In the 1970s, it was understood and accepted that some leading actors and actresses looked a little different from the box-office stars (they didn't just stand out to get attention, often they were embracing their own idiosyncrasies). Karen Black probably didn't intend to go mainstream, though her supporting performance in 1970's "Five Easy Pieces" was embraced by the counterculture and netted her an Oscar nomination. She's an offbeat actress who performs without vanity. Headlining this three-tiered TV-movie, Black plays plays four fascinating women, and her somewhat exotic cadence and her slightly-zonked overall manner gives the shuddery material an extra layer. Written by Richard Matheson and William F. Nolan, from Matheson's original stories, this "Trilogy" is well-cast and well-directed by Dan Curtis, who delivers some memorable moments--and the proof is that horror fans still refer to the film today. Curtis and Black really seemed to click, as the director quickly and efficiently zips through three creep-outs about complex ladies: "Julie", a dowdy teacher with nice legs who has naughty little minds in her classroom wondering what she's really like; "Millicent and Therese", two completely opposite sisters who live together; and "Amelia", a single woman who fights off the attack of a Zuni fetish doll in her apartment. This third chapter has incredible point-of-view camerawork as the enraged doll with sharp teeth swoops around furniture trying to get at his prey (he's at once comical and horrifying). The first two segments are psychological suspense studies of women holding power over men, while the finale turns the tables and makes woman the victim. The movie has a modest budget (it fit nicely on the tube) and might not have been considered so remarkable without the efforts of Curtis and Black. This was a scream-team made in horror heaven. **1/2 from ****
Review of Trilogy of Terror
