Kalai (Kavin) since his childhood is encouraged by his father to be an actor. Kalai's family consists of his photographer father, mother, elder sister and bedridden grandmother. His mother worries for his future whereas rest of the family supports his dream. He joins engineering but his sole ambition is to become an actor and thus a star. His first teacher is his father and all he has learnt about acting as well as life is through him. When Kalai dedicates his time to earn his opportunity, what challenges life throws at him and how does these challenges shapes him up while his core dream remains intact, forms rest of the story.
To put it upfront, I was blown away by Elan's vision. His writing is the soul of this film and the way he conceptualize the scenes and even stages them is what left me mesmerized. The very first scene with Kavin as a kid with his father doing the makeup while the mother rushes them, a sleepy sister and a missing moustache. The scene felt like designed specifically for the father to utter the dialogue about an actor's calibre but the throwback it receives in the terrific single shot climax sequence made me sit up instantly. Cinema won right there and I have spent the last 5mins recommending this film everyone in my contact.
The film is not without it's flaws though. The second half is completely melodramatic as well as preachy and the character of Surabi played by Aditi Pohankar was deliberately written to save Kalai. She was definitely very good in her role but it reminded me of Samantha's role in Majili and to have one character worship the hero to this extent didn't work well for me. Not just her, even with the family and friends, Elan pulled the strings too tight. Sure I my eyes went numb several times but compared to the excellent first half, the second half kept falling short until the magical climax. There is an extraordinary scene with the two heroines exchanging a simple thank you and I so wished these two characters had a better arc, because they simply deserved it.
To put it upfront, I was blown away by Elan's vision. His writing is the soul of this film and the way he conceptualize the scenes and even stages them is what left me mesmerized. The very first scene with Kavin as a kid with his father doing the makeup while the mother rushes them, a sleepy sister and a missing moustache. The scene felt like designed specifically for the father to utter the dialogue about an actor's calibre but the throwback it receives in the terrific single shot climax sequence made me sit up instantly. Cinema won right there and I have spent the last 5mins recommending this film everyone in my contact.
The film is not without it's flaws though. The second half is completely melodramatic as well as preachy and the character of Surabi played by Aditi Pohankar was deliberately written to save Kalai. She was definitely very good in her role but it reminded me of Samantha's role in Majili and to have one character worship the hero to this extent didn't work well for me. Not just her, even with the family and friends, Elan pulled the strings too tight. Sure I my eyes went numb several times but compared to the excellent first half, the second half kept falling short until the magical climax. There is an extraordinary scene with the two heroines exchanging a simple thank you and I so wished these two characters had a better arc, because they simply deserved it.
