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Taking place August 7-17, the official selection for the 77th Locarno Film Festival has been unveiled, featuring a stellar-looking slate of highly anticipated films. Highlights include Hong Sangsoo’s second feature of the year, By the Stream, starring Kim Minhee, Kwon Haehyo, and Cho Yunhee; Ramon Zürcher’s The Sparrow in the Chimney, Wang Bing’s second part of his Youth trilogy, Youth (Hard Times), as well as new films by Radu Jude, Bertrand Mandico, Courtney Stephens, Ben Rivers, Gürcan Keltek, Denis Côté, Kevin Jerome Everson, Fabrice Du Welz (featuring Abel Ferrara!), and many more. Also of particular note is the world premiere of Tarsem Singh’s restored cut of The Fall, which features a slightly different edit as he recently noted.
Giona A. Nazzaro, Artistic Director of the Locarno Film Festival said, “We are very excited and happy with our selection for Locarno’s 77th edition, which we believe...
Giona A. Nazzaro, Artistic Director of the Locarno Film Festival said, “We are very excited and happy with our selection for Locarno’s 77th edition, which we believe...
- 7/10/2024
- by Jordan Raup
- The Film Stage
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The 25th edition of Tallinn Black Nights Film Festival is about to kick off, and between 12-28 of November the audience will have the oportunity to watch a great number of films from Asia, strewn across festival’s various program sections, including all competition segments. We went through the complete program and counted no more or less than 69 films from the broader Asian region.
Quite surprising is the amount of competition titles in the main selection, with three world premieres, four international. Lu ZHang’s “Yanagawa” will have its European premiere at PÖFF.
Yerzhanov returns to Tallinn a year after he presented two films at the festival, the main competition title “Ulbolsyn” about a woman who comes to a Kazhak village to “steer trouble”, and the oddball comedy “Yellow Cat” screened in the Current Waves program. Kirill Sokolov is also back two years after the premiere of his critically acclaimed...
Quite surprising is the amount of competition titles in the main selection, with three world premieres, four international. Lu ZHang’s “Yanagawa” will have its European premiere at PÖFF.
Yerzhanov returns to Tallinn a year after he presented two films at the festival, the main competition title “Ulbolsyn” about a woman who comes to a Kazhak village to “steer trouble”, and the oddball comedy “Yellow Cat” screened in the Current Waves program. Kirill Sokolov is also back two years after the premiere of his critically acclaimed...
- 11/10/2021
- by Marina D. Richter
- AsianMoviePulse
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The 45th Hong Kong International Film Festival (HKIFF45) today announced 14 Firebird Award and Fipresci Prize winners, including The Day is Over, The Wasteland, Mr. Bachmann and His Class and Motorcyclist’s Happiness Won’t Fit Into His Suit.
In naming Qi Rui’s The Day is Over Best Film of this year’s Young Cinema Competition (Chinese Language), the jury praised it for “aptly portraying contemporary society’s lack of care for the young generation and the subsequent impact on the development of their personal values”. In the same section, Summer Blur garnered two awards – Best Director for Han Shuai for his “impressive ability in portraying the characters’ psyche” and Best Actress for Huang Tian for “intelligently guiding the audience into the tender inner world of a young girl”. The Best Actor Award went to Wuhai’s Huang Xuan, who “brilliantly exhibits the anguish and torment experienced by a man...
In naming Qi Rui’s The Day is Over Best Film of this year’s Young Cinema Competition (Chinese Language), the jury praised it for “aptly portraying contemporary society’s lack of care for the young generation and the subsequent impact on the development of their personal values”. In the same section, Summer Blur garnered two awards – Best Director for Han Shuai for his “impressive ability in portraying the characters’ psyche” and Best Actress for Huang Tian for “intelligently guiding the audience into the tender inner world of a young girl”. The Best Actor Award went to Wuhai’s Huang Xuan, who “brilliantly exhibits the anguish and torment experienced by a man...
- 4/11/2021
- by Adriana Rosati
- AsianMoviePulse
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The Berlin Film Festival has unveiled the lineup of 20 shorts from 17 countries which will compete for the Golden and Silver Bear awards for short films.
The festival said the films “daringly confront the present and rewrite the past,” while imagining “a new tomorrow” in many different ways. “There is longing to understand and to be understood (running) through the selection,” said the fest.
Among the films selected, some explore colonial history, such as “Motorcyclist’s Happiness Won’t Fit Into His Suit,” “Strange Object,” “One Hundred Steps;” others tackle political violence, such as “International Dawn Chorus Day,” and right-wing terror, like “Your Street.”
“A Love Song in Spanish” and “My Uncle Tudor,” meanwhile, confront trauma within people and their families. “Vadim on a Walk,” “Glittering Barbieblood,” “One Thousand and One Attempts to Be an Ocean” look at society; or “Rehearsal” looks at institutions.
Some of the more philosophical and spiritual...
The festival said the films “daringly confront the present and rewrite the past,” while imagining “a new tomorrow” in many different ways. “There is longing to understand and to be understood (running) through the selection,” said the fest.
Among the films selected, some explore colonial history, such as “Motorcyclist’s Happiness Won’t Fit Into His Suit,” “Strange Object,” “One Hundred Steps;” others tackle political violence, such as “International Dawn Chorus Day,” and right-wing terror, like “Your Street.”
“A Love Song in Spanish” and “My Uncle Tudor,” meanwhile, confront trauma within people and their families. “Vadim on a Walk,” “Glittering Barbieblood,” “One Thousand and One Attempts to Be an Ocean” look at society; or “Rehearsal” looks at institutions.
Some of the more philosophical and spiritual...
- 2/9/2021
- by Elsa Keslassy
- Variety Film + TV
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![Dau (2019)](https://m.media-amazon.com/images/M/MV5BYTdiYzM4MTctNWRhMS00OTY0LTk2YjMtZmRiYjc1Zjk5NzMyXkEyXkFqcGdeQXVyMTA2MTU3NDk1._V1_QL75_UX140_CR0,2,140,207_.jpg)
If you consider running-time alone, Russian content fills a considerable chunk of space in the official sections of the 2020 Berlinale.
This is primarily because of Ilya Khrzhanovsky’s mind-boggling large-scale simulation of the totalitarian Soviet system, the “Dau” project, which comprises 14 features — two are unspooling at Berlin, accounting for more than eight hours of screen time. “Dau. Natasha,” clocking in at two hours and 19 minutes, premieres in competition.
Described by the Dau website as “a tale of violence that is as radical as it is provocative,” it follows two waitresses in a top-secret Soviet scientific institute who strike up a cautious friendship when one is seduced by a foreign visitor, until the ministry of state security intervenes.
Meanwhile, the Berlinale Special title “Dau. Degeneratsia” has a running time of just over six hours. The story unfolds at the same institute shown in “Natasha,” where scientific and occult experiments aimed at...
This is primarily because of Ilya Khrzhanovsky’s mind-boggling large-scale simulation of the totalitarian Soviet system, the “Dau” project, which comprises 14 features — two are unspooling at Berlin, accounting for more than eight hours of screen time. “Dau. Natasha,” clocking in at two hours and 19 minutes, premieres in competition.
Described by the Dau website as “a tale of violence that is as radical as it is provocative,” it follows two waitresses in a top-secret Soviet scientific institute who strike up a cautious friendship when one is seduced by a foreign visitor, until the ministry of state security intervenes.
Meanwhile, the Berlinale Special title “Dau. Degeneratsia” has a running time of just over six hours. The story unfolds at the same institute shown in “Natasha,” where scientific and occult experiments aimed at...
- 2/27/2020
- by Alissa Simon
- Variety Film + TV
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