Ventana Sur’s Proyecta Ramps Up Projects from ‘Memoria,’ ‘90 Minutes,’ ‘The Cow Who Sang…’ Producers
![Image](https://m.media-amazon.com/images/M/MV5BMTczZWFlZDUtMmZmMi00ZjY0LTgzOWEtY2RjZWQzYmUyNjEyXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Aeden O’Connor’s “Sun Falls,” Manuela Martelli’s “The Meltdown” and Tomás Corredor’s “November” feature among 15 projects to be presented at Ventana Sur’s 5th Proyecta co-production forum, a wide-ranging showcase of emerging and already consolidated filmmakers plus new talents to track from Latin America and Europe.
Producer Ana Isabel Martins at Honduras’ Pulsar Cine is re-teaming with director Aeden O’Connor, whose feature debut “90 Minutes” won the Audience Award at the 37th Miami Film Festival. Their new project, “Sun Falls,” follows a passionate young man dreams of making films to denounce the corruption, poverty and violence in Honduras that succumbs to the support of the leader of a local gang.
Chile’s Manuela Martelli, director of 2022 Cannes Director’s Fortnight premiere “1976,” returns with “The Meltdown,” produced by Wood Producciones’ Alejandra García, of Sundance player “The Cow Who Sang a Song into the Future.”
Burning’s Diana Bustamante, the...
Producer Ana Isabel Martins at Honduras’ Pulsar Cine is re-teaming with director Aeden O’Connor, whose feature debut “90 Minutes” won the Audience Award at the 37th Miami Film Festival. Their new project, “Sun Falls,” follows a passionate young man dreams of making films to denounce the corruption, poverty and violence in Honduras that succumbs to the support of the leader of a local gang.
Chile’s Manuela Martelli, director of 2022 Cannes Director’s Fortnight premiere “1976,” returns with “The Meltdown,” produced by Wood Producciones’ Alejandra García, of Sundance player “The Cow Who Sang a Song into the Future.”
Burning’s Diana Bustamante, the...
- 11/29/2022
- by Emiliano De Pablos
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BNWE5MmE1Y2QtZGQ2Ny00YWZiLWI0MjEtM2EwMDBlMjY1NWRkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Bernardo Quesney’s “History and Geography” and Tomás González Matos’ “Breaking and Entering” are two of the titles screening May 20 at Cannes’ Marché du Film showcase, Sanfic Industria Goes to Cannes.
Two other films round out the selection; Andrew Sala’s “The Barbaric” from Argentina, and Esteban García’s Mexico-Columbia co-production “Back to the Sea of my Deseaced.”
All four titles screened at Sanfic Industria’s Works in Progress. The 2022 Cannes slate showcases powerful themes of violence, identity and corruption.
The Goes to Cannes sessions will run May 20-23 May. The curated selections will be presented at two-hour pitch sessions alongside teams who will introduce their films in front of an audience of industry execs and fest heads. The films in this section are in various stages of post-production, some seeking sales agents, distributors or festival selection.
A brief breakdown of the Sanfic Industria Goes to Cannes titles:
“Breaking and Entering,...
Two other films round out the selection; Andrew Sala’s “The Barbaric” from Argentina, and Esteban García’s Mexico-Columbia co-production “Back to the Sea of my Deseaced.”
All four titles screened at Sanfic Industria’s Works in Progress. The 2022 Cannes slate showcases powerful themes of violence, identity and corruption.
The Goes to Cannes sessions will run May 20-23 May. The curated selections will be presented at two-hour pitch sessions alongside teams who will introduce their films in front of an audience of industry execs and fest heads. The films in this section are in various stages of post-production, some seeking sales agents, distributors or festival selection.
A brief breakdown of the Sanfic Industria Goes to Cannes titles:
“Breaking and Entering,...
- 5/19/2022
- by JD Linville
- Variety Film + TV
imdb.1eye.us, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.