"without pain you can't feel joy" - Reddington. This phrase from an episode before characterizes the show. And these standalone episodes broke from the main blacklisters structure are worth the torture of poorly written scenes. Cape May, Brother, Anne, Ruin. Ruin is one of the few episodes about Keen that you can watch. I gave 5 to make my review stand aside. Notwithstanding the fact that at some point I filled up with tears, it's not a ten. I like this episode a lot. I like how they brought back Red's enthusiasm towards fixing things that appeared to be detrimental to his little domestic bliss. I like how pure their romance too. There is always something innocent in love of two mature people where there is no need for labels, history, only the moment.
And I think theses standalone episodes is a great invention. I'm sorry I don't know the full TV history, but I don't recall other shows with that feature. It's not just story, it's directed and shot differently.
But of course there is a drop of dirt in this honey. There is a storm from previous episodes still waving and smiling to you. And I'm not talking about the story. I'm talking about lacks in logic and scenes. Since everybody is a critique today. I'm gonna hop on that wagon myself.
Why did he start hiding. The real Reddington would jump in any car and drove with her away as fast as he could. His decision doesn't coalesce with his extremely coherent explanation at the station about what is going to happen.
And when they locked themselves in the back and I was looking at Townsend's short beard through this cracked glass It got me thinking. Why the heck is Reddington the number one on the FBI most wanted list? I don't recall him assaulting a police station and killing cops. He should be at least after Townsend. It's not like Townsend a classic blacklister. I got the impression that agencies knew about him. We should start by reassessing why Ressler was chasing after him around the world before the events of the show took place? Doesn't FBI work within the territory of the US? But anyway, in the beginning of the show we take it at face value that Reddington is the most wanted because he is the most criminal and dangerous and all that. But by the time of the 8th season we saw so many monsters that wasn't unknown that every one of them has all the reasons to be the number 1 on most wanted list.
Ah, James. How are you able to make simple moments so hauntingly beautiful? This moment when Red turned the car with the Spader's hallmark crooked grim line reminded me of The Stickup and made me want to rewatch the incredible movie.
And I think theses standalone episodes is a great invention. I'm sorry I don't know the full TV history, but I don't recall other shows with that feature. It's not just story, it's directed and shot differently.
But of course there is a drop of dirt in this honey. There is a storm from previous episodes still waving and smiling to you. And I'm not talking about the story. I'm talking about lacks in logic and scenes. Since everybody is a critique today. I'm gonna hop on that wagon myself.
Why did he start hiding. The real Reddington would jump in any car and drove with her away as fast as he could. His decision doesn't coalesce with his extremely coherent explanation at the station about what is going to happen.
And when they locked themselves in the back and I was looking at Townsend's short beard through this cracked glass It got me thinking. Why the heck is Reddington the number one on the FBI most wanted list? I don't recall him assaulting a police station and killing cops. He should be at least after Townsend. It's not like Townsend a classic blacklister. I got the impression that agencies knew about him. We should start by reassessing why Ressler was chasing after him around the world before the events of the show took place? Doesn't FBI work within the territory of the US? But anyway, in the beginning of the show we take it at face value that Reddington is the most wanted because he is the most criminal and dangerous and all that. But by the time of the 8th season we saw so many monsters that wasn't unknown that every one of them has all the reasons to be the number 1 on most wanted list.
Ah, James. How are you able to make simple moments so hauntingly beautiful? This moment when Red turned the car with the Spader's hallmark crooked grim line reminded me of The Stickup and made me want to rewatch the incredible movie.
