Anglamark, a rural Swedish town, must become an amusement park, called Deutschnyland. At least, that is the aim of Tore Gustafsson, the entrepreneur of the town. 'It means lots, lots of money. And, finally, we can put this castle on fire.' A rebellious man, a peasant woman with magical powers and an inventor try to thwart the project.
The Apple War is a witty low budget film, which charms the viewer using inventive solutions and enthusiastic actors. It is the kind of creative 'special effect' that nowadays is used by Michel Gondry. The PR man with a growing hat, actually becoming as big as himself. A Stonehenge-like structure changed into a casino.
It is not at all the straightforward satire you might expect, actually quite the opposite. You can describe this as a fairy tale with satirical elements. This makes way for bizarre and unpredictable interludes, as the episode with three simple-minded brothers (Max von Sydow just two years before his big break with The Exorcist). The scene with the man who has a beard that grows against the walls. Or the scene with the peeing giant.
However, the film remains satirical until the end. And you might even call this film prophetic. The Gustafsson's are the boss in this modern day and age. Everywhere you see them destroy beautiful things in order to build their Deutschnylands. 'Old motherland will be... future motherland!' One of the main reasons I think that this film is so enjoyable: it is made with confidence. Director Tage Danielsson and Hans Alfredson were comedians who worked together on films and TV shows since 1956, so they were well experienced in 1971.
I loved this film and recommend this everyone who enjoys obscure and original cinema. I rate it 8/10.
The Apple War is a witty low budget film, which charms the viewer using inventive solutions and enthusiastic actors. It is the kind of creative 'special effect' that nowadays is used by Michel Gondry. The PR man with a growing hat, actually becoming as big as himself. A Stonehenge-like structure changed into a casino.
It is not at all the straightforward satire you might expect, actually quite the opposite. You can describe this as a fairy tale with satirical elements. This makes way for bizarre and unpredictable interludes, as the episode with three simple-minded brothers (Max von Sydow just two years before his big break with The Exorcist). The scene with the man who has a beard that grows against the walls. Or the scene with the peeing giant.
However, the film remains satirical until the end. And you might even call this film prophetic. The Gustafsson's are the boss in this modern day and age. Everywhere you see them destroy beautiful things in order to build their Deutschnylands. 'Old motherland will be... future motherland!' One of the main reasons I think that this film is so enjoyable: it is made with confidence. Director Tage Danielsson and Hans Alfredson were comedians who worked together on films and TV shows since 1956, so they were well experienced in 1971.
I loved this film and recommend this everyone who enjoys obscure and original cinema. I rate it 8/10.
