Somerset Maugham's novella from 1925, inspired by an episode in Dante's 'Purgatorio', has been filmed three times over a period of seventy years with decidedly mixed results.
This second version credits Ronald Neame as director but for reasons which are not readily apparent but can easily be guessed at, he left the production which was then assigned to Vincente Minnelli. Anyone curious as to the extent of Minnelli's contribution should read the earlier review by John Howard Reid who got it straight from the horse's mouth.
By Hollywood standards this adaptation by Karl Tunberg is reasonably faithful to the original with a few exceptions. Selfish social climber Kitty has now become fundamentally decent and self-effacing Carolyn of Eleanor Parker whilst the love rat is no longer a suave Englishman but a suave Frenchman played by Jean Pierre Aumont. The character of Carolyn's husband has become rather one-dimensional in the hands of Bill Travers and this actor's limitations are all too obvious. As Waddington the inveterate gossip, George Sanders is excellent and reminds us once again what a very fine actor he could be when granted the opportunity whilst the always-good-value Francoise Rosay lends gravitas to the proceedings as Mother Superior.
Miss Parker had earlier played Mildred in Maugham's 'Of Human Bondage' which was shelved for two years and badly received on release and the reception given to this one was not much better. These disappointments do not reflect badly on her performances and she remains one of Hollywood's finest, if somewhat underrated actresses who always gave her best regardless of the material.
As one would expect from MGM the production values are first class with Miklós Rozsá providing one of his best scores. Although not as entertaining as Boleslawski's bowdlerised version with Greta Garbo it is, for this viewer at any rate, far more engrossing than the more recent attempt by John Curran.
Somerset Maugham's novella is highly recommended and one in which he draws upon his own loveless marriage, his knowledge of medicine and of course his customary scalpel-like dissection of the human species.
This second version credits Ronald Neame as director but for reasons which are not readily apparent but can easily be guessed at, he left the production which was then assigned to Vincente Minnelli. Anyone curious as to the extent of Minnelli's contribution should read the earlier review by John Howard Reid who got it straight from the horse's mouth.
By Hollywood standards this adaptation by Karl Tunberg is reasonably faithful to the original with a few exceptions. Selfish social climber Kitty has now become fundamentally decent and self-effacing Carolyn of Eleanor Parker whilst the love rat is no longer a suave Englishman but a suave Frenchman played by Jean Pierre Aumont. The character of Carolyn's husband has become rather one-dimensional in the hands of Bill Travers and this actor's limitations are all too obvious. As Waddington the inveterate gossip, George Sanders is excellent and reminds us once again what a very fine actor he could be when granted the opportunity whilst the always-good-value Francoise Rosay lends gravitas to the proceedings as Mother Superior.
Miss Parker had earlier played Mildred in Maugham's 'Of Human Bondage' which was shelved for two years and badly received on release and the reception given to this one was not much better. These disappointments do not reflect badly on her performances and she remains one of Hollywood's finest, if somewhat underrated actresses who always gave her best regardless of the material.
As one would expect from MGM the production values are first class with Miklós Rozsá providing one of his best scores. Although not as entertaining as Boleslawski's bowdlerised version with Greta Garbo it is, for this viewer at any rate, far more engrossing than the more recent attempt by John Curran.
Somerset Maugham's novella is highly recommended and one in which he draws upon his own loveless marriage, his knowledge of medicine and of course his customary scalpel-like dissection of the human species.
