Searching round online for Anita: Swedish Nymphet (1973),I was pleased to find a box set containing the title. Finding the set to contain a flick I've not heard of before,I got set to get exposed to a new discovery.
View on the film:
Looking like prime jail bait, (not that I'm a expert on jail bait!) fittie Christina Lindberg gives a delirious turn as Svensson,who drips with a sweet as honey,butter wouldn't melt in her mouth innocence from Lindberg. Snapped out of her breezy state, Lindberg twists Svensson's enticing image into a calculating backstabber. The lone movie in the set not directed by Torgny Wickman, co-writer/( with cinematographer Tony Forsberg) director Gustav Wiklund capture Svensson's naive innocence with warm Autumn colours painted along panning shots following Svensson and friends in the countryside.
Clicking away into sleaze, Wiklund offers a eyeful of sexy Lindberg with stylish overlapping montages of secret photos,and a unsettling calm stillness gazing at Svensson planning her revenge moves. Tearing away her care-free nature, the screenplay by Wiklund & Forsberg interestingly stays in flux between the Grindhouse and the Art House,as wonderfully saucy skin antics of Svensson are balanced by a simmering family drama,lit by Svensson being left exposed.
View on the film:
Looking like prime jail bait, (not that I'm a expert on jail bait!) fittie Christina Lindberg gives a delirious turn as Svensson,who drips with a sweet as honey,butter wouldn't melt in her mouth innocence from Lindberg. Snapped out of her breezy state, Lindberg twists Svensson's enticing image into a calculating backstabber. The lone movie in the set not directed by Torgny Wickman, co-writer/( with cinematographer Tony Forsberg) director Gustav Wiklund capture Svensson's naive innocence with warm Autumn colours painted along panning shots following Svensson and friends in the countryside.
Clicking away into sleaze, Wiklund offers a eyeful of sexy Lindberg with stylish overlapping montages of secret photos,and a unsettling calm stillness gazing at Svensson planning her revenge moves. Tearing away her care-free nature, the screenplay by Wiklund & Forsberg interestingly stays in flux between the Grindhouse and the Art House,as wonderfully saucy skin antics of Svensson are balanced by a simmering family drama,lit by Svensson being left exposed.
