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- American video artist Bill Viola explores the life cycle as an enveloping whole instead of the hegemonic view of life as a linear progression. The artist considers human beings' existence on earth as a cycle where the beginning and end may be the same. Projected onto a screen more than seven meters high anchored to the floor, "Inverted Birth" depicts five stages of human awakening through a series of violent transformations.
- A man emerges from the forest and stands before a pool of water. He leaps up and time suddenly stops. All movement and change in the otherwise still scene is limited to the reflections and undulations on the surface of the pond. Time becomes extended and punctuated by a series of events seen only as reflections in the water. The work describes the emergence of the individual into the natural world, a baptism into a world of virtual images and indirect perceptions.
- The Innocents - part of the Transfiguration series - explores the presence of the dead in the world of the living. The video documents a boy and a girl who slowly approach out of the darkness and into the light. Shown on separate screens, they break through what is, at first, an invisible threshold of water, suggestive of a passage from the spiritual world into a physical plane of existence. Once incarnate, however, all beings realize that their presence is finite, and so the figures eventually turn away from material existence to return from whence they came.
- This haunting installment contains a solitary wood chair with headphones attached, facing a television monitor. A man (the artist himself), looking visibly fatigued, appears on the screen, sitting in his own chair. Here, the artist compels viewers into an intimate relationship: they sit at eye level with him, listening to the sound of his breathing through the headphones.