at the first sigh, a film about nothing. at the second, portrait of the most powerful fear. because it is one of the most simple films about terrorism. and, maybe, this is the most important thing. because it propose a view in a large human aquarium. because it gives only the presence, look and steps of a young woman in the middle of Times Square. no details. no story. only suppositions. and this form of minimalism works. not as tool for an art film. but as the right form to define a slice of reality. to remind the voice of news. to give to yourself the right questions.
Review of Day Night Day Night
