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- A collection of expertly photographed phenomena with no conventional plot. The footage focuses on the relationship between nature, humanity, and technology.
- Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
- An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
- Nothing but silence. Nothing but a revolutionary song. A story in five chapters like the five fingers of a hand.
- A visual montage portrait of our contemporary world dominated by globalized technology and violence.
- Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
- A welfare recipient marries his mother.
- A film crew documents a folk story-exquisite corpse combination by random Thai people; the story is reenacted.
- A single shot of the Empire State Building from early evening until nearly 3 am the next day.
- A filmic essay on class struggle which draws on images from westerns but has no plot and is both an experiment in making a revolutionary film and an interrogation of how successfully such a film can be revolutionary.
- A look at life in Eastern Europe after the collapse of the Soviet Union.
- A short video featuring my friends the ants along with cheese, etc. and one-and-a-half tracks from the Thought Gang album.
- Tribulations of a newly elected President.
- Last part of a trilogy about family meetings. How paths cross -or sometimes fail to- by an inch. After a day of swimming at the lake, family ties are inexplicably disturbed. Morning Light makes the generation gap tangible between mother, daughter and granddaughter.
- Akerman spends a month in Tel Aviv, in an apartment by the sea, contemplating her family, her Jewish identity and her childhood.
- A constant journey from outer space to a town in Norway, where we encounter small pieces of people's lives.
- An eight-hour contemplative epic, entirely starring sheep.
- Director Patrice Leconte weaves an impressionistic, sensorial tapestry of existence in and around early 21st-century Cambodia. Journeying through the country's farmlands, factories, streets and rural villages, camera-in-hand, Leconte glimpses the people and the elements of the landscape that make Cambodia so culturally specific, and gently contrasts modes of life found there.
- A cinematic portrait of people walking in their individual ways.
- Akira Ifukube has arranged music from his fantastic films into a three-movement symphony, presented here with scenes from the films the music was originally written for. The second half features Makoto Inoue's synthesizer arrangements of Ifukube's music. In this portion, all the music is by Ifukube, but it shows scenes from films Ifukube did not work on.
- Jonathan Glazer creates an intimate portrait of wildlife in the suburbs.
- Both in terms of its examination of time and space, of light and darkness, of visuals and sounds; and in terms of its demands and potential rewards for an audience, '24 Frames Per Second' is a quintessential film from this filmmaker. The film alternates between one-second passages during which the viewer sees one of a series of fractions and with one-second segments of black and clear leaders. As the film progresses, the fractions grow from 1/24 to 24/24. 1/24, for example, is followed by one second of film in which one frame is clear and 23 are black, and then one is black, 23 clear.
- Epic Java is a visual of the universe and human culture. A searching process of the mysteries of life and everything related to it. A contemplative depiction that will take us into God's power.
- A film about what cannot be named. A non-verbal guided meditation about the interconnectedness of humans, nature and technology in the modern world. A stream of consciousness in the shape of a cinematic symphony.