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- Director
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Elem Klimov was born on 9 July 1933 in Stalingrad, Nizhne-Volzhskiy kray, RSFSR, USSR [now Volgograd, Volgogradskaya oblast, Russia]. He was a director and actor, known for Come and See (1985), Rasputin (1981) and Pokhozhdeniya zubnogo vracha (1965). He was married to Larisa Shepitko. He died on 26 October 2003 in Moscow, Russia.- Director
- Writer
- Editor
The son of an affluent architect, Eisenstein attended the Institute of Civil Engineering in Petrograd as a young man. With the fall of the tsar in 1917, he worked as an engineer for the Red Army. In the following years, Eisenstein joined up with the Moscow Proletkult Theater as a set designer and then director. The Proletkult's director, Vsevolod Meyerhold, became a big influence on Eisenstein, introducing him to the concept of biomechanics, or conditioned spontaneity. Eisenstein furthered Meyerhold's theory with his own "montage of attractions"--a sequence of pictures whose total emotion effect is greater than the sum of its parts. He later theorized that this style of editing worked in a similar fashion to Marx's dialectic. Though Eisenstein wanted to make films for the common man, his intense use of symbolism and metaphor in what he called "intellectual montage" sometimes lost his audience. Though he made only seven films in his career, he and his theoretical writings demonstrated how film could move beyond its nineteenth-century predecessor--Victorian theatre-- to create abstract concepts with concrete images.- Additional Crew
Joseph Stalin (a code name meaning "Man of Steel") was born Iosif (Joseph) Vissarionovich Dzhugashvili in 1878 in Gori, Georgia, the Transcaucasian part of the Russian Empire. His father was a cobbler named Vissarion Dzhugashvili, a drunkard who beat him badly and frequently and left the family when Joseph was young. His mother, Ekaterina Gheladze, supported herself and her son (her other three children died young and Jopseph was effectively an only child) by taking in washing. She managed, despite great hardship, to send Joseph to school and then on to Tiflis Orthodox Theological Seminary in Tbilisi, hoping he would become a priest. However, after three years of studies he was expelled in 1899, for not attending an exam and for propagating communist ideas and the books of Karl Marx.
Since 1898, Stalin became active in the Communist underground as the organizer of a powerful gang involved in a series of armed robberies. After robbing several banks in southern Russia, Stalin delivered the stolen money to Vladimir Lenin to finance the Communist Party. Stalin's gang was also involved in the murders of its political opponents; Stalin himself was arrested seven times, repeatedly imprisoned, and twice exiled to Siberia between 1902 and 1913. During those years he changed his name twice and became more closely identified with revolutionary Marxism. He escaped many times from prison and was shuttling money between Lenin and other communists in hiding, where his intimacy with Lenin and Bukharin grew, as did his dissatisfaction with fellow Communist leader Lev Trotskiy. In 1912 he was co-opted on to the illegal Communist Central Committee. At that time he wrote propaganda articles, and later edited the Communist paper, "Pravda" (Truth). As Lenin's apprentice he joined the Communist majority (Bolsheviks), and was responsible for the consolidation of several secret communist cells into a larger ring. Stalin's Communist ring in St. Petersburg and across Russia played the leading role in the Russian Revolution of 1917. After the revolution the Bolsheviks Communists grabbed the power, then Communists murdered the Tsar and the Russian royal family. Stalin and Lenin took over the Tsar's palaces and used the main one in Kremlin as their private residence.
Lenin appointed Stalin the People's Commissar for Nationalities in the first Soviet government and a member of the Communist Politburo, thus giving him unlimited power. Stalin led the "Reds" against anti-Communist forces known as the "Whites" and also in the war with Poland. He also organized "Red Terror" in Tsaritsin (later renamed Stalingrad). With his appointment as General Secretary to the Party Central Committee in 1922, a post he held for the next 30 years, until his death, he consolidated the power that would ensure his control of the country after Lenin's death in 1924. He also took, or gave himself, other key positions that enabled him to amass total power in the Party and Soviet government.
Stalin was known for his piercing eyes and terrifying stare, which he used to cow his opponents into submission during private discussions. In 1927 Stalin requested medical help for his insomnia, anger and severe anxiety disorder. His doctors diagnosed him as having "typical clinical paranoia" and recommended medical treatment. Instead, Stalin became angry and summoned his secret service agents. The next day the chief psychiatrist, Dr. Bekhterev, and his assistants died of poisoning. In addition, before the doctors' diagnosis about Stalin's mental condition could become known, he ordered the executions of intellectuals, resulting in the murders of hundreds of thousands of doctors, professors, writers, and others.
Stalin's policy of amassing dictatorial power under the guise of building "socialism in the country" resulted in brutal extermination of all real and perceived anti-Communist opposition. His purges of the Soviet military brought about the execution of tens of thousands of army officers, many of them experienced combat veterans of the Revolution, the Civil War, the Polish campaigns and other military operations (this decimation of the Russian officer corps would result in the Soviet Union's initial defeats at the hands of Nazi invaders at the beginning of World War II). He also isolated and disgraced his political rivals, notably Trotsky. Stalin's economic policies of strict centralized planning (i.e., the "five-year plans") resulted in the near ruination of the Soviet economy and mass famines in many areas of the Soviet Union, notably in Central Russia and the Ukraine. Popular resistance to Stalin's policies, such as nationalization of private lands and collective farming, by independent farmers ("kulaks"), brought about brutal retaliation, in which millions of kulaks were either forced off their land or executed outright. Altogether Stalin's economic and political policies resulted in the deaths of up to 10 million peasants during 1926-1934. Between 1934 and 1939 he organized and led massive purge (known as "The Great Terror") of the party, government, armed forces and intelligentsia, in which millions of so-called "enemies of the Soviet people" were imprisoned, exiled or executed. In the late 1930s, Stalin sent some Red Army forces and material to support the Spanish Republican government in its fight against the rebels led by Gen. Francisco Franco and aided by troops and material from Nazi Germany and Fascist Italy.
Stalin made the Non-Aggression Pact with Adolf Hitler in 1939, which bought the Soviet Union two years' respite from involvement in World War 2. After the German invasion in 1941, the USSR became a member of the Grand Alliance and Stalin, as war leader, assumed the title of Generalissimus. He had no formal military training and scorned the advice of his senior officers, due to suspicion and his rising paranoia, actions that resulted in horrific losses to the Russian military in both men and material (not to mention civilian losses). He rejected military plans made by such experienced officers as Marshal Georgi Zhukov, and insisted they be replaced by his own plans, which led to even more horrific losses. Towards the end of WWII he took part in the conferences of Teheran, Yalta and Potsdam with Franklin D. Roosevelt, Winston Churchill, Harry S. Truman and Clement Attlee. The agreements reached in those conferences resulted in Soviet military and political control over the liberated countries of postwar Castern and Central Europe.
From 1945 until his death Stalin resumed his repressive measures at home, resulting in censorship of the arts, literature and cinema, forced exiles of hundreds of thousands and the executions of intellectuals and other potential "enemies of the state". At that time he conducted foreign policies that contributed to the Cold War between the Soviet Union and the West. Stalin had little interest in family life, although he was married twice and had several mistresses. His first wife (Ekaterina Svanidze, married c. 1904) died three years after their marriage and left a son, Jacob (also known as Yacov), an officer in the Russian army during World War II who was captured by the Nazis and died in a POW camp (his father refused German offers to exchange him for captured German officers). His second wife (Nadezhda Alliluyeva, married 1919) attempted to moderate his politics, but she died by suicide, leaving a daughter, Svetlana Alliluyeva, and an alcoholic son, Vasili Stalin, who later died in exile. Increasingly paranoid, Stalin launched attacks on such intellectuals as Osip Mandelstam, Vsevolod Meyerhold, Anna Akhmatova, Dmitri Shostakovich, Sergei Prokofiev, Boris Pasternak, Aleksandr Solzhenitsyn and many other cultural luminaries. Stalin personally intervened in the fate of "counterrevolutionary" Yiddish writers and changed their sentences from exile to execution. Thirteen of them were executed by the Soviet secret police; their leader, Perets Markish, was executed in the typical KGB manner by a single gunshot to the head on August 12, 1952, in Moscow.
Stalin died suddenly on March 5, 1953, under somewhat mysterious circumstances, after announcing his intention to arrest Jewish doctors, whom he believed were plotting to kill him. The "official" cause of death was announced as brain hemorrhage. Stalin's apprentice, Georgi Malenkov, took the power, but was soon ousted by Nikita Khrushchev. Three years after death, Stalin was posthumously denounced by Nikita Khrushchev at the 20th Party Congress in 1956 for crimes against the Party and for building a "cult of personality." In 1961 Stalin's body was removed from Lenin's Mausoleum, where it had been displayed since his death, and buried near the Kremlin wall. In 1964 Leonid Brezhnev dismissed Khrushchev and brought back some of Stalin's hard-line policies. After 1986 Mikhail Gorbachev initiated a series of liberal political reforms known as "glasnost" and "perstroika", and many of Stalin's victims were posthumously rehabilitated, and the whole phenomenon of "Stalinism" was officially condemned by the Russian authorities.- Actor
- Writer
- Director
Sergei Bondarchuk was one of the most important Russian filmmakers, best known for directing an Academy Award-winning film epic War and Peace (1965), based on the book by Lev Tolstoy, in which he also starred as Pierre Bezukhov.
He was born Sergei Fedorovich Bondarchuk on September, 25, 1920, in the village of Belozerka, Kherson province, Ukraine, Russian Federation (now Belozerka, Ukraine). He was brought up in Southern Ukraine, then in Azov and Taganrog, Southern Russia. Young Bondarchuk was fond of theatre and books by such authors as Anton Chekhov and Lev Tolstoy. He made his stage debut in 1937, on the stage of the Chekhov Drama Theatre in the city of Taganrog, then studied acting at Rostov Theatrical School. In 1942 his studies were interrupted by the Nazi invasion during WWII. Bondarchuk was recruited in the Red Army and served for four years until he was discharged in 1946. From 1946 - 1948 he attended the State Institute of Cinematography in Moscow (VGIK), graduating as an actor from the class of Sergey Gerasimov. In 1948 he made his film debut in Povest o nastoyashchem cheloveke (1948) then co-starred in The Young Guard (1948).
For his portrayal of the title character in Taras Shevchenko (1951) he was awarded the State Stalin's Prize of the USSR, and was designated People's Artist of the USSR, becoming the youngest actor ever to receive such honor. Then he starred in the internationally renowned adaptation of the Shakespeare's Othello (1956), in the title role opposite Irina Skobtseva as Desdemona. Bondarchuk expressed his own experience as a soldier of WWII when he starred in The Destiny of a Man (1959), a war drama based on the eponymous story by Mikhail Sholokhov, which was also Bondarchuk's directorial debut that earned him the prestigious Lenin's Prize of the USSR in 1960.
Bondarchuk shot to international fame with War and Peace (1965), a powerful adaptation of the eponymous masterpiece by Lev Tolstoy. The 7-hour-long film epic won the 1969 Academy Award for Best Foreign Language Film, and brought Bondarchuk a reputation of one of the finest directors of his generation. The most expensive project in film history, War and Peace (1965) was produced over seven years, from 1961 to 1968, at an estimated cost of $100,000,000 (over $800,000,000 adjusted for inflation in 2010). The film set several records, such as involving over three hundred professional actors from several countries and also tens of thousands extras from the Red Army in filming of the 3rd two-hour-long episode about the historic Battle of Borodino against the Napoleon's invasion, making it the largest battle scene ever filmed. Bondarchuk also made history by introducing several remote-controlled cameras that were moving on 300 meter long wires above the scene of the battlefield. Having earned international acclaim for War and Peace (1965), he starred in the epic The Battle of Neretva (1969) with fellow Russian, Yul Brynner, and Orson Welles, whom he would direct the following year.
By the late 1960s Bondarchuk was one of the most awarded actor and director in the Soviet Union. However, he was still not a member of the Soviet Communist Party, a fact that brought attention from the Soviet leadership under Leonid Brezhnev. Soon Bondarchuk received an official recommendation to join the Soviet Communist Party, an offer that nobody in the Soviet Union could refuse without risking a career. At that time he was humorously comparing his situation with the historic Hollywood trials of filmmakers during the 50s. Bondarchuk was able to avoid the Communist Party in his earlier career, but things changed in the Soviet Union under Brezhnev, so in 1970, he accepted the trade-off and joined the Soviet Communist Party for the sake of protecting his film career. In 1971 he was elected Chairman of the Union of Filmmakers, a semi-government post in the Soviet system of politically controlled culture. Eventually he evolved into a politically controlled figure and turned to making such politically charged films as Red Bells (1982) and other such films. Later, during the liberalization of the Soviet Union under Mikhail Gorbachev, Bondarchuk was seen as a symbol of conservatism in Soviet cinema, so in 1986 he was voted out of the office.
Bondarchuk was the first Russian director to make a big budget international co-production with the financial backing of Italian producer Dino De Laurentiis, such as Waterloo (1970), a Russian-Italian co-production vividly reconstructing the final battle of the Napoleonic Wars. This was his first English-language production, but several Soviet actors were cast, e.g. Sergo Zakariadze and Oleg Vidov. In this film, Orson Welles, his co-star in The Battle of Neretva (1969) made a cameo as the old King Louis XVII of France. But this time Bondarchuk was unable to control the advances of Rod Steiger, and the film was a commercial flop in Europe and America, albeit it gained the favor of critics.
After his dismissal from the office of Chairman of the Union of Cinematographers he started filming Tikhiy Don (2006) based on the eponymous novel by the Nobel Prize winner Mikhail Sholokhov, with Rupert Everett as the lead. At the end of filming, just before post-production, Bondarchuk learned about some unfavorable details in his contract, causing a bitter dispute with the producers over the rights to the film and bringing much pain to the last two years of his life. Amidst this legal battle the production was stopped and the film was stored in a bank vault, and remained unedited and undubbed for nearly fourteen years. The production was completed by Russian television company "First Channel", and aired in November 2006.
In his career that spanned over five decades, Sergei Bondarchuk had credits as actor, director, writer, and co-producer in a wide range of films. He suffered a heart attack and died on October 20, 1994, and was laid to rest in Novodevichy Cemetery in Moscow, Russia, next to such Russian luminaries as Anton Chekhov and Mikhail A. Bulgakov. His death caused a considerable mourning in Russia. Bondarchuk was survived by his second wife, actress Irina Skobtseva and their children, actress Alyona Bondarchuk, and actor/director Fedor Bondarchuk, and actress Natalya Bondarchuk, his daughter with his first wife, actress Inna Makarova.
As a tribute to Sergei Bondarchuk, his son, Fedor Bondarchuk called him "a father and my teacher," and dedicated his directorial debut, 9th Company (2005), set in war-torn Afghanistan, whereas Sergei's directorial debut was set in WWII.- The famous Russian actor was discovered by Andrei Tarkovsky. He was looking for an actor to play the part of Andrei Rublev for his second full-length film and accidentally found the completely unknown Solonitsyn in Chelyabinsk. He worked there as an amateur actor. After Andrei Rublev, he played main parts in many of Russia's best movies.
- Actor
- Director
- Writer
Alexandr Kajdanovsky, Russian actor, director and screenwriter, now best remembered for his work in Andrei Tarkovsky's films. Kajdanovsky left Junior High School to enroll in technical college where he was training to become a welder. Apparently a prospect of becoming a worker did not appeal to him and in 1965 he started studying acting at The Shchukhin Theatre School in Moscow. Before completing the course he took his first part in the film Tainstvennaya stena (1968) (A Mysterious Wall), and upon graduation in 1969, he worked as stage actor. Still unsatisfied with his work Kajdanovsky joined the army in 1973 spending some years in cavalry.
It was a famous film director Nikita Mikhalkov who discovered Kajdanovsky and gave him the lead in his civil war drama At Home Among Strangers, a Stranger Among His Own (1974) (At Home among Strangers, Stranger at Home). By the late 1970s Kajdanovsky had had credits in some noted films, including adventure stories Propavshaya ekspeditsiya (1975) (The Lost Expedition), Zolotaya rechka (1977) (Golden River), a fantasy Pilot Pirx's Inquest (1979) (Pilot Pirks Tested). The greatest twist in his career came with Andrei Tarkovsky giving him the lead in Stalker (1979). Kajdanovsky attended Tarkovsky's writing seminar and under his teacher's influence he wrote and directed Prostaya smert (1985) (An Ordinary Death) - an adaptation of one of Leo Tolstoy's stories - the film won honour at the Malaga film festival. Kajdanovsky's starring role in Spanish film El aliento del diablo (1993) (The Devil's Breath) and in Hungarian Büvös vadász (1994) (Magic Hunter) made him an international celebrity and resulted in him having been invited to become the juryman of the 1994 Cannes Film Festival. Unfortunately alcohol ruined his life, he could hardly maintain his career between the bouts of drinking, he died on December 3, 1995, 3 months short of 50.- Actor
- Additional Crew
- Soundtrack
Vyacheslav Tikhonov was one of Russian cinema's best known faces, he survived hardship during the Second World War, and became renown for his portrayal of Russian aristocrats and intellectuals in several award-winning films, such as War and Peace (1965) and White Bim Black Ear (1977).
He was born Vyacheslav Vasilevich Tikhonov on February 8, 1928, in a small town of Pavlovsky Posad near Moscow, USSR (now Moscow, Russia). His father, Vasili Romanovich Tikhonov, was a technician at a local garment factory. His mother, Valentina Vyacheslavovna, was a kindergarten teacher. Tikhonov's first profession was that of a metal-worker during the Second World War. The war later became the main theme in some of his most notable film works. Young Tikhonov was obsessed with movies, his favorite actors were Nikolay Cherkasov as Aleksandr Nevsky, and Boris Babochkin as Chapaev. From 1945-1950 Tikhonov studied at the State Institute of Cinema (VGIK). He made his film debut in The Young Guard (1948) by director Sergey Gerasimov. During the filming of Molodaya Gvardiya Tikhonov met his first wife, Nonna Mordyukova. Their son, Vladimir Tikhonov, also became an actor, however, he suffered from a drug dependency and died. Vyacheslav Tikhonov met his second wife during the filming of We'll Live Till Monday (1968).
In the course of his career Tikhonov worked with some of the best Russian directors. He worked with director Stanislav Rostotskiy in five films, starting in Delo bylo v Penkove (1957). Their collaboration was especially fruitful in Dozhivem do ponedelnika (1969) and White Bim Black Ear (1977), which received an Academy Award-nomination. Before that, Tikhonov appeared in the leading role as Prince Bolkonsky in War and Peace (1965), an eight-hour epic film by actor-director Sergey Bondarchuk. In 1969 the film won the Academy Award as the best foreign-language film.
Tikhonov's most notable role on television was as Russian spy Stirlitz (Col. Maxim Isayev) in Seventeen Moments of Spring (1973), a popular TV series about a Russian intelligence agent operating in Berlin during WWII. The dual identity of Tikhonov's character is well played, and the film has won him millions of loyal fans. Tikhonov's consistent popularity made his character, Stirlitz, a hero in hundreds of jokes. After the role as Stirlitz, Tikhonov became typecast as a Soviet military character, and played heroic KGB officers and generals in several Soviet films during the 70s and 80s. In 2002 Vyacheslav Tikhonov suffered a heart attack. However, he soon recovered and returned to acting. In 2004 he played a role in a film produced by his daughter Anna Tikhonova. His last film-work was in Andersen. Zhizn bez lyubvi (2006) by director Eldar Ryazanov.
Vyacheslav Tikhonov was awarded the State Prize of the USSR and the State Prize of Russian Federation. He received numerous government awards and decorations and was designated People's Actor of the USSR (1974). Vyacheslav Tikhonov was residing in his country house in the prestigious village of Nikolina Gora, a suburb of Moscow. He died of a heart failure on the 4th of December, 2009, and was laid to rest in Novodevichy Cemetery, Moscow, Russia.- Director
- Cinematographer
- Writer
Mikhail Kalatozov was born on 28 December 1903 in Tiflis, Russian Empire [now Tbilisi, Republic of Georgia]. He was a director and cinematographer, known for The Cranes Are Flying (1957), True Friends (1954) and Zagovor obrechyonnykh (1950). He died on 27 March 1973 in Moscow, RSFSR, USSR [now Russia].- Actress
- Second Unit Director or Assistant Director
Lorina Kamburova worked in the US under commerce and granite, Lorina started her career in Sofia then went to new starts. She remained in that country until she starred in Death Race (2018).
Lorina transformed multi languages including, English language, French, Sign and Dutch
Death Race (2018) is what is Lorina most known for.- Tatiana Samoilova (Tatyana Samojlova) is a Russian film actress known for the leading roles in The Cranes Are Flying (1957) and Anna Karenina (1967).
She was born Tatiana Evgenievna Samoilova on May 4, 1934, in Leningrad (St. Petersburg), Russia. Her father, Evgeniy Samoylov, was a notable Russian actor, Her mother, Zinaida Ilyinichna, was Jewish. Young Samojlova studied music under the tutelage of her mother. During the Second World War, she escaped from the siege of Leningrad with her parents, and moved to Moscow. There she studied ballet and graduated from the Ballet School of Stanislavsky Theatre. She was invited by Maya Plisetskaya to join the ballet school of Bolshoi Theatre, but she chose to be a dramatic actress. From 1953-1956 she studied at Shchukin Theatrical School, then at State Institute of Theatrical Art (GITIS), graduating in 1962, as actress. While a student, Samojlova made her film debut in Meksikanets (1955).
Samojlova shot to fame with the leading role as Veronika in Letyat Zhuravli (The Cranes are Flying 1957) by director Mikhail Kalatozov. In spite of the initial cold reception by the Soviet officialdom, the film was loved by public in Russia and internationally. It became the first and only Russian film to be awarded the Golden Palm at the Cannes Film Festival in 1958. Samojlova won a Special Mention at Cannes and was nominated for Best Foreign Actress BAFTA Film Award in 1959. She received many offers internationally, and was invited to work in Hollywood, but the Soviet government forced her to decline any jobs outside the Soviet Union.
During the 60s, her career stagnated due to overall stagnation in the USSR under Leonid Brezhnev. In 1960 Samojlova lost her job with Mayakovsky Theatre in Moscow, and was practically unemployed for several years. Her next success came with the title role in Anna Karenina (1967), an adaptation of the eponymous novel by Lev Tolstoy by director Aleksandr Zarkhi. Samojlova starred as Anna Karenina opposite her ex-husband Vasiliy Lanovoy.
During the 80s and 90s, Tatiana Samojlova had a lengthy pause in her film career. She made a comeback in several TV series in the 2000s. She was married four times, and has one son. Samojlova was designated People's Actress of Russia (1993). She is living in Moscow, Russia. - Anastasiya Zavorotnyuk was born on 3 April 1971 in Astrakhan, Astrakhanskaya oblast, RSFSR, USSR [now Russia]. She was an actress, known for Moya prekrasnaya nyanya (2004), Kod apokalipsisa (2007) and Proklyatie spyaschikh (2018). She was married to Pyotr Chernyshyov, Dmitriy Stryukov and Olaf Schwarzkopf. She died on 29 May 2024 in Moscow, Russia.
- Actor
- Additional Crew
Yuri Yakovlev is a popular Russian actor best known for his roles in Soviet comedies 'Ironiya sydby', Ivan Vasilevich', and Kin-dza-dza! (1986).
He was born Yuri Vasilevich Yakovlev on April 25, 1928, in Moscow, Soviet Union. His father, Vasili Vasilevich Yakovlev, was a layer, and his mother, Olga Mikhailovna Ivanova, was a homemaker. Young Yakovlev was fond of acting and theatre. From 1948 - 1952 he studied acting at Shchukin Theatrical School of Vakhtangov Theatre in Moscow.
Since 1952 Yuri Yakovlev has been member of the troupe at Vakhtangov Theatre in Moscow. There his stage partners were such actors as Mikhail Ulyanov, Ruben Simonov, Boris Zakhava, Mikhail Astangov, Varvara Popova, Irina Kupchenko, Natalya Tenyakova, Yuliya Borisova, Lyudmila Maksakova, Lyudmila Tselikovskaya, Marianna Vertinskaya, Nina Ruslanova, Nikolai Plotnikov, Vasiliy Lanovoy, Vladimir Etush, Vyacheslav Shalevich, Andrei Abrikosov, Grigori Abrikosov, Boris Babochkin, Nikolai Gritsenko, Nikolai Timofeyev, Aleksandr Grave, Evgeniy Karelskikh, Sergey Makovetskiy, and Ruben Simonov, among others. His most memorable stage performances were such roles as Triletsky in 'Play without a title', a play by Anton Chekhov (1968), as Karenin in 'Anna Karenina' (1983) by director Roman Viktyuk, and the title role in 'Kasanova' (1985). Since taking the role as Pantalone in 1963, Yakovlev has been delivering acclaimed performances in the legendary Vakhtangov's production of Carlo Gozzi's comedy 'Princess Turandot'.
He shot to fame with the leading role as Prince Myshkin in _The Idiot (1958)_ by director Ivan Pyrev. During the 1960s - 1980s Yakovlev was among the most popular actors in the Soviet Union. He was best known for such roles as Ivan Vasilyevich Bunsha in Ivan Vasilyevich Changes His Profession (1973) by director Leonid Gaidai, and as Ippolit in The Irony of Fate, or Enjoy Your Bath! (1976) by director Eldar Ryazanov.
Yuri Yakovlev was designated People's Actor of the USSR, was awarded the State Prizes of the USSR and Russia. He received the Order of Lenin (1988), the Order of the Red Banne of Labour (1978), and numerous awards and decorations for his works on stage and in film. He is married to Irina Leonidovna Sergeeva, and the couple has two sons and a daughter. Outside of his acting profession Yakovlev is fond of reading classical Russian literature and listening to classical music together with his friends and family.
In 1997 Yakovlev published his book titled 'Albom sudby moyey' (aka.. The album of my destiny). He is living with his family in Moscow, Russia.- Actor
- Additional Crew
- Soundtrack
Yuri Nikulin was a Russian film actor, comedian, mime, and circus clown who was also Artistic Director of Moscow Circus and popular TV show host.
He was born Yuri Vladimirovich Nikulin on December 18, 1921, in the town of Demidov, Smolensk province, Central Russia. His father, Vladimir Andreevich Nikulin, was a writer and director who worked for theater and circus. Yuri Nikulin inherited his fathers talents and had a dream of becoming an actor. The Second World War changed his plans as he was drafted in the Soviet Army in 1939 and served in a tank unit until 1946. After the war he came out a changed man. He could not get in any Soviet acting school for a few years, until he went to the Moscow Circus. There he was admitted after presenting a pantomime as a clown. He graduated from the Circus School in 1950, and started his acting career as a clown at the Moscow State Circus.
Yuri Nikulin became best known for his roles in the comedies from director Leonid Gaidai. Their collaboration from 1961 to 1971 was one of the most productive actor-director partnerships in the history of Russian film. Their comedies were the highest-grossing box office hits ever in Russia and the former Soviet Union with the admissions of 222,800,000 in the first 15 months. The Diamond Arm (1969) was the #1 top grossing Russian box office hit ever with theatrical admissions over 76,700,000 in the Soviet Union in 1969. In a 1995 national poll in Russia, The Diamond Arm (1969), starring Yuri Nikulin was voted the best Russian comedy ever.
Nikulin's effortless style and precise delivery, as well as his mastery of timing and his hilarious masks made him an outstanding comedian, arguably the best Russian comedian ever. Nikulin showed his range in a variety of genres from slapstick comedy to romance and war drama. His most popular film partners were Georgiy Vitsin, Evgeniy Morgunov, Natalya Varley, Rolan Bykov, Anatoliy Papanov, Sergey Filippov, Mikhail Pugovkin, Aleksandr Demyanenko, Leonid Kuravlyov, Andrey Mironov, Evgeniy Evstigneev, Vasiliy Shukshin, Vyacheslav Tikhonov, Sergey Bondarchuk, Nikolay Burlyaev, Viktor Pavlov, Boris Novikov, Vladimir Etush, Saveliy Kramarov, Nikolay Grinko, and many other notable Russian actors.
Yuri Nikulin received popular and critical acclaim for his leading and supporting roles in such films as 'Andrei Rublev' (1961) by director Andrei Tarkovsky, They Fought for Their Country (1975) by director Sergey Bondarchuk, 'Stariki-razboyniki' (1971) by director Eldar Ryazanov, 'Chuchelo' (1983) by director Rolan Bykov, 'Kogda derevya byli bolshimi' (1961) by director Lev Kulidzhanov, '12 stulev' by director Leonid Gaidai, 'Dvadtsat dney bez voiny' (1976) by director Aleksey German, and many other memorable works in film. Nikulin's recording of the theme song from The Diamond Arm (1969), especially his delivery of such lines as "We care less" and "We are fearless" made it a popular hit in the 60s and 70s Soviet Union.
Nikulin was among very few comedians who could continue laughing in the face of the Soviet system without any fear of being punished. Even the toughest hard-liners knew that without his humor the everyday life of many millions would be totally unbearable. His genuine talent endured the country's worst times with a smile. He could make people smile anytime and anywhere; even after the collapse of the Soviet Union, when the bloody communism was replaced with the no less bloody Russian capitalism. During the 1990s Nikulin hosted 'Bely Popugai' (aka.. White Parrot), a hilarious TV show where he gathered the crème de la crème of Russian comedians.
The Moscow State Circus on Tsvetnoi Bulevard was the main workplace for Yuri Nikulin, where he had a career spanning about 50 years. He was awarded the honorable title of the National Artist and received numerous decorations for his achievements as an actor. Yuri Nikulin died after an open heart surgery, on August 21, 1997, in Moscow, and was laid to rest in the Novodevichy Monastery Cemetery, among the tombs of Anton Chekhov, Mikhail A. Bulgakov, Nikolay Gogol, Nikita Khrushchev, Sergey Bondarchuk, Anatoliy Papanov, and other Russian culture luminaries and historic figures.- Actor
- Director
Yankovsky was named best actor in a 1984 reader poll by Soviet Screen for his role in "In Love Because He Wants to Be." He was awarded the State Prize in 1987 for his role in "Flying Asleep and Awake." In 1989 he received the Vasiliev State Prize for his role in "The Kreutzer Sonata." Yakovsky was given the lifetime achievement award at the 1983 All-Union Film Festival. He won the best actor NIKA in 1991, and in the same year was named People's Artist of the Soviet Union. Yankovsky was born in Kazakhstan and studied at the Slonov Theater Academy in Saratov. In 1965 he joined the Saratov Drama Theater, moving to Moscow's Lenkom Theater in 1973. He has presided over the Kinotavr Russian Open Film Festival since 1993.- Music Department
- Composer
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Dmitri Shostakovich, one of Russian culture's most acclaimed intellectuals who was censored under the dictatorship of Joseph Stalin, was an internationally recognized composer whose music was in over 100 films.
He was born Dmitri Dmitrievich Shostakovich on September 25, 1906, in St. Petersburg, Russia. He was the second of three children of Dmitri Boleslavovich Shostakovich, a chemical engineer, and Sofia Kokaoulina, a pianist. Young Shostakovich studied piano under his mother tutelage and at a private school in St. Petersburg. His greatest influences were Johann Sebastian Bach, Ludwig van Beethoven and Modest Mussorgsky. From 1919-1925 he studied piano and composition at St. Petersburg (Leningrad) Conservatory. He wrote his First "Classical" symphony as his graduation piece. In 1927 he won an "honorable mention diploma" at the 1st International Piano Competition in Warsaw. In 1929 he collaborated with writer Vladimir Mayakovsky, artist Alexander Rodchenko and director Vsevolod Meyerhold.
In 1934 Shostakovich collaborated with Aleksei Dikij on the legendary opera Katerina Izmailova" (aka Lady Makbeth of Mtsensk). Dikij's production of "Katerina Izmailova" had over 100 performances in Leningrad and Moscow, and was considered a highlight in his directing career. However, in 1936, the opera was severely criticized by some critics on the Pravda, the Communist Party's official newspaper, and accused of formalism and intellectualism.
In the summer of 1941 Nazi Germany and its allies invaded the Soviet Union, and German and Finnish forces and encircled Leningrad (St. Petersburg). Defenders and civilians in besieged Leningrad were doomed, because the besieging forces cut supplies of food and energy to the surrounded city. It wasn't long before the city's population of birds, pets and even rats were eaten, and not long after there were reports of cannibalism brought about by starvation. The siege of Leningrad was so impenetrable that by December of that year an average of 4000 to 6000 residents a day were dying of starvation, disease, shellfire, bombardment and a variety of other causes.
During the first months of the siege Shostakovich was in Leningrad. He survived the first bombardments and joined the "night watch" patrol, helping to put out fires during massive German air bombardments. Shostakovich personally neutralized several incendiary bombs and was actively involved in firefighting. After aerial and artillery bombardments, during the rare quiet moments, Shostakovich was back to his piano composing new music. He was evacuated from the besieged city in the end of 1941.
The Seventh "Leningrad" Symphony, which Shostakovich started composing during the Nazi aerial and artillery attacks during the siege, was the masterpiece that won him national and international recognition. His music helped lift the spirits of Leningrad citizens in a time when they were struggling to survive.
On August 9, 1942, Karl Eliasberg gave a premiere performance of Shostakovich's Seventh Symphony in Leningrad. That famous concert was made possible because Eliasberg specially created an orchestra of survivors who were still able to perform in spite of starvation and dystrophy.
Eliasberg, who was also extremely emaciated, spent some time in the hospital in the Astoria hotel and came to the rehearsals straight from the sick ward. On the score of one of the musicians of that legendary orchestra you can still see a drawing showing hollow-cheeked Eliasberg conducting his orchestra sitting on a chair. The legendary performance was broadcast live from the Radio Hall in Leningrad, so millions of civilians and defenders of the besieged city were able to hear the powerful music. The symphony written in the conventional four movements is Shostakovich's longest, and one of the longest in the repertoire, with performances taking approximately one hour and fifteen minutes. The scale and scope of the work is consistent with Shostakovich's other symphonies as well as with those of composers considered to be his strongest influences, including Bruckner, Gustav Mahler and Igor Stravinsky.
Before they tackled Shostakovich's work, Eliasberg had the players go through pieces from the standard repertoire - Ludwig van Beethoven, Pyotr Ilyich Tchaikovsky, Nikolai Rimsky-Korsakov - which they also performed for broadcast. Because the city was still blockaded at the time, the score was flown by night in early July for rehearsal. The concert was given on 9 August 1942. Whether this date was chosen intentionally, it was the day Hitler had chosen previously to celebrate the fall of Leningrad with a lavish reception for the top Nazi commanders. But instead of Hitler's plan, all loudspeakers delivered the live broadcast of the symphony performance throughout the city as well as to the German forces in a move of psychological warfare. The Russian commander of the Leningrad front, General Govorov, ordered a bombardment of German artillery positions in advance of the broadcast to ensure their silence during the performance of the symphony; a special operation, code-named "Squall," was executed for precisely this purpose. Three thousand high-caliber shells were lobbed onto the enemy. Then the music of Shostakovich came out of the speakers all over the siege perimeter, so the Nazis had to face the music. The music of Shostakovich brought the much needed support and catharsis to survivors who loved the symphony and applauded to Eliasberg and his orchestra. General Govorov with his staff came backstage to thank Eliasberg and his musicians for their art and courage.
The news about Dmitry Shostakovich's Seventh Symphony premiere in besieged Leningrad spread all over the world. It was an important message to all nations that Hitler's attack on Leningrad failed. Shostakovich who began to write his famous symphony before evacuation from besieged Leningrad in 1941, could not go back to attend its premier performance in 1942. The composer sent the conductor and the musicians who performed his work in the besieged city a telegram with words of gratitude.
After WWII Shostakovich was again accused of formalism in 1948. At that time, Shostakovich gained international recognition in the free world, and received several invitations to participate in music festivals and other cultural events. He was awarded the International Peace Prize (1954), State Prize five times (in 1941-1952), State Prizes of Russia and the USSR, and was designated People's Artist of the USSR. From 1957-1975 he was secretary of the Union of Composers of Russia and the USSR. He taught and promoted many talented musicians, such as Andrey Petrov, Georgi Sviridov, Karen Khachaturyan, and Boris Tishchenko among others.
Shostakovich and Yevgeniy Yevtushenko worked together on the famous Symphony No. 13 titled "Babi Yar", a vocal setting of poems by Yevtushenko. It was first performed in Moscow on December 18, 1962 under the baton of Kirill Kondrashin. Yevtushenko and Shostakovich toured many countries with the performances of "Babi Yar", and made several recordings of the Symphony No. 13. Among Shostakovich's best known film scores are 'Suite from The Gadfly' from The Gadfly (1955), and the score for director Grigoriy Kozintsev's acclaimed film Hamlet (1964) starring Innokentiy Smoktunovskiy.
In 1965 Shostakovich raised his voice in defense of poet Joseph Brodsky, who was sentenced to five years of exile and hard labor. Shostakovich co-signed protests together with such prominent figures as Korney Ivanovich Chukovskiy, Anna Akhmatova, Samuil Marshak, Yevgeniy Yevtushenko, and the French philosopher Jean-Paul Sartre. After the protests his sentence was commuted, and Brodsky returned to Leningrad. At that time, Shostakovich joined the group of 25 distinguished intellectuals in signing the letter to Leonid Brezhnev asking not to rehabilitate Joseph Stalin.
Dmitri Shostakovich was a towering figure in Russian music of the 20th century along with 'Sergei Prokofiev (I)' and Aram Khachaturyan. He wrote 15 symphonies, of which the Fifth (1937), the Sevenths "Leningrad" (1942), and the Thurteenth "Baby Yar" (1968) are the best known. His other compositions include cantatas and oratorios, seven operas and operettas, four ballets, twelve musical comedies and other music for stage plays, 36 original motion picture scores, fifteen quartets and other chamber music for, piano, violin, and cello. Shostakovich, who was an awarded pianist himself, had composed outstanding works for piano, such as his Piano concertos No1 and No2. His 24 Preludes and Fugues for piano received numerous awards and recognitions, and were recorded in critically acclaimed performance by Vladimir Ashkenazy.
Shostakovich died of a heart attack on august 9, 1975, in Moscow, and was laid to rest in Novodevichi Convent Cemetery in Moscow, Russia. His legacy is continued by his son, conductor Maxim Shostakovich, and his grandson, pianist Dmitri Shostakovich Jr.- Actor
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Vitali Solomin was a Russian film actor, best known for his portrayal of Doctor Watson in the 1980s Soviet-Russian series about Sherlock Holmes.
He was born Vitali Mefodievich Solomin on December 12, 1941, in Chita, Siberian Russia, USSR. His father, Mefodi Viktorovich, was a cellist and violinist, his mother, Zinaida Ananievna, was a mezzo-soprano; both parents taught classical music at the House of Pioneers in Chita. In 1959, after graduating from Chita high school, young Vitali Solomin followed his elder brother, Yuriy Solomin and moved to Moscow. From 1959 to 1964 he attended Shchepkin Theatrical School of Maly Theatre, and studied acting under Nikolai Annenkov, graduating in 1964 as an actor. That same year he became permanent member of the troupe at the Academic Maly Theatre in Moscow. Over the course of his career, Vitali Solomin played a variety of characters on stage and in film and TV. His complex personality caused much tensions in his relations with his brother, as well as with his two wives. On one occasion, Vitalin Solomin had legal problems for breaking in someone's home in Moscow and beating the homeowner in the face. From 1988 - 1990 Vitali Solomin was member of the troupe at Theatre Mossoveta, but he eventually returned to Maly Theatre.
Vitali Solomin shot to fame in the role as Kirill in Starshaya sestra (1967), then he starred in such epic films as Dauriya (1972) and Siberiade (1979). He played an autobiographical character in Zimnyaya vishnya (1985) and the sequel TV series titled Zimnyaya vishnya 2 and 3. Vitali Solomin was designated People's Actor of Russia, and received numerous awards for his work. He died of a stroke on May 27, 2002 in Moscow, Russia.- Zhanna Prokhorenko was born on 11 May, 1940, in Poltava, Ukraine, Soviet Union (now Poltava, Ukraine). Her father, Trofim Prokhorenko, an Air Force officer, was killed in WWII, when she was a one-year-old baby. She was brought up by single mother and went to school in Leningrad. Young Zhanna Prokhorenko studied acting at the acting studio of Leningrad Palace of Pioneers. There she was scouted by Moscow Art Theatre and moved to Moscow. At age nineteen, she was cast by director Grigoriy Chukhray in Ballad of a Soldier (1959) opposite Vladimir Ivashov. The movie won Grand Prix at the Cannes Film Festival, and Zhanna Prokhorenko shot to international fame. In 1960, she toured the USA presenting the film to American audiences. At that time, Moscow Art Theatre had a strict policy against stage actors who switch to movies, so Zhanna Prokhorenko was fired. She took the acting class of Sergey Gerasimov at Soviet State Institute of Cinema (VGIK), graduating in 1964 as film actress.
Zhanna Prokhorenko was married twice. Her first husband was director Evgeniy Vasilev and the couple had one daughter, Yekaterina Vasilyeva, and granddaughter, Maryana Spivak. Her second husband, writer Artur Makarov, was killed by burglars in her lavish Moscow apartment in 1995, while Zhanna Prokhorenko was away. The murderer was never found. Zhanna Prokhorenko suffered from depression and went into seclusion in a small village away from Moscow. She died of a chronic illness, on 1 August, 2011, in a Moscow hospital, and was laid to rest in Khovanskoe Cemetery in Moscow, Russia. - Actor
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Aleksandr Abdulov, one of Russian cinema's best known sex symbols and was one of the most celebrated Russian film stars.
He was born Aleksandr Gavrilovich Abdulov on May 29, 1953, in Tobolsk, Siberian Russia, into the family of a theatre director from Fergana, Uzbekistan. His father, named Gavriil Abdulov was a wounded veteran of the Second World War decorated for his courage at the front-line tank battles against the Nazis. Abdulov's mother was a make-up artist at several Russian theatres. Young Abdulov grew up in Uzbekistan, where he finished high school and also became the Master of Sports in fencing. He was admitted to a local college where he had the chance of becoming a sports coach.
His dream of becoming an actor was almost ruined when he failed the admission tests at the Moscow State Institute of Theatrical Arts (GITIS). He could not go back to Uzbekistan so he stayed in various gloomy dorms in Moscow, working hard labor jobs at railway stations just to survive. He then studied acting at GITIS, made very little money working as an extra, and still was a hard laborer in order to pay for his living in Moscow. In 1975 he graduated from GITIS and was hired by the Lenkom Theatre director Mark Zakharov.
Abdulov revealed the full range of his talent in popular films An Ordinary Miracle (1979) and S lyubimymi ne rasstavaytes (1980). The public adored Abdulov and he became the first big sex-symbol in the former USSR. Millions of his pictures has been decorating homes and student dorms in every big and small town of the former Soviet Union. The public loved Abdulov - the actor and the man - for his sincere talent and for his devotion to his ideas.
He played his best roles under the direction of Mark Zakharov in such films as 'Obyknovennoe Chudo (1978), 'Tot samyi Munchgausen (1979), 'Formula Lyubvi' (1984), and Ubit drakona (1988). His best film partners were Oleg Yankovskiy, Evgeniy Leonov, Vyacheslav Tikhonov, Evgeniy Evstigneev, Leonid Bronevoy, Andrey Mironov, Irina Kupchenko, Leonid Yarmolnik, Semyon Farada, Aleksandr Zbruev, Sergey Nikonenko, Irina Alfyorova and others. This ensemble of fine actors and directors evolved into a special and uniquely Russian milieu, where Abdulov's multifaceted talent was supported by other actors.
His range and nuanced acting reached a new level in the films made in the late 1980s and 1990s. Abdulov created powerful roles in a tandem with the masterful Innokentiy Smoktunovskiy in the innovative film 'Geniy' (1991) by director Viktor Sergeev. At that time, Abdulov also received a Nika Award nomination for supporting role in Sukiny deti (1991) by director Leonid Filatov. Abdulov made two equally interesting works in collaboration with director Sergey Solovyov in 'Chyornaya roza - emblema pechali, krasnaya roza - emblema lyubvi' (1989) and in 'Dom pod zvyozdnym nebom' (1991). Both works were awarded, acclaimed by critics, and loved by the public.
Abdulov showed his gift for transformation in the devilish character Korov'ev in 'Master i Margarita' (2005), a TV-series from director Vladimir Bortko based on the eponymous book by Mikhail A. Bulgakov. Abdulov's energy helped the film making him the most lively nerve in the group of 'super stars' (some say super old stars). His acting became more classic and restrained in the traditionally Russian period-film 'Anna Karenina' (2005) based on the eponymous novel by Lev Tolstoy from director Sergey Solovyov. Later Abdulov worked with director Aleksandr Buravskiy in the epic film Leningrad (2009), about the historic siege during the Second World War; where his acting partners were Gabriel Byrne, Mira Sorvino, Kirill Lavrov, Mikhail Efremov, Donatas Banionis and other notable actors.
Aleksandr Abdulov was designated People's Artist of Russia. He received numerous awards and nominations for his performances in film and on stage. He was a permanent member of the troupe at Lenkom Theatre in Moscow. He also directed several films as well as stage productions. Aleksandr Abdulov died of lung cancer, on January 3, 2008, and was laid to rest in Vagankovskoe cemetery in Moscow, Russia.- Actor
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Aleksei Vladimirovich Batalov was born on November 20, 1928, into the family of famous Russian theatrical actor Vladimir Batalov. He was born in the city of Vladimir, near Moscow, where his grandmother was the Doctor General at the Vladimir city hospital. His parents, Vladimir Petrovich Batalov and Nina Antonovna Olshevskaya, were both actors of the Moscow Art Theatre (MKhAT), under the directorship of Konstantin Stanislavski and Vladimir Nemirovich-Danchenko. His uncle, named Nikolay Batalov, was a distinguished film actor.
The Batalov family lived in the actor's apartments building at the Moscow Art Theatre. There young Aleksei got early exposure to the acting profession. He then moved with his mother to the home of her second husband writer Viktor Ardov, who was the neighbor of Osip Mandelstam. Young Batalov became a good friend of poet Anna Akhmatova who stayed in his room during her many visits to Moscow. Later, in the 1960's, Aleksei Batalov painted an oil portrait of Anna Akhmatova. Writers Mikhail A. Bulgakov, Mikhail Zoschenko, Boris Pasternak were among the closest friends of the Batalov's family, being also the colleagues of his stepfather Viktor Ardov.
In 1945, upon his return from evacuation in Tatarstan, Aleksei Batalov made his film debut as a cameo in 'Zoya'. He studied acting professionally at the Moscow Art Theatre's Acting Studio-School of Vladimir Nemirovich-Danchenko from which he graduated in 1950, as an actor. That same year he was drafted in the Red Army and worked as an actor with the Central Theatre of the Soviet Army from 1950-1953. He then returned to the Moscow Art Theatre and was a permanent member of the troupe through 1957.
Batalov shot to fame with his role in 'Bolshaya Semya' (The Big Family 1954) directed by 'Iosif Kheifets'. For that role he won the Best Actor award at the Cannes Film Festival, which he shared with his partners Sergei Lukyanov, Boris Andreyev, Nikolai Gritsenko, Pavel Kadochnikov, and others; the whole ensemble of actors and actresses were awarded for that film at Cannes, in 1955.
Aleksei Batalov received more international acclaim for his memorable acting opposite Tatyana Samoylova in The Cranes Are Flying (1957) (aka.. The Cranes Are Flying) for which director Mikhail Kalatozov won the Golden Palm at Cannes, in 1958. Batalov won the Jussi Diploma of Merit (1962) for the supporting role in 'Dama s sobachkoi' (aka.. The Lady with the Dog), a story by Anton Chekhov directed by Iosif Kheifits. Batalov also worked with Kheifits in 'V gorode S.' (In the Town of S.), another story by Anton Chekhov. Alrksei Batalov himself directed three films; 'Shinel' (1960) on the story by Nikolay Gogol, 'Tri tolstyaka' (1966) by Yuriy Olesha, and 'Igrok' (1973) (aka.. The Gambler), an adaptation of the eponymous book by Fyodor Dostoevsky.
Aleksei Batalov earned the State Prize of the USSR for a strong and difficult leading role in '9 dney odnogo goda' (1961), for which director Mikhail Romm won Crystal Globe. Batalov's performance in the leading role of a Russian intellectual in 'Beg' (1970) based on the play by Mikhail A. Bulgakov, was somewhat overshadowed by the brilliant duo of his film partners Mikhail Ulyanov and Evgeniy Evstigneev. However, after a few years of his hiatus, Batalov made a successful comeback in 'Moskva slezam ne verit' (1979), which won an Oscar for the Best Foreign Language Film (1981).
In addition to his numerous international awards Batalov was honored with the title of the People's Artist of the USSR (1976). He was decorated and received many Soviet and Russian awards from the state. Batalov was the Dean of the Actors Studio at the Moscow State Film Institute (VGIK) from 1975 to 2005. He taught over 20 acting seminars in the USA and Canada. He also made notable works for the Moscow Radio.
Aleksei Batalov resided and worked in Moscow, Russia, where he died on June 14, 2017.- Director
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Dziga Vertov was born on 2 January 1896 in Bialystok, Grodno Governorate, Russian Empire [now Podlaskie, Poland]. He was a director and writer, known for Man with a Movie Camera (1929), Three Songs About Lenin (1934) and The Sixth Part of the World (1926). He was married to Elizaveta Svilova. He died on 12 February 1954 in Moscow, RSFSR, USSR [now Russia].- Actress
- Soundtrack
Jeanne Madden was born on 10 November 1915 in Scranton, Pennsylvania, USA. She was an actress, known for Stage Struck (1936), Sea Racketeers (1937) and Talent Scout (1937). She was married to George Keith Martin (fine artist). She died on 15 January 1989 in Moscow, Pennsylvania, USA.- Writer
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Aleksandr Dovzhenko was born on 10 September 1894 in Vyunishche, Sosnitsa Ueyzd, Chernigov Governorate, Russian Empire [now Sosnitsa, Sosnitsa Raion, Chernihiv Oblast, Ukraine]. He was a writer and director, known for Earth (1930), Shors (1939) and Life in Bloom (1949). He was married to Yuliya Solntseva. He died on 25 November 1956 in Moscow, Russian SFSR, USSR [now Russia].- Music Department
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Prokofiev was a multi-talented man and an innovative composer. He learned piano from his mother and chess from his father. He always had a chess set on his piano, and was able to play against the chess champions of his time. He studied music with Nikolai Rimsky-Korsakov, graduated with highest marks from the St. Petersburg Conservatory (1914), and was rewarded with a grand piano. He emigrated from Russia after the revolution, and made successful concert tours in Europe and the U.S. In 1918 in New York he met Spanish singer Carolina Codina (Lina Llubera), they married in Paris, in 1923, and had two sons.
Prokofiev's radiant optimism and his childlike personality shines in his popular orchestral suite "Peter and the Wolf" and in the "Classical Symphony". His humorous irony and wit is popping up in piano pieces named "Sarcasms", also in his five piano concertos, ballets and film scores, all written in his instantly identifiable musical language. He wrote film scores for The Czar Wants to Sleep (1934), Alexander Nevsky (1938), Cinderella (1961), and the two-part Ivan the Terrible, Part I (1944), directed by Sergei Eisenstein.
All of his music, that he created while outside of the Soviet Union, was sometimes criticized as cosmopolitan and anti-Soviet. Prokofiev divorced his wife in 1948. His ninth sonata, dedicated to Svyatoslav Richter, was welcomed warmly, but another official critic on his music and life started in 1948. He died in 1953, the same day of Joseph Stalin.- Actor
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Rolan Bykov was born on 12 November 1929 in Kiev, Ukrainian SSR, USSR [now Ukraine]. He was an actor and director, known for Chuchelo (1984), Aybolit-66 (1967) and Andrei Rublev (1966). He was married to Elena Sanaeva. He died on 6 October 1998 in Moscow, Russia.- Actor
- Music Department
- Soundtrack
Evegeni Leonov was a Russian actor best known for leading roles in comedies, such as Kin-dza-dza! (1986) and Gentlemen of Fortune (1971).
He was born Evgeni Pavlovich Leonov on September 2, 1926, in Moscow, Russia, USSR (now Moscow, Russia). He was the second son in the family. His father, Pavel Vasilevich Leonov, was an aviation engineer, his mother, Anna Il'inichna was a homemaker. Young Evgeni Leonov had a dream of becoming a pilot like the famous aviator Valeri Chkalov. During the Second World War his school studies were interrupted by invasion of the Nazi Armies. Leonov became a metal-worker after he completed only seven years of secondary school. Leonov worked in the aviation industry and studied at Moscow Aviation Technical School, named after S. Ordzhonikidze. There he started amateur acting at students club.
One day in 1943, Leonov decided to become a professional actor. He borrowed a coat from his brother and went to the Moscow State Theatre Studio. There he took an entrance exam: he presented monologues from Anton Chekhov and Mikhail Zoschenko to the State Commission of 25 professionals, including Andrei Goncharov and Rostislav Zakharov, the renown director from the Bolshoi Theater. After finishing the prepared monologues Leonov was asked to perform something else. "Something else is even worse", he replied. His words caused an explosion of laughter. The State Commission saw his great potential, and Leonov became a student at the drama class of the Moscow State Theatre Studio. There his teachers were Rostislav Zakharov and Andrei Goncharov. He continued his day job as an industrial worker, and studied acting at nights, graduating in 1947, as actor.
Leonov became a member of the Moscow Dzerzhinsky Borough Theatre, which was renamed the Stanislavsky Theatre in 1948. He had no serious roles for two years and struggled through working extras at the Mosfilm. In 1949 Leonov played his first cameo roles in 'Karandash na ldu' and 'Schastlivy reis'. His first big work in movies was the supporting role in 'Delo Rumyantseva' (1955). In the course of his film career Leonov played a dazzling variety of leading and supporting roles in more than 60 films. Leonov is best remembered for his roles in popular films from directors Vladimir Fetin, Leonid Gaidai, Mark Zakharov, and Georgiy Daneliya. He was twice awarded the State Prize of the USSR, was designated People's Actor of USSR (1978) and received numerous decorations for his film roles and for his stage works.
Evgeni Leonov was among the leading comedians in Russian cinema of the Soviet era. He was best known for his roles in such films as Striped Trip (1961), Gentlemen of Fortune (1971), Kin-dza-dza! (1986), Mimino (1977), and _Osenniy marafon (1979). Leonov also demonstrated remarkable range in dramas and period films, such as Belorussky Station (1971) and Tchaikovsky (1970). He was the voice of Vinnie the Pooh in the eponymous Russian cartoon. His happy face and a sincere smile was a guarantee for success of a film or a stage play. Leonov's stage career, spanning more than 50 years, really took off in 1954, with the role of Lariosik in 'Dni Turbinykh', a play by Mikhail A. Bulgakov. From 1974 - 1994 Leonov was a permanent member of the troupe at Moscow Lenkom Theatre under the directorship of Mark Zakharov. There his stage partners were such actors as Inna Churikova, Leonid Bronevoy, Oleg Yankovskiy, Aleksandr Abdulov, Nikolay Karachentsov, Aleksandr Zbruev, Aleksandra Zakharova, Tatyana Kravchenko, Aleksandr Lazarev, Dmitriy Pevtsov, and other notable Russian actors. Leonov gave a remarkable performance in the leading role as Tevye in 'Pominalnaya Molitva', an adaptation of Tevye the Milkman story by Sholom Aleichem, which was the last role of this great Russian actor.
Outside of his entertainment career, Evgeni Leonov was fond of fine art; he developed a passion for collecting Russian landscape paintings and graphics, as well as Russian period furniture and antiques. His home in Moscow looked like a museum of Russian art. He enjoyed treating his friends and guests to the highlights of his private collection. Leonov, a gourmet connoisseur, was famous for his remarkable hospitality and shared his passion with many friends and guests. He was married to Vanda Vladimirovna Stoilova, and the couple's son, Andrey Leonov, also became an actor. Evgeni Leonov died of a heart attack on January 29, 1994, in Moscow, and was laid to rest in the Novodevichy Convent Cemetery in Moscow, Russia.