Well, there's a surprise; another Dutch movie that only receives a mediocre rating on IMDb (5.8 on the day this review was posted). It is quite a fact that everything which is Dutch and not directed by Paul Verhoeven has a tough time in the cinemas. 'De Poel' (The Pool) received quite some positive reviews and was hailed as proof that Dutch horror movies can work; however, advertising for the movie was predictably lacking, so this movie probably only saw the inside of a few cinemas for no more than 2 weeks, with only a handful of moviegoers and some copy pirates as its sparse public. But you would at least hope that a good movie, even a commercially failed one, ultimately gets its due credit here, like The Shawshank Redemption. Alas, no such luck.
Did most people who rated this movie take the time to actually watch it? I kind of doubt it. There has to be an audience for this movie, a rare type of Dutch film that takes its matters seriously, and doesn't feel like a low-budget, low-scale imitation of a better American original. It is not that Dutch cinema has a rich tradition of horror movies. 'De Lift' (The Elevator', remade as 'Down') is a rare example from the 80s. Not much worth mentioning was made in the 90s, and in the zeroes, a few attempts were made to revive the genre with 'Doodeind' and 'Slachtnacht'. However, these two, although enjoyable, were obviously made from the archetypical American example, the slasher horror (or 'Dead Teenager Horror' as the great Roger Ebert liked to call it). The Pool, however, seems to take its inspiration from (IMO) one of the best British horror movies of the last decade: The Descent.
The Pool has the same basic premise: a couple of friends venture into a forbidden area, but a succession of adversities slowly turn them against each other. And while the psychological tension rises, a hidden evil that dwells in the surroundings starts to pick its victims, one after another. In this case, experienced camper Lennaert (one of Netherlands' finest character actors, Gijs Scholten van Aschat, who also co-wrote the screenplay) goes on a camping trip with his wife, sons, his good friend and the friend's daughter. He convinces the rest to stray from the beaten path and enter a forbidden area to camp in, next to a giant pond. It doesn't take long before a succession of events, ranging from strange, unnerving to downright disturbing, convince them that there is something terribly wrong with the place. Of course, Lennaert gets the blame for this, which causes his relation with his family and friend to take some turns for the worst, with dire consequences.
The great difference with 'The Descent' is that the outside threat does not come from a few cave-dwelling monsters, it has a more supernatural origin. However, the biggest strength of the movie is that it doesn't lose itself in exposition. No time is wasted on endless explanation; it is almost like the makers rely on the audience's familiarity with supernatural movies like The Grudge, The Ring and The Shining; we only see glimpses and images of what may be visions, hallucinations, memories, feverish dreams, or reality, and the audience has to fill in the blanks for itself. I saw a few deleted scenes on the BluRay disc that explain way too much and kill much of the mystery, so the creators were right to cut them out. It also helps the movie to pick up a pace unusually fast for the genre. Within 30 minutes, we are in the second act, and after one hour, it turns into the highest gear, so the mere 85 minutes of run-time certainly don't feel short.
The absence of monsters doesn't mean a lack of gore. The visual horror scenes come sparingly, but are all the more effective and visceral for it. The special effects look really great, given the low budget of the production. Still, the movie remains evenly balanced between character scenes and gore, right to the end. I would have hoped for a climax that had me gasping for air, but unfortunately, the ending is quite tame compared to the rest of the movie. The actors, with leading man Scholten van Aschat up front, have no problems being convincing without being flashy or going into hysterics, which adds perfectly to the tension. I've heard people say that the dialog is bad, but I think that is because Dutch simply doesn't sound as cool as English (both our words and sentences are longer, which makes it hard to make cool-sounding quotes).
You could say that the movie is assembled from parts snatched out of other (sometimes better) movies, but I feel that you can make a fresh new dish from old ingredients, as long as you don't snatch it from one recipe and flavor it enough. The stew created for The Pool is good for my taste, so I certainly am hungry for more. I wouldn't be surprised if it starts to make money when Hollywood is eager to buy the remake rights.
Did most people who rated this movie take the time to actually watch it? I kind of doubt it. There has to be an audience for this movie, a rare type of Dutch film that takes its matters seriously, and doesn't feel like a low-budget, low-scale imitation of a better American original. It is not that Dutch cinema has a rich tradition of horror movies. 'De Lift' (The Elevator', remade as 'Down') is a rare example from the 80s. Not much worth mentioning was made in the 90s, and in the zeroes, a few attempts were made to revive the genre with 'Doodeind' and 'Slachtnacht'. However, these two, although enjoyable, were obviously made from the archetypical American example, the slasher horror (or 'Dead Teenager Horror' as the great Roger Ebert liked to call it). The Pool, however, seems to take its inspiration from (IMO) one of the best British horror movies of the last decade: The Descent.
The Pool has the same basic premise: a couple of friends venture into a forbidden area, but a succession of adversities slowly turn them against each other. And while the psychological tension rises, a hidden evil that dwells in the surroundings starts to pick its victims, one after another. In this case, experienced camper Lennaert (one of Netherlands' finest character actors, Gijs Scholten van Aschat, who also co-wrote the screenplay) goes on a camping trip with his wife, sons, his good friend and the friend's daughter. He convinces the rest to stray from the beaten path and enter a forbidden area to camp in, next to a giant pond. It doesn't take long before a succession of events, ranging from strange, unnerving to downright disturbing, convince them that there is something terribly wrong with the place. Of course, Lennaert gets the blame for this, which causes his relation with his family and friend to take some turns for the worst, with dire consequences.
The great difference with 'The Descent' is that the outside threat does not come from a few cave-dwelling monsters, it has a more supernatural origin. However, the biggest strength of the movie is that it doesn't lose itself in exposition. No time is wasted on endless explanation; it is almost like the makers rely on the audience's familiarity with supernatural movies like The Grudge, The Ring and The Shining; we only see glimpses and images of what may be visions, hallucinations, memories, feverish dreams, or reality, and the audience has to fill in the blanks for itself. I saw a few deleted scenes on the BluRay disc that explain way too much and kill much of the mystery, so the creators were right to cut them out. It also helps the movie to pick up a pace unusually fast for the genre. Within 30 minutes, we are in the second act, and after one hour, it turns into the highest gear, so the mere 85 minutes of run-time certainly don't feel short.
The absence of monsters doesn't mean a lack of gore. The visual horror scenes come sparingly, but are all the more effective and visceral for it. The special effects look really great, given the low budget of the production. Still, the movie remains evenly balanced between character scenes and gore, right to the end. I would have hoped for a climax that had me gasping for air, but unfortunately, the ending is quite tame compared to the rest of the movie. The actors, with leading man Scholten van Aschat up front, have no problems being convincing without being flashy or going into hysterics, which adds perfectly to the tension. I've heard people say that the dialog is bad, but I think that is because Dutch simply doesn't sound as cool as English (both our words and sentences are longer, which makes it hard to make cool-sounding quotes).
You could say that the movie is assembled from parts snatched out of other (sometimes better) movies, but I feel that you can make a fresh new dish from old ingredients, as long as you don't snatch it from one recipe and flavor it enough. The stew created for The Pool is good for my taste, so I certainly am hungry for more. I wouldn't be surprised if it starts to make money when Hollywood is eager to buy the remake rights.
