This little short operates on two levels.
The first is it's humorous story, that of a bunch of soldiers--we aren't really given who they are or what they're doing there--that are shoved off of a tall diving board to their deaths, and then photographed to be sent to this fierce fat guy who is collecting them for an animation.
The second is an exploration of animation itself, as it is done in very caricaturist CG but has the second level of being something of a stop-motion animation. The fat guy takes the pictures of the dead soldiers and puts them into a projector to make a very macabre dance... and nothing is funnier than watching him dance along with hundreds of dead soldiers.
Could this possibly be something about the amount of death and toil that goes into making precise art? I'd like to think so, otherwise I can't really see an excuse for it, even though it is quite definitely the perfect example of morbid comedy.
--PolarisDiB
The first is it's humorous story, that of a bunch of soldiers--we aren't really given who they are or what they're doing there--that are shoved off of a tall diving board to their deaths, and then photographed to be sent to this fierce fat guy who is collecting them for an animation.
The second is an exploration of animation itself, as it is done in very caricaturist CG but has the second level of being something of a stop-motion animation. The fat guy takes the pictures of the dead soldiers and puts them into a projector to make a very macabre dance... and nothing is funnier than watching him dance along with hundreds of dead soldiers.
Could this possibly be something about the amount of death and toil that goes into making precise art? I'd like to think so, otherwise I can't really see an excuse for it, even though it is quite definitely the perfect example of morbid comedy.
--PolarisDiB
