Drawing inspiration from The Matrix, Edge of Tomorrow, and, especially, Christopher Nolan’s Memento and Inception, Robert Rodriguez’s sci-fi neo-noir Hypnotic is less homage than a faded copy of a copy. Rodriguez and co-writer Max Borenstein certainly aren’t the first filmmakers to recycle a high-concept idea. But for a film so explicitly concerned with the reshaping of reality, Hypnotic’s utter failure to present a world that feels remotely convincing or fleshed out is a source of constant distraction. And while a couple of its myriad twists are clever enough, the film is often more mind-numbing than mind-bending.
Hypnotic opens with urban police officer Danny Rourke (Ben Affleck) mourning the kidnapping of his seven-year-old daughter, Minnie (Ionie Nieves), whose abductor, once caught, claims no memory of his actions or her whereabouts. Something is off about the whole incident, the details of which are replayed for the audience via...
Hypnotic opens with urban police officer Danny Rourke (Ben Affleck) mourning the kidnapping of his seven-year-old daughter, Minnie (Ionie Nieves), whose abductor, once caught, claims no memory of his actions or her whereabouts. Something is off about the whole incident, the details of which are replayed for the audience via...
- 5/11/2023
- by Derek Smith
- Slant Magazine
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