Exclusive: This year’s Oxbelly Labs has set creative advisors including directors Maren Ade (Toni Erdmann), Mati Diop (Atlantics), Ulrich Köhler (In My Room) and Lulu Wang (The Farewell), as well as producer-seller Michael Weber, founder of The Match Factory.
The Lab is designer to offer promising international filmmakers the opportunity to work on their first or second feature script, as well as workshop and direct one scene from it, with guidance from industry mentors.
Led by Oxbelly’s artistic director and Greek filmmaker Athina Rachel Tsangari (Attenberg), the Lab is being hosted online this year.
Returning creative advisors include Paul Thomas Anderson (Phantom Thread), Michael Almereyda (Tesla), Ritesh Batra (Photograph), Lisa Cholodenko (Olive Kitteridge), Willem Dafoe (Tommaso), Naomi Foner (Running On Empty), Nick Kroll (Big Mouth), Jeff Nichols (Loving), Olivier Père and Eva Stefani (Manuscript).
The Labs were established...
The Lab is designer to offer promising international filmmakers the opportunity to work on their first or second feature script, as well as workshop and direct one scene from it, with guidance from industry mentors.
Led by Oxbelly’s artistic director and Greek filmmaker Athina Rachel Tsangari (Attenberg), the Lab is being hosted online this year.
Returning creative advisors include Paul Thomas Anderson (Phantom Thread), Michael Almereyda (Tesla), Ritesh Batra (Photograph), Lisa Cholodenko (Olive Kitteridge), Willem Dafoe (Tommaso), Naomi Foner (Running On Empty), Nick Kroll (Big Mouth), Jeff Nichols (Loving), Olivier Père and Eva Stefani (Manuscript).
The Labs were established...
- 11/12/2020
- by Andreas Wiseman
- Deadline Film + TV
Camille Degeye’s feature debut “Sphynx” won the Next Step Award as part of the program launched by Cannes’ Critics’ Week to help the directors of the 10 shorts which played during the last edition make their feature debut.
Degeye, who developed the script of “Sphynx” during the sixth session of Next Step in December, received the €5000 cash ($5616) prize from a jury comprising Michèle Halberstadt, co-founder of distribution banner Arp, Bérénice Vincent, co-founder of sales outfit Totem Films and Mathieu Robinet, a French distributor.
Along with receiving the cash prize, Degeve will also be invited to next year’s Cannes festival to promote her project. “Sphynx,” produced by Acéphale, was co-written by the journalist Luc Chessel. It tells the story of Eden, a young medical intern who stars working as a nurse for a trendy Parisian nightclub and falls in love with the Nidhal, a mysterious figure of Paris’s queer and underground world.
Degeye, who developed the script of “Sphynx” during the sixth session of Next Step in December, received the €5000 cash ($5616) prize from a jury comprising Michèle Halberstadt, co-founder of distribution banner Arp, Bérénice Vincent, co-founder of sales outfit Totem Films and Mathieu Robinet, a French distributor.
Along with receiving the cash prize, Degeve will also be invited to next year’s Cannes festival to promote her project. “Sphynx,” produced by Acéphale, was co-written by the journalist Luc Chessel. It tells the story of Eden, a young medical intern who stars working as a nurse for a trendy Parisian nightclub and falls in love with the Nidhal, a mysterious figure of Paris’s queer and underground world.
- 6/4/2020
- by Elsa Keslassy
- Variety Film + TV
Jean-Luc Godard quipped that his criticism represented a kind of cinematic terrorism. Serge Daney said his writing taught him not to be afraid to see. The Parisian publishing house Post-Éditions has made available a long overdue collection of his articles in French to decide for ourselves. Jacques Rivette became a filmmaker even before he became a critic. When he came to Paris from Rouen in 1950, he had already completed a short film, unlike Truffaut, Godard, Rohmer or Chabrol, his colleagues-to-be at Cahiers du cinéma and later fellow New Wave directors. By his own admission, he never wanted to be a film critic, not in the traditional sense of the term. But, considering his own dictum that “a true critique of a film can only be another film,” he never ceased to be one. Textes Critiques as an object has the appearance of a cinephilic totem: half-a foot in size, portable,...
- 1/7/2019
- MUBI
Studies in subtraction. Milla traces the arc of life solely through the in-betweens. Major upheavals occur, and we see both where they come from and their fallout, but not the events themselves. That is hardly new material for art films, but this is yet still something else. The big changes are background radiation, and the focus is entirely the mundane details of doing the laundry, working on a boat, cleaning a room, playing with a child. This isn’t slice of life work; its purview is too great, following the title character through a full coming of age. That macro-micro combination is utterly unique – the film’s focus can’t even be described as quotidian, because its sequences come from the moments that seem even smaller than that. I don’t think there’s a word in the English language for it.
Milla (Severine Jonckeere) and Leo (Luc Chessel) are...
Milla (Severine Jonckeere) and Leo (Luc Chessel) are...
- 11/14/2017
- by Daniel Schindel
- The Film Stage
The American Film Institute (AFI) has announced the films that will be featured in their New Auteurs and American Independents sections at the upcoming AFI Fest 2017 presented by Audi. Selections include a number of lauded features from around the festival circuit, including Cannes offerings like “I Am Not a Witch,” SXSW favorites like “Gemini” and “Mr. Roosevelt,” the Sundance breakout “Thoroughbreds,” and Joseph Kahn’s Toronto Midnight Madness favorite “Bodied,” among others.
Highlighting first- and second-time feature film directors, New Auteurs is designed as the festival’s platform for upcoming filmmakers from all over the world to showcase their new films. This year, the section includes 11 films, nine of which come from female directors. Similarly, AFI Fest’s American Independents section aims to represent the best of this year’s independent filmmaking. Pushing boundaries of form and content across narrative and documentary cinema, this section includes 11 films from both fresh...
Highlighting first- and second-time feature film directors, New Auteurs is designed as the festival’s platform for upcoming filmmakers from all over the world to showcase their new films. This year, the section includes 11 films, nine of which come from female directors. Similarly, AFI Fest’s American Independents section aims to represent the best of this year’s independent filmmaking. Pushing boundaries of form and content across narrative and documentary cinema, this section includes 11 films from both fresh...
- 10/16/2017
- by Kate Erbland
- Indiewire
Valérie Massadian. Photo by Locarno Festival | Marco Abram.Six years ago, Valérie Massadian won the Opera Prima, the Locarno Festival’s first feature prize, for Nana, a great film that has since developed a small but deeply impassioned following. She returned to the festival this year with Milla and received another award, the Special Jury Prize in the Filmmakers of the Present competition. Simultaneously tender and brutal, in the film 17-year-old Milla (Séverine Jonckeere) runs away with Leo (Luc Chessel) before a series of incidents cause her to mature faster than nature had intended and make the uneasy transition from childhood to motherhood. We sat in a shady courtyard in Locarno to speak with Massadian about Milla and how it relates to, and expands upon, the project she undertook with Nana, as well as what it means to make films with and about young women. This transcription may give an indication of her demeanor,...
- 8/28/2017
- MUBI
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