Once again, Merian C. Cooper wanted to make a giant gorilla picture, and as he did with SON OF KONG, the showman wisely chose not to top his 1933 classic (although the stop motion destruction scenes are unparalleled), but to have fun with it. MIGHTY JOE YOUNG is a fast paced fantasy-comedy-thriller about a gentle simian giant raised on an African plantation by a young girl (Terry Moore). A Carl Denham-clone stage producer named Max (the always energetic Robert Armstrong, this time sporting an awful toupee) coaxes Jill to bring Joe to Los Angeles where he features the giant ape in a night club routine. The crazy skits Max dreams up for Jill and Mighty Joe resemble Barnum and Bailey on crack! (The tug of war between Joe and a line up of beefy muscle men is 100% entertainment overdrive!) Joe finally goes berserk, and tears the club apart. There's a court order to have him killed, but Max and Jill brainstorm an escape, and the mad chase is on.
John Ford is credited as a second unit director. (I'd love to know what scenes!) There are amusing cameo appearances by Hollywood supporting actors like Charles Lane, Edward Gargan, and Jack Pennick. MIGHTY JOE YOUNG's highlight is the stop motion work, most of it by young Ray Harryhausen. His work here is some of the best animation you'll ever see. The fist-fight between Joe and former heavyweight champion Primo Carnera, Joe's rampage through the club (complete with animated lions, drunks, and debris), and the climactic fire sequence, help make MIGHTY JOE YOUNG a high-caffeine treat.
I have to mention how "film-logic" fuels MIGHTY JOE YOUNG's third act. Joe is in a stolen van, being chased by angry policemen who are gaining on him. Suddenly they come across a burning orphanage, and Joe redeems himself by rescuing the trapped kids. (With my luck, if I was helping Joe escape, I'd come upon a burning maximum security prison with death row inmates waiting for a rescue!) While Joe lies there injured, after having rescued the last screaming tot, Jill is assured by her boyfriend (warmly played by Ben Johnson) that "Nobody's gonna shoot Joe now!" Uh, excuse me, Benny, there's a court order to shoot Joe! Are you a lawyer?!
John Ford is credited as a second unit director. (I'd love to know what scenes!) There are amusing cameo appearances by Hollywood supporting actors like Charles Lane, Edward Gargan, and Jack Pennick. MIGHTY JOE YOUNG's highlight is the stop motion work, most of it by young Ray Harryhausen. His work here is some of the best animation you'll ever see. The fist-fight between Joe and former heavyweight champion Primo Carnera, Joe's rampage through the club (complete with animated lions, drunks, and debris), and the climactic fire sequence, help make MIGHTY JOE YOUNG a high-caffeine treat.
I have to mention how "film-logic" fuels MIGHTY JOE YOUNG's third act. Joe is in a stolen van, being chased by angry policemen who are gaining on him. Suddenly they come across a burning orphanage, and Joe redeems himself by rescuing the trapped kids. (With my luck, if I was helping Joe escape, I'd come upon a burning maximum security prison with death row inmates waiting for a rescue!) While Joe lies there injured, after having rescued the last screaming tot, Jill is assured by her boyfriend (warmly played by Ben Johnson) that "Nobody's gonna shoot Joe now!" Uh, excuse me, Benny, there's a court order to shoot Joe! Are you a lawyer?!
