I think, in general, writers should not neceseraly turn all their good plotline ideas into a tv show. First they need to work in details. Details matters. Otherwise they fail.
Few examples from the firsr episode that would really bother any given espionage lover:
Why Kara brings money and gives it to the driver if she was going to kill him in the first place?
Why Kara doesnt give the imo code at the phone call and she sent Adam to the record shop?
How come she cannot reach a file about Baku, while she can reach very much information in UK and many other places?
Why family and wife-husband drama sauce? The guy just became the top of the world's biggest intellogence agency, and his wife is bored about his comportments in day one. And then she immediately spills these out to her "close" friend she has not seen for a long time.
Few examples from the firsr episode that would really bother any given espionage lover:
Why Kara brings money and gives it to the driver if she was going to kill him in the first place?
Why Kara doesnt give the imo code at the phone call and she sent Adam to the record shop?
How come she cannot reach a file about Baku, while she can reach very much information in UK and many other places?
Why family and wife-husband drama sauce? The guy just became the top of the world's biggest intellogence agency, and his wife is bored about his comportments in day one. And then she immediately spills these out to her "close" friend she has not seen for a long time.
