In June 1998, on a much-publicized list, the American Film Institute named `Citizen Kane' America's Greatest Movie, sparking a controversy that rages to this day. Since then, when people watch `Citizen Kane', they've been analyzing it and dissecting to see why it made the list. They completely have forgotten what made it so great (Minor spoilers).
I, for one, am one of those who think any greatest movie list is ridiculous. I believe a person should have several favorite movies and if they are asked what is their favorite, they can name one of those. But they need to know why. `Citizen Kane' is one of these I would name because it's so creative. Every scene is a delight to watch in terms of cinematography, lighting, sound, writing, music or acting. Almost everyone was in their film debuts: Orson Welles, Joe Cotton, Everett Sloane, Agnes Moorehead, Dorothy Comingore, Ruth Warrick, Ray Collins, Erskine Sanford, William Alland, Paul Stewart and George Coulouris are all excellent in their debuts and most would have long careers. It's difficult to name who is the best, but I think that Cotton, Sloane and Moorehead were the best in all their scenes. Welles and Coulouris would be the runners up.
There are other elements that make the film work: The script of Welles and Herman Mankiewicz (Strangely, the film's only Oscar winner), the music score of Bernard Herrmann, the photography of Gregg Toland (The only major team member with previous film experience), the film editing of Robert Wise (Who would have a great career as a director), and the sound created by Bailey Fesler and James G. Stewart. Blend all these elements together, allow to bake and you got a great movie.
Film Critic Pauline Kael once called Rosebud a gimmick. Indeed, this is correct. At first, it seems to explain everything, but it also explains nothing. The movie has such a great story because it gives us the inside on the life of a rich and famous celebrity, the kind we are always interested in. Rosebud is the key of newsreel reporter Jerry Thompson (William Alland), as well as ours, to unlocking the life of Charles Kane. We really never sympathize with Kane since he is a jerk. He uses people to his own advantage and he kicks anyone around who gets in his way. Nevertheless, the life is fascinating. The screenplay was also one of the first to take liberties in the plot. It doesn't have a linear narrative, but rather jumps from interview to interview, from event to event. Event after 60+ years of age, the movie is still as fresh and entertaining as though it were made yesterday, just as it will be 60 years from now.
If you decide to watch the movie for the first time, do not expect it to be the greatest movie you have ever seen. Rather, don't expect anything. Expect just another movie and you will get your money's worth. On the cinema mountain range, there are few on the same height as `Citizen Kane' (Dr. Strangelove is the only movie I would place on Kane's level, for its brilliance, its acting and its creativity). Unfortunately, many of today's future directors aren't getting raised on films like this. In fact, when I told someone about it recently, they said `Citizen Kane? Is that a movie?' That's a shame, for the filmmakers of tomorrow need better inspiration than the disposable movies of today.
I, for one, am one of those who think any greatest movie list is ridiculous. I believe a person should have several favorite movies and if they are asked what is their favorite, they can name one of those. But they need to know why. `Citizen Kane' is one of these I would name because it's so creative. Every scene is a delight to watch in terms of cinematography, lighting, sound, writing, music or acting. Almost everyone was in their film debuts: Orson Welles, Joe Cotton, Everett Sloane, Agnes Moorehead, Dorothy Comingore, Ruth Warrick, Ray Collins, Erskine Sanford, William Alland, Paul Stewart and George Coulouris are all excellent in their debuts and most would have long careers. It's difficult to name who is the best, but I think that Cotton, Sloane and Moorehead were the best in all their scenes. Welles and Coulouris would be the runners up.
There are other elements that make the film work: The script of Welles and Herman Mankiewicz (Strangely, the film's only Oscar winner), the music score of Bernard Herrmann, the photography of Gregg Toland (The only major team member with previous film experience), the film editing of Robert Wise (Who would have a great career as a director), and the sound created by Bailey Fesler and James G. Stewart. Blend all these elements together, allow to bake and you got a great movie.
Film Critic Pauline Kael once called Rosebud a gimmick. Indeed, this is correct. At first, it seems to explain everything, but it also explains nothing. The movie has such a great story because it gives us the inside on the life of a rich and famous celebrity, the kind we are always interested in. Rosebud is the key of newsreel reporter Jerry Thompson (William Alland), as well as ours, to unlocking the life of Charles Kane. We really never sympathize with Kane since he is a jerk. He uses people to his own advantage and he kicks anyone around who gets in his way. Nevertheless, the life is fascinating. The screenplay was also one of the first to take liberties in the plot. It doesn't have a linear narrative, but rather jumps from interview to interview, from event to event. Event after 60+ years of age, the movie is still as fresh and entertaining as though it were made yesterday, just as it will be 60 years from now.
If you decide to watch the movie for the first time, do not expect it to be the greatest movie you have ever seen. Rather, don't expect anything. Expect just another movie and you will get your money's worth. On the cinema mountain range, there are few on the same height as `Citizen Kane' (Dr. Strangelove is the only movie I would place on Kane's level, for its brilliance, its acting and its creativity). Unfortunately, many of today's future directors aren't getting raised on films like this. In fact, when I told someone about it recently, they said `Citizen Kane? Is that a movie?' That's a shame, for the filmmakers of tomorrow need better inspiration than the disposable movies of today.
