When the Night Has Come: Grandrieux Laments Lost Love
Seven years have passed since provocateur Philippe Grandrieux’s 2008 film Un Lac, and he remains somewhat of an acquired taste, though considering the subject matter, Malgré la nuit (Despite the Night) is surprisingly less galvanizing than his early features. The narrative, should we indeed call it thus, couldn’t be more simple, roughly concerning a British bloke returning to Paris to reconnect with his lost love. His reasons for leaving or returning aren’t apparently of importance once he disappears into a sort of Parisian ether, where passionate memories are pierced by a current state of abject degradation upon reconnecting with his troubled object of affection. The take away is more of a cerebral, extrasensory experience, existing as a diluted nightmare where pleasure and punishment are doled out in equal measure, which is hardly a surprise for those accustomed to Grandrieux’s filmography.
Seven years have passed since provocateur Philippe Grandrieux’s 2008 film Un Lac, and he remains somewhat of an acquired taste, though considering the subject matter, Malgré la nuit (Despite the Night) is surprisingly less galvanizing than his early features. The narrative, should we indeed call it thus, couldn’t be more simple, roughly concerning a British bloke returning to Paris to reconnect with his lost love. His reasons for leaving or returning aren’t apparently of importance once he disappears into a sort of Parisian ether, where passionate memories are pierced by a current state of abject degradation upon reconnecting with his troubled object of affection. The take away is more of a cerebral, extrasensory experience, existing as a diluted nightmare where pleasure and punishment are doled out in equal measure, which is hardly a surprise for those accustomed to Grandrieux’s filmography.
- 2/25/2016
- by Nicholas Bell
- IONCINEMA.com
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