Perhaps the worst thing any of us movie lovers can surrender to is blind trust in film critics. I have always wondered from what dark tank in hell do these (mostly men, for some bizarre reason) so called critics emerge? Very few that I have read appear to have ever set foot on a set much less partaken of one shoot in the production process, for they often irresponsibly toss off extraordinary efforts and artistic triumphs with great expense in blood, sweat, tears and resources as one would pick out an overdone piece of popcorn and toss it.
Thus, having read several critics on the new milling of Clash of the Titans and remembering quite well the awful Second Avenue-second hand budget of the 1981 rendition with its stop motion animated puppets, I dragged myself to the theater with it in mind that I would once again have to hear Liam Neeson shout, "Release the Kraken," after wincing from a dozen or so trailers that followed my favorite news programs on TV.
What I experienced was stunning production values crowned by brilliant Homeric design and art work even to the minutest detail in both sets and costume. There was so much detail that even some of the men's hairstyles were impressive (Sam Worthington – Perseus' - "do" notwithstanding). In this marvelous production was one instance where I expected nothing and got everything. The very fine cast is icing on the cake.
As an old fan of Greek mythology I found myself highly rewarded. However, while the script simply nods at the original tales of Perseus and Andromeda there is so much good action here in a strong plot, and done so stylishly that one quickly leaves the original mythology in the vest pocket, perhaps where it really belongs.
Thus, having read several critics on the new milling of Clash of the Titans and remembering quite well the awful Second Avenue-second hand budget of the 1981 rendition with its stop motion animated puppets, I dragged myself to the theater with it in mind that I would once again have to hear Liam Neeson shout, "Release the Kraken," after wincing from a dozen or so trailers that followed my favorite news programs on TV.
What I experienced was stunning production values crowned by brilliant Homeric design and art work even to the minutest detail in both sets and costume. There was so much detail that even some of the men's hairstyles were impressive (Sam Worthington – Perseus' - "do" notwithstanding). In this marvelous production was one instance where I expected nothing and got everything. The very fine cast is icing on the cake.
As an old fan of Greek mythology I found myself highly rewarded. However, while the script simply nods at the original tales of Perseus and Andromeda there is so much good action here in a strong plot, and done so stylishly that one quickly leaves the original mythology in the vest pocket, perhaps where it really belongs.
