The film begins with the superb opening credits by Bob Godfrey, and a Mona Lisa start which is not unlike (and predates) Terry Gilliam, and sets one up for a light hearted typical British affair. It frequently uses the streets of London as a backdrop and is filled with some marvellous cameo roles by numerous character actors. They seem to be all here.
There are quite a few memorable roles but accolades go to Terry Thomas, Lionel Jeffries (that's a first for me), and Denholm Elliot glides through his performance with aplomb. Of course the plot is ridiculous, and the film is not a gem, but I was delighted to catch this film. I even laughed during the film. There's a little bit of 60's saucyness, pop references (The Cavemen), sending up of the upper classes, the obligatory (largely unknown) Amercan actor and cuts that are pure 1960's.
It's not a Carry On film, it's much better, and if you like black & white British 1960's movies and the (now lost) actors from then, you will not be disappointed.
There are quite a few memorable roles but accolades go to Terry Thomas, Lionel Jeffries (that's a first for me), and Denholm Elliot glides through his performance with aplomb. Of course the plot is ridiculous, and the film is not a gem, but I was delighted to catch this film. I even laughed during the film. There's a little bit of 60's saucyness, pop references (The Cavemen), sending up of the upper classes, the obligatory (largely unknown) Amercan actor and cuts that are pure 1960's.
It's not a Carry On film, it's much better, and if you like black & white British 1960's movies and the (now lost) actors from then, you will not be disappointed.
