorporate his homosexuality into a character in front of a large audience that includes his homophobic estranged father. It would also mean he’d be forced to continue to lose since the wrestling world – both in the ring and in the stands – doesn’t embrace homosexuals. Gay wrestlers are mocked and ridiculed and subjected to disgusting sexual slurs.
Cassandro, writer/director Roger Ross Williams’ joyous celebration of the indomitable spirit of Saúl Armendáriz, is the perfect vehicle to introduce the Lucha Libre world and its groundbreaking, barrier-busting gay star to a wider audience.
The film catches up with Saúl (played by Gael García Bernal) in the 1980s when he’s wrestling as designated loser El Topo (which translates to The Mole). Saúl’s in a rut, and the only way out is to transform into an exótico. But that transformation would require him to incorporate his homosexuality into a character in front of a large audience that includes his homophobic estranged father. It would also mean he’d be forced to continue to lose since the wrestling world – both in the ring and in the stands – doesn’t embrace homosexuals. Gay wrestlers are mocked and ridiculed and subjected to disgusting sexual slurs.
- 1/23/2023
- by Rebecca Murray
- Showbiz Junkies
![Image](https://m.media-amazon.com/images/M/MV5BNTk5NWUyM2EtOTI0MS00ODRjLTk0ZmItMzhlYjUzZjg0OWQ3XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
For nearly a century, exóticos have been the clowns of Mexican wrestling: silly, queer-coded characters in flamboyant drag who pranced about the ring for the amusement of homophobic crowds. These hoary stereotypes have long been a part of the tradition of lucha libre — the country’s second-most-popular sport after soccer. Since Mexican wrestling matches are treated like elaborate metaphors of good versus evil, exóticos always lost to their more macho adversaries. Until Cassandro, an openly gay fighter whose outsized personality and atypical success feel ready-made for the movies.
Oscar winner Roger Ross Williams not only knows it, but possesses special insights into Cassandro’s story, having profiled “The Man Without a Mask” Saúl Armendáriz for his 2016 short film of the same name. Thanks to the dream casting of Mexican star Gael García Bernal as “the Liberace of Lucha Libre,” “Cassandro” arrives with a kind of instant credibility, which Williams protects...
Oscar winner Roger Ross Williams not only knows it, but possesses special insights into Cassandro’s story, having profiled “The Man Without a Mask” Saúl Armendáriz for his 2016 short film of the same name. Thanks to the dream casting of Mexican star Gael García Bernal as “the Liberace of Lucha Libre,” “Cassandro” arrives with a kind of instant credibility, which Williams protects...
- 1/21/2023
- by Peter Debruge
- Variety Film + TV
![Cassandro](https://m.media-amazon.com/images/M/MV5BYWMwMjEyMTYtYzc5Yy00MTYwLTljN2YtZmJmMmYwYTgyMDAzXkEyXkFqcGdeQXVyNTI5NjIyMw@@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Cassandro](https://m.media-amazon.com/images/M/MV5BYWMwMjEyMTYtYzc5Yy00MTYwLTljN2YtZmJmMmYwYTgyMDAzXkEyXkFqcGdeQXVyNTI5NjIyMw@@._V1_QL75_UX140_CR0,1,140,207_.jpg)
Based on a true story, “Cassandro” is the best possible vehicle for its star Gael García Bernal, who gives an extraordinarily physical performance as Saúl Armendáriz, a scrappy gay outsider who enters the strange world of Mexican Lucha Libre wrestling.
In the first scenes, where we see Armendáriz competing under the name El Topo, director Roger Ross Williams — the documentarian behind “The Apollo” and “God Loves Uganda” making his fiction-film debut here — confidently and swiftly sketches in a milieu in which homoeroticism and fear of homosexuality are in some peculiar kind of headlock with each other.
Armendáriz takes taunts from hulking wrestlers backstage and dishes them right back, and out in the ring his preordained defeat at the hands of his brawny opponent is so sexually charged that the homoeroticism isn’t subtext; it is practically text. “El Topo bites the pillow!” his opponent cries, and the crowd roars its approval.
In the first scenes, where we see Armendáriz competing under the name El Topo, director Roger Ross Williams — the documentarian behind “The Apollo” and “God Loves Uganda” making his fiction-film debut here — confidently and swiftly sketches in a milieu in which homoeroticism and fear of homosexuality are in some peculiar kind of headlock with each other.
Armendáriz takes taunts from hulking wrestlers backstage and dishes them right back, and out in the ring his preordained defeat at the hands of his brawny opponent is so sexually charged that the homoeroticism isn’t subtext; it is practically text. “El Topo bites the pillow!” his opponent cries, and the crowd roars its approval.
- 1/21/2023
- by Dan Callahan
- The Wrap
![Image](https://m.media-amazon.com/images/M/MV5BNGQ1NWE5ODYtMDQ3MC00NTVmLThmMTctNzQxYmQ2MTZhMTQ0XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BNGQ1NWE5ODYtMDQ3MC00NTVmLThmMTctNzQxYmQ2MTZhMTQ0XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
Gael García Bernal nails his best role in years, giving a performance steeped in cheeky humor, resilience and radical self-belief — not to mention some amazingly nimble moves — as groundbreaking lucha libre wrestler Saúl Armendáriz in Cassandro. Seasoned documentarian Roger Ross Williams, who profiled Armendáriz in 2016 for the Amazon series The New Yorker Presents, makes an assured transition into narrative features with this entertaining biopic, which doubles as a gorgeous depiction of mother-son love and an exhilarating exploration of fearless queer identity in a macho environment.
While Williams (Life, Animated) and co-screenwriter David Teague (who adapted Ta-Nehesi Coates’ Between the World and Me for HBO) slightly fumble the ending, this is a film with enormous heart, vivid immersion into its culturally specific milieu and celebratory admiration for its flamboyant subject, images of whom both in and out of the ring grace the end credits. It should prove popular with both LGBTQ...
While Williams (Life, Animated) and co-screenwriter David Teague (who adapted Ta-Nehesi Coates’ Between the World and Me for HBO) slightly fumble the ending, this is a film with enormous heart, vivid immersion into its culturally specific milieu and celebratory admiration for its flamboyant subject, images of whom both in and out of the ring grace the end credits. It should prove popular with both LGBTQ...
- 1/21/2023
- by David Rooney
- The Hollywood Reporter - Movie News
![Image](https://m.media-amazon.com/images/M/MV5BOGY1NjZlMzEtOWFkMC00ZTMwLTljMDMtMjJkOWY3MTg5ZmM1XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
French helmer Bertrand Mandico has achieved a cult following for his gender-bending sensorial surrealist visions, with more than 20 short films and two feature films completed to date.
His first feature, “The Wild Boys,” about five wealthy adolescent boys sent to a tropical island, all played by actresses, premiered in Venice. It won the Louis-Delluc 2018 prize for best first film and topped Cahiers du Cinéma’s 2018 list of Top 10 films.
His sophomore feature “After Blue (Dirty Paradise),” is a sci-fi western, again primarily with a female cast, including Mandico’s fetish actress Elina Löwensohn. It had its world premiere at Locarno in 2021, where it won the Fipresci prize, followed by its North American premiere in Toronto’s Midnight Madness sidebar, and U.S. premiere in the Fantastic Fest, where it won Best Film. It won the Special Jury Prize at Sitges.
The helmer is now completing post-production on his third feature,...
His first feature, “The Wild Boys,” about five wealthy adolescent boys sent to a tropical island, all played by actresses, premiered in Venice. It won the Louis-Delluc 2018 prize for best first film and topped Cahiers du Cinéma’s 2018 list of Top 10 films.
His sophomore feature “After Blue (Dirty Paradise),” is a sci-fi western, again primarily with a female cast, including Mandico’s fetish actress Elina Löwensohn. It had its world premiere at Locarno in 2021, where it won the Fipresci prize, followed by its North American premiere in Toronto’s Midnight Madness sidebar, and U.S. premiere in the Fantastic Fest, where it won Best Film. It won the Special Jury Prize at Sitges.
The helmer is now completing post-production on his third feature,...
- 1/13/2022
- by Martin Dale
- Variety Film + TV
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