5/10
What did all the unemployed screenwriters in Hollywood think of this?
3 June 2024
From its title to the characters to the "story", "Let Them All Talk" is so forgettable, your mind flushes it away before the damn thing has even finished. With a handful of scenes actually scripted by Deborah Eisenberg--and a basic plot conceived by director Steven Soderbergh--Meryl Streep, Dianne Wiest and Candice Bergen are encouraged to wing it for almost 2hrs--the movie is 70% improvisational. So, what we get from these talented actresses is a lot of stammering and stuttering...the movie plays like Woody Allen on Valium. Streep is a pompous, self-absorbed Pulitzer Prize-winning author sailing to the UK on the Queen Mary 2 to accept an award; she's been granted three guest tickets by her publisher, and has invited her nephew plus two estranged girlfriends from her college days--two women whom she hasn't had much contact with in 50 years. Wiest is a down-to-earth straight-shooter while Bergen has an axe to grind; seems Streep used Bergen's life story for one of her most celebrated novels without asking her friend's permission. There are compensations here for the overall lack of drive and energy: the movie (a video-on-demand release) was actually filmed at sea, with paying guests used as extras; Streep and Bergen have one terrific scene together near the end; and Wiest has lost none of her intrinsic savvy. What was Soderbergh trying to capture here? A character portrait so raw and "real" that the actors themselves make up the movie's trajectory? ** from ****
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