Looking for some good movies to keep you occupied while self-quarantining at home these days? How about watching some certified classics like Lawrence Of Arabia, To Kill A Mockingbird, The Miracle Worker, The Manchurian Candidate, Sweet Bird Of Youth, The Longest Day, Whatever Happened To Baby Jane? , The Music Man, Birdman Of Alcatraz, Dr. No (the first James Bond film), Days Of Wine And Roses, Jules And Jim, Divorce Italian Style, Lolita? I could go on and on with these films and several others which all have one thing in common. They were all released in 1962.
And now with so much time on your hands you can see for yourself why film critic Stephen Farber and veteran exhibition executive Michael McClellan are out to prove that 1962 is in hindsight – 58 years later – unquestionably the best year ever in the history of cinema. And with the publication of their new book “Cinema...
And now with so much time on your hands you can see for yourself why film critic Stephen Farber and veteran exhibition executive Michael McClellan are out to prove that 1962 is in hindsight – 58 years later – unquestionably the best year ever in the history of cinema. And with the publication of their new book “Cinema...
- 3/27/2020
- by Pete Hammond
- Deadline Film + TV
There’s never a bad time to be reminded of and introduced to great cinematic works and their authors and filmmakers, but 2020 is turning out to be a particularly necessary time for cultural enrichment and artistic nourishment. At home.
So the timing couldn’t be better for Stephen Farber and Michael McClellan’s new tome, “Cinema ’62,” an examination and celebration of 1962, which they boldly proclaim was “The Greatest Year at the Movies.”
For those cineastes who might challenge that proclamation, and substitute, say, 1939, 1999 or my particular favorite, 1969, for that vaunted honor, the book thankfully opens with an astute and succinct preface by Oscar-winning writer-
director Bill Condon.
“I’ve found that a cineaste’s ‘greatest year’ more often than not lines up with the early years of his or her adolescence,” observes Condon, expressing a theory I’d always assumed was mine alone. So with the question of subjectivity and...
So the timing couldn’t be better for Stephen Farber and Michael McClellan’s new tome, “Cinema ’62,” an examination and celebration of 1962, which they boldly proclaim was “The Greatest Year at the Movies.”
For those cineastes who might challenge that proclamation, and substitute, say, 1939, 1999 or my particular favorite, 1969, for that vaunted honor, the book thankfully opens with an astute and succinct preface by Oscar-winning writer-
director Bill Condon.
“I’ve found that a cineaste’s ‘greatest year’ more often than not lines up with the early years of his or her adolescence,” observes Condon, expressing a theory I’d always assumed was mine alone. So with the question of subjectivity and...
- 3/18/2020
- by Steven Gaydos
- Variety Film + TV
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