A teacher laments the day when one of the children in his care claims to have seen a man in the woods by the school yard, a claim which sends the other children fleeing back to the blacktop and abandoning their carefree fun in nature and instead becoming tense and being shaped by the wild stories that young Sid spins in order, it seems, to spoil their fun.
There is a lot to really enjoy about this short film and it is additionally good that the viewer enjoys it all the way to a satisfying conclusion. The plot sees a claim spiral out of control and, as the narrator tells the story we understand more about where we are (narratively) and also how we got there. The story in itself is good in a fairytale or fable way, but the manner of the narration makes it much more engaging. Written in the form of a rhyme, the choice and linkage of words is pleasing and engaging to the ear, with a nice flow and creativity to it. Added to this is that the delivery of the dialogue is very good by Michael Ho, but also that it picks up the pace in time with the story, so as things escalate in the story, so the narration becomes faster and slightly frantic before it end with a simple and satisfyingly dark final line.
The animation works well too. Deceptively colorful and friendly, it keeps this general look throughout but yet subverts itself well to differentiate between the parts of the story being told and the story we are in, although with a transition in the middle somewhere rather than a switch. It felt a perfect fit to the narration, although for me it is definitely Streilein's writing and the Ho's delivery that makes it.
There is a lot to really enjoy about this short film and it is additionally good that the viewer enjoys it all the way to a satisfying conclusion. The plot sees a claim spiral out of control and, as the narrator tells the story we understand more about where we are (narratively) and also how we got there. The story in itself is good in a fairytale or fable way, but the manner of the narration makes it much more engaging. Written in the form of a rhyme, the choice and linkage of words is pleasing and engaging to the ear, with a nice flow and creativity to it. Added to this is that the delivery of the dialogue is very good by Michael Ho, but also that it picks up the pace in time with the story, so as things escalate in the story, so the narration becomes faster and slightly frantic before it end with a simple and satisfyingly dark final line.
The animation works well too. Deceptively colorful and friendly, it keeps this general look throughout but yet subverts itself well to differentiate between the parts of the story being told and the story we are in, although with a transition in the middle somewhere rather than a switch. It felt a perfect fit to the narration, although for me it is definitely Streilein's writing and the Ho's delivery that makes it.
