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- The arrival of Patrick into Marion and Tom's home triggers the exploration of seismic events from 40 years previously.
- In 1930s Berlin, a gay Jew is sent to a concentration camp under the Nazi regime.
- Requiem is set in 1605, against the backdrop of the witch trials. It's a coming of age story, following Evelyn as she engages in a game of cat and mouse against her father, Minister Gilbert, in order to be with Mary, the woman she loves.
- A group of activists risk their lives fighting for LGBTQ+ rights in Chechnya.
- Follows the illustrator J.C. Leyendecker, whose legacy laid the foundation for today's out-and-proud LGBTQ advertisements.
- Historian Klaus Müller interviews survivors of the Nazi persecution of homosexuals because of the German Penal Code of 1871, Paragraph 175.
- An examination of Cuba's "moral purges" that began in 1964 with UMAP camps for those suspected of or found guilty of "improper conduct." Key moments brought outside attention to these policies: the defection of ballet dancers in Paris in 1966, a 48-hour period in 1980 when more than 11,000 Cubans sought asylum in Havana's Peruvian embassy, and the brief detention of writer Virgilio Piñera. Interviews with exiles take up most of the film as they tell their stories and ponder the Castro government's arrest and detention of persons with effeminate mannerisms: what the state calls "extravagant behavior." In essence, the film exposes the Cuban state's homophobic, petit bourgeois nature.
- Albrecht Becker (1906-2002) was one of the last people to have survived the enacted Nazi suppression of homosexuals, which started in 1933, with the implementation of Paragraph 175. Imprisoned in Nuremberg from 1935 to 1938, he then decides to enrol in the army (as is told in the documentary Paragraph 175, 2000, by Epstein and Friedmann). On the Russian front he starts taking photos. After the war he dedicates himself to his job as a cinema production designer and scenographer, working mainly with musical comedies. Becker had started to 'decorate' his body in 1943, practicing the art of tattoos and piercing and taking photos of his progressive transformations. Lebrun puts the spotlight on the body of Becker with photographs resembling landscapes of a body which, by its constant mutations and history, left a mark on its century.
- Lieutenant Scanlon investigates an anonymous letter that identifies a member of the precinct as a homosexual. An angry shopper destroys to an elevator's MUZAK machine.