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British director Peter Webber is attached to direct an adaptation of Italian psychological thriller “Le Parole Lo Sanno” (“You Will Find the Words”), which is being produced by Rome-based shingle Fenix Entertainment.
Webber, who more recently directed ITV miniseries “Tutankhamun” and high-end Arabic historical skein “Kingdoms of Fire,” said an Oscar-nominated English-language screenwriter is on board to adapt the book by Marco Franzoso. The novel centers around a man with a terminal illness whose chance encounters on a park bench with a woman, who is being abused by her husband, leads to an extreme act.
“It’s going to be a very loose adaptation,” said Webber, adding that he’s “not even sure the gender [of the two main characters] will remain the same” as those in Franzoso’s book. The director noted that “there are also some other elements [not in the book] that we are developing at the moment.” He is hoping to have a first draft...
Webber, who more recently directed ITV miniseries “Tutankhamun” and high-end Arabic historical skein “Kingdoms of Fire,” said an Oscar-nominated English-language screenwriter is on board to adapt the book by Marco Franzoso. The novel centers around a man with a terminal illness whose chance encounters on a park bench with a woman, who is being abused by her husband, leads to an extreme act.
“It’s going to be a very loose adaptation,” said Webber, adding that he’s “not even sure the gender [of the two main characters] will remain the same” as those in Franzoso’s book. The director noted that “there are also some other elements [not in the book] that we are developing at the moment.” He is hoping to have a first draft...
- 11/30/2021
- by Nick Vivarelli
- Variety Film + TV
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Some 22 projects are receiving support from the Swedish fund.
The new Göteborg Film Fund has confirmed its second round of funding, including its first development grants.
The supported projects include the Iranian-Kurdish thriller Zalava, the feature debut of Arsalan Amiri, which is competing in Venice Critics’ Week; and Ukrainian drama Pamfir, by Dmytro Sukholytkyy-Sobchuk. The latter is now in post and selected for the Venice Gap Financing Market and is about a decent man who gives up his honest job to help his family.
In addition, Oleg Sentsov, who is premiering Rhino in Venice, is receiving development supportt for his fiction film Kai.
The new Göteborg Film Fund has confirmed its second round of funding, including its first development grants.
The supported projects include the Iranian-Kurdish thriller Zalava, the feature debut of Arsalan Amiri, which is competing in Venice Critics’ Week; and Ukrainian drama Pamfir, by Dmytro Sukholytkyy-Sobchuk. The latter is now in post and selected for the Venice Gap Financing Market and is about a decent man who gives up his honest job to help his family.
In addition, Oleg Sentsov, who is premiering Rhino in Venice, is receiving development supportt for his fiction film Kai.
- 9/6/2021
- by Wendy Mitchell
- ScreenDaily
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Exclusive: Josh Close has joined the cast of Andrea Pallaoro’s Monica.
He’ll appear in the dramatic feature alongside previously announced cast members Trace Lysette (Hustlers), Patricia Clarkson (Sharp Objects), Emily Browning (American Gods) and Adriana Barraza (Babel).
Monica follows a woman of the same name (Lysette) who returns home to the Midwest for the first time in 20 years to take care of her dying mother (Clarkson). The film will lead the viewer into Monica’s world and state of mind—the pain and fear, needs and desires of a woman, whose journey ultimately illuminates the human condition.
The feature exploring universal themes of abandonment, aging, rejection, acceptance and forgiveness is the second in a women’s trilogy helmed by Pallaoro. It comes on the heels of the director’s 2017 drama, Hannah, which starred Charlotte Rampling.
Pallaoro penned the script for Monica with his longtime writing partner Orlando Tirado.
He’ll appear in the dramatic feature alongside previously announced cast members Trace Lysette (Hustlers), Patricia Clarkson (Sharp Objects), Emily Browning (American Gods) and Adriana Barraza (Babel).
Monica follows a woman of the same name (Lysette) who returns home to the Midwest for the first time in 20 years to take care of her dying mother (Clarkson). The film will lead the viewer into Monica’s world and state of mind—the pain and fear, needs and desires of a woman, whose journey ultimately illuminates the human condition.
The feature exploring universal themes of abandonment, aging, rejection, acceptance and forgiveness is the second in a women’s trilogy helmed by Pallaoro. It comes on the heels of the director’s 2017 drama, Hannah, which starred Charlotte Rampling.
Pallaoro penned the script for Monica with his longtime writing partner Orlando Tirado.
- 7/26/2021
- by Matt Grobar
- Deadline Film + TV
Israeli film-maker Itamar Alcalay’s Darkroom, revolving around a young gay Armenian man forced into an arranged marriage, has won the top $50,000 prize at the Sam Spiegel International Film Lab’s pitching event.
The Death Of Black Horses by Kurdistan’s Ferit Karahan, a story of family intrigue in a Kurdish village during the First World War, clinched the second prize of $20,000.
The two prizes were donated by the Beracha Foundation.
Darkroom, produced by Amir Harel and Ayelet Kait of Tel Aviv-based Lama Films, is Alcalay’s debut feature, after a number of documentary shorts.
Set in a down-at-heel neighbourhood near the central bus station in Tel Aviv, it revolves around the relationship between hot-blooded Armenian Artium, his lover Amir and a free-spirited girl to whom Artium is married-off by his family.
The Death Of Black Horses is Karahan’s second film after The Fall From Heaven, which premiered at the Antalya Golden Orange Film Festival and won...
The Death Of Black Horses by Kurdistan’s Ferit Karahan, a story of family intrigue in a Kurdish village during the First World War, clinched the second prize of $20,000.
The two prizes were donated by the Beracha Foundation.
Darkroom, produced by Amir Harel and Ayelet Kait of Tel Aviv-based Lama Films, is Alcalay’s debut feature, after a number of documentary shorts.
Set in a down-at-heel neighbourhood near the central bus station in Tel Aviv, it revolves around the relationship between hot-blooded Armenian Artium, his lover Amir and a free-spirited girl to whom Artium is married-off by his family.
The Death Of Black Horses is Karahan’s second film after The Fall From Heaven, which premiered at the Antalya Golden Orange Film Festival and won...
- 7/13/2015
- ScreenDaily
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