This episode was directed by Patrick J. Adams, that alone indicates how great of a episode this was. The 100th episode of the show, and the show hasn't lost its touch; not in the least bit.
A few unexpected 'bombs' were dropped onto a few of the characters and we get to witness how everything is affecting them. It's rather interesting to see the distinction between the characters rather clearly in this episode in order to see how each individual copes and makes certain decisions under distress. It's lovely to see that Donna & Rachel are getting more screen time this episode in comparison to the previous episodes of the season. Tensions continue to exacerbate more and more, whilst continuing to clarify some of the characters' motivations.
Robert Zane makes a very prominent and powerful appearance that was very impress to say the least. What's truly remarkable is that Louis Litt can be overzealous, hilarious, fascinating and relatable in one scene. Rick Hoffman (Louis Litt) persists to outdo himself, especially this season.
One of the most intense seasons thus far and I hope it won't be the last. The music is wonderfully placed, as always. I admire how they managed to fit all of these different conflicts and difficult decisions that they have to make whilst still maintaining a positive note, and also doing so in such a concise and efficient way. Another wonderful addition to this superb season. If only Patrick J. Adams would direct more episodes.
A few unexpected 'bombs' were dropped onto a few of the characters and we get to witness how everything is affecting them. It's rather interesting to see the distinction between the characters rather clearly in this episode in order to see how each individual copes and makes certain decisions under distress. It's lovely to see that Donna & Rachel are getting more screen time this episode in comparison to the previous episodes of the season. Tensions continue to exacerbate more and more, whilst continuing to clarify some of the characters' motivations.
Robert Zane makes a very prominent and powerful appearance that was very impress to say the least. What's truly remarkable is that Louis Litt can be overzealous, hilarious, fascinating and relatable in one scene. Rick Hoffman (Louis Litt) persists to outdo himself, especially this season.
One of the most intense seasons thus far and I hope it won't be the last. The music is wonderfully placed, as always. I admire how they managed to fit all of these different conflicts and difficult decisions that they have to make whilst still maintaining a positive note, and also doing so in such a concise and efficient way. Another wonderful addition to this superb season. If only Patrick J. Adams would direct more episodes.
