Joko Anwar blessed horror fans with "Satan's Slaves" in 2018, and now he's back with a compelling sequel that takes haunted house rules and applies them to a busier apartment complex. "Satan's Slaves: Communion" follows "Satan's Slaves" in continuity, hoping to answer questions about cultists with umbrellas, antichrist offspring, and how families move on after satanic rituals. Anwar builds the mythology behind "Satan's Slaves" into something more twisted, which opens as many doors as it closes — not the cleanest evolution in storytelling, but the scares are still tremendous. Whatever's lost in the latter half's exposition dumps is salvaged by Anwar's masterful horror filmmaking sensibilities because while "Satan's Slaves" does reign supreme, that's a loaded comparison to one of the top-ranking horror films of its decade, and since.
It's been several years since Rini (Tara Basro) and her family lost their mother and mute younger sibling Ian (M. Adhiyat). Father Bahri (Bront Palarae...
It's been several years since Rini (Tara Basro) and her family lost their mother and mute younger sibling Ian (M. Adhiyat). Father Bahri (Bront Palarae...
- 10/18/2022
- by Matt Donato
- Slash Film
One of the greatest exploits in thehHorror genre over the last few years has been the explosion of talent and quality emerging from Indonesian directors getting their films out to a wider audience. The likes of Timo Tjahjanto, Kimo Stamboel, Rizal Mantovani, and Awi Suryadi, among others, have provided local and international success on an unparalleled level. None of that would be possible, though, if not for director Joko Anwar’s celebrated launch of the movement in his spectacular remake of “Satan’s Slaves.”
After their mother comes down with a mysterious illness, a family including the Father (Bront Palarae), and his kids Rini (Tara Basro), Tony, (Endy Arfian) Bondi (Nasar Annuz), and Ian (M. Adhiyat) try to get by in life despite the strain it puts on the family. Once she finally passes away, the family pays their respects and tries to move on but finds themselves continually haunted...
After their mother comes down with a mysterious illness, a family including the Father (Bront Palarae), and his kids Rini (Tara Basro), Tony, (Endy Arfian) Bondi (Nasar Annuz), and Ian (M. Adhiyat) try to get by in life despite the strain it puts on the family. Once she finally passes away, the family pays their respects and tries to move on but finds themselves continually haunted...
- 6/19/2022
- by Don Anelli
- AsianMoviePulse
One of the most celebrated Indonesian horror efforts, the original “Satan’s Slaves” (or Pengabdi Setan) was initially released during the height of the country’s horror boom in the early 1980s by Sisworo Gautama Putra, one of the leading horror directors of the time. Now in 2017, a remake of the original becomes poised to offer the same overall impact for its director, Joko Anwar, with one of the most enjoyable efforts of the year.
The film screened as part of Five Flavours Asian Horror Night
After their mother comes down with a mysterious illness, a family including the Father (Bront Palarae), and his kids Rini (Tara Basro), Tony, (Endy Arfian) Bondi (Nasar Annuz) and Ian (M. Adhiyat) try to get by in life despite the strain it puts on the family. Once she finally passes away, the family pay their respects and try to move on but find themselves...
The film screened as part of Five Flavours Asian Horror Night
After their mother comes down with a mysterious illness, a family including the Father (Bront Palarae), and his kids Rini (Tara Basro), Tony, (Endy Arfian) Bondi (Nasar Annuz) and Ian (M. Adhiyat) try to get by in life despite the strain it puts on the family. Once she finally passes away, the family pay their respects and try to move on but find themselves...
- 8/19/2019
- by Don Anelli
- AsianMoviePulse
It wasn’t until 2006 that cult Indonesian horror film Satan’s Slave finally received a DVD pressing after accruing its mystique without subtitles courtesy of a Japanese VHS. The 1980 release from director Sisworo Gautama Putra has been called an unofficial remake of Don Coscarelli’s Phantasm, its supernatural haunting steeped in Muslim beliefs and Indonesian folklore rather than the usual Christian trappings associated with the Devil. The pedigree it holds therefore made it unsurprising that Joko Anwar (who grew up on genre fare spanning horror to kung fu) would seek to helm a remake. It may have taken more than ten years to turn that dream into a reality, but Satan’s Slaves becoming his nation’s best-selling domestic release ever proves it was worth the wait.
The 1981-set movie begins with an older woman chanting under her breath in bed, an obvious sickness having taken control of her body three years previously.
The 1981-set movie begins with an older woman chanting under her breath in bed, an obvious sickness having taken control of her body three years previously.
- 7/28/2018
- by Jared Mobarak
- The Film Stage
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