Over the last decade or two, we’ve seen the Hollywood biographical drama — once the cheesiest of genres, though often an irresistible one — mature as a popular art form. The key evolution, dating back to films like “Capote” and “Lincoln” (and extending through “Oppenheimer”), was the decision to ditch the old cradle-to-grave sprawl in favor of focusing on a crucial time period of someone’s life — a strategy that allows for more texture and truth.
“Bob Marley: One Love,” a drama about the most larger-than-life of all reggae superstars, ardently follows the new biopic rules. The film opens in 1976, when Bob Marley (Kingsley Ben-Adir), lean and majestic in his bouncing dreadlocks, heading toward the height of his fame, is getting ready to play a peace concert in Kingston. His goal is to heal the violent factionalism of Jamaican politics. It’s an uphill battle. The Jamaica we see is a...
“Bob Marley: One Love,” a drama about the most larger-than-life of all reggae superstars, ardently follows the new biopic rules. The film opens in 1976, when Bob Marley (Kingsley Ben-Adir), lean and majestic in his bouncing dreadlocks, heading toward the height of his fame, is getting ready to play a peace concert in Kingston. His goal is to heal the violent factionalism of Jamaican politics. It’s an uphill battle. The Jamaica we see is a...
- 2/8/2024
- by Owen Gleiberman
- Variety Film + TV
Catering directly to my interests, the Criterion Channel’s January lineup boasts two of my favorite things: James Gray and cats. In the former case it’s his first five features (itself a terrible reminder he only released five movies in 20 years); the latter shows felines the respect they deserve, from Kuroneko to The Long Goodbye, Tourneur’s Cat People and Mick Garris’ Sleepwalkers. Meanwhile, Ava Gardner, Bertrand Tavernier, Isabel Sandoval, Ken Russell, Juleen Compton, George Harrison’s HandMade Films, and the Sundance Film Festival get retrospectives.
Restorations of Soviet sci-fi trip Ikarie Xb 1, The Unknown, and The Music of Regret stream, as does the recent Plan 75. January’s Criterion Editions are Inside Llewyn Davis, Farewell Amor, The Incredible Shrinking Man, and (most intriguingly) the long-out-of-print The Man Who Fell to Earth, Blu-rays of which go for hundreds of dollars.
See the lineup below and learn more here.
Back By Popular Demand
The Graduate,...
Restorations of Soviet sci-fi trip Ikarie Xb 1, The Unknown, and The Music of Regret stream, as does the recent Plan 75. January’s Criterion Editions are Inside Llewyn Davis, Farewell Amor, The Incredible Shrinking Man, and (most intriguingly) the long-out-of-print The Man Who Fell to Earth, Blu-rays of which go for hundreds of dollars.
See the lineup below and learn more here.
Back By Popular Demand
The Graduate,...
- 12/12/2023
- by Nick Newman
- The Film Stage
The Outer Critics Circle has named Some Like It Hot as the year’s Best New Broadway Musical and Leopoldstadt as Best New Broadway Play, the organization announced today.
The Circle, made up of writers on New York theater for out-of-town newspapers and national publications, also named Parade in the musical revival category, and Topdog/Underdog as the outstanding play revival.
In all, Some Like It Hot topped the list in number of wins – five, in all – with Leopoldstadt coming in second with three awards.
Winners of the 72nd Annual Outer Critics Circle Awards will be honored at a ceremony on Thursday, May 25 at the Bruno Walter Auditorium at Lincoln Center’s New York Public Library for The Performing Arts.
Here is the complete list of winners:
Outstanding New Broadway Musical
Some Like It Hot
Outstanding New Broadway Play
Leopoldstadt
Outstanding New Off Broadway Musical
The Harder They Come
Outstanding...
The Circle, made up of writers on New York theater for out-of-town newspapers and national publications, also named Parade in the musical revival category, and Topdog/Underdog as the outstanding play revival.
In all, Some Like It Hot topped the list in number of wins – five, in all – with Leopoldstadt coming in second with three awards.
Winners of the 72nd Annual Outer Critics Circle Awards will be honored at a ceremony on Thursday, May 25 at the Bruno Walter Auditorium at Lincoln Center’s New York Public Library for The Performing Arts.
Here is the complete list of winners:
Outstanding New Broadway Musical
Some Like It Hot
Outstanding New Broadway Play
Leopoldstadt
Outstanding New Off Broadway Musical
The Harder They Come
Outstanding...
- 5/16/2023
- by Greg Evans
- Deadline Film + TV
The Outer Critics Circle (Occ), the official organization of writers on New York theatre for out-of-town newspapers and national publications, today announced the nominees for the 72nd Annual Outer Critics Circle Awards, honoring the 2022-2023 Broadway and Off-Broadway season.
“New York, New York” received a major backing from this announcement, which coincides with the production’s opening night. The new musical with songs from John Kander, the late Fred Ebb and Lin-Manuel Miranda earned a whopping 12 nominations, the most of any production. “Some Like it Hot” trails just behind it with 10 nominations. The most nominated plays of the season are the Off-Broadway sensation “Downstate” and Broadway epic “Leopoldstadt,” both with six nominations apiece.
This is the first season with newly reconstructed acting categories, which have removed gender specifications, and have been expanded to separately include off-Broadway performers. In the previous configuration, actors in Broadway and off-Broadway productions competed in the same category.
“New York, New York” received a major backing from this announcement, which coincides with the production’s opening night. The new musical with songs from John Kander, the late Fred Ebb and Lin-Manuel Miranda earned a whopping 12 nominations, the most of any production. “Some Like it Hot” trails just behind it with 10 nominations. The most nominated plays of the season are the Off-Broadway sensation “Downstate” and Broadway epic “Leopoldstadt,” both with six nominations apiece.
This is the first season with newly reconstructed acting categories, which have removed gender specifications, and have been expanded to separately include off-Broadway performers. In the previous configuration, actors in Broadway and off-Broadway productions competed in the same category.
- 4/26/2023
- by Sam Eckmann
- Gold Derby
In 1972, director-writer Perry Henzell released his Jamaican crime flick “The Harder They Come” with singer-songwriter Jimmy Cliff — then, a burgeoning reggae star — as its anti-hero lead actor. For his menacing cinematic debut, Cliff provided the lion’s share of the film’s riveting soundtrack, with lilting songs such as “You Can Get It If You Really Want” and the movie’s title tune.
Both the soundtrack and film (the latter released in the United States in 1973) became sensations. “The Harder They Come” brought island culture to the world beyond the Caribbean, and helped popularize reggae in the Americas. Along with his anthemic title song becoming an instant classic, Cliff’s “Many Rivers to Cross” was subsequently covered by Linda Ronstadt, John Lennon and Annie Lennox, among other artists. Along with being inducted into the Rock and Roll Hall of Fame in 2010, the Library of Congress deemed Cliff’s “The Harder They Come...
Both the soundtrack and film (the latter released in the United States in 1973) became sensations. “The Harder They Come” brought island culture to the world beyond the Caribbean, and helped popularize reggae in the Americas. Along with his anthemic title song becoming an instant classic, Cliff’s “Many Rivers to Cross” was subsequently covered by Linda Ronstadt, John Lennon and Annie Lennox, among other artists. Along with being inducted into the Rock and Roll Hall of Fame in 2010, the Library of Congress deemed Cliff’s “The Harder They Come...
- 3/20/2023
- by A.D. Amorosi
- Variety Film + TV
Good news for those who wish to know what their Twitter feed’s jacking off to: the Criterion Channel are launching an erotic thriller series that includes De Palma’s Dressed to Kill and Body Double, the Wachowskis’ Bound, and so many other movies to stir up that ceaseless, fruitless “why do movies have sex scenes?” discourse. (Better or worse than middle-age film critics implying they have a hard-on? I’m so indignant at being forced to choose.) Similarly lurid, if not a bit more frightening, is a David Lynch retro that includes the Criterion editions of Lost Highway and Inland Empire (about which I spoke to Lynch last year), a series of shorts, and a one-month-only engagement for Dune, a film that should be there in perpetuity.
Retrospectives of Harold Lloyd, Rohmer’s Tales of the Four Seasons, and shorts by Fanta Régina Nacro round out the big debuts,...
Retrospectives of Harold Lloyd, Rohmer’s Tales of the Four Seasons, and shorts by Fanta Régina Nacro round out the big debuts,...
- 3/20/2023
- by Nick Newman
- The Film Stage
Idris Elba and media mogul Mo Abudu on Thursday announced a partnership aimed at working to develop the television and movie industries across Africa and to bring “stories from Africa and the African diaspora to the world stage.”
The “Luther” actor and “Queen Nzinga” executive producer said the effort would be made through their respective production companies, Green Door Pictures and EbonyLife Media to build capacity and foster authentic representation in global film and TV projects set for production.
The two described a two-fold approached that would bring education and mentoring initiatives to help both young people and older creative professionals the opportunity to showcase their skills and tell their stories, and assist in large-scale productions.
Abudu, who has Nigerian roots, has deep ties to “Nollywood,” as the Nigerian film industry is known, producing multiple films in that space, including 2016’s “The Wedding Party,” which stood at the time as...
The “Luther” actor and “Queen Nzinga” executive producer said the effort would be made through their respective production companies, Green Door Pictures and EbonyLife Media to build capacity and foster authentic representation in global film and TV projects set for production.
The two described a two-fold approached that would bring education and mentoring initiatives to help both young people and older creative professionals the opportunity to showcase their skills and tell their stories, and assist in large-scale productions.
Abudu, who has Nigerian roots, has deep ties to “Nollywood,” as the Nigerian film industry is known, producing multiple films in that space, including 2016’s “The Wedding Party,” which stood at the time as...
- 3/16/2023
- by Eileen AJ Connelly
- The Wrap
Long before “Stranger Things” led to the rediscovery of “Running Up That Hill” and “The Last of Us” brought audiences back to a “Long Long Time” ago, cinema has hinged on famous needle drops throughout history.
Now, distributor and streaming platform Mubi’s award-winning audio-documentary series “Mubi Podcast” tunes into the best needle drops throughout film. Titled “Needle on the Record,” Season 3 dives into the unifying power of movie music and tells the stories behind some of cinema’s most renowned “needle drops,” defined as moments where filmmakers deployed pre-existing music instead of an original score. The third season premieres March 30, with new episodes releasing every Thursday.
Podcast host Rico Gagliano discusses famed needle drops with Noel Hogan of The Cranberries, Richard Kelly (“Donnie Darko”), Jena Malone (“The Hunger Games“), and iconic music supervisor Randall Poster (“The Wolf of Wall Street”), among other interviewees.
Per the official synopsis of the season,...
Now, distributor and streaming platform Mubi’s award-winning audio-documentary series “Mubi Podcast” tunes into the best needle drops throughout film. Titled “Needle on the Record,” Season 3 dives into the unifying power of movie music and tells the stories behind some of cinema’s most renowned “needle drops,” defined as moments where filmmakers deployed pre-existing music instead of an original score. The third season premieres March 30, with new episodes releasing every Thursday.
Podcast host Rico Gagliano discusses famed needle drops with Noel Hogan of The Cranberries, Richard Kelly (“Donnie Darko”), Jena Malone (“The Hunger Games“), and iconic music supervisor Randall Poster (“The Wolf of Wall Street”), among other interviewees.
Per the official synopsis of the season,...
- 3/16/2023
- by Samantha Bergeson
- Indiewire
Exclusive: Suzan-Lori Parks, the playwright who won a 2002 Pulitzer Prize for her Topdog/Underdog, will make her on-stage debut this fall in the world premiere Public Theater Off Broadway staging of her Plays For the Plague Year.
Parks’ performance in the production – the complete cast was announced today – will be yet another big moment in the playwright’s Fall season: A Broadway revival of Topdog/Underdog begins previews at the Golden Theatre on Sept. 27.
In the new Plays For the Plague Year, Parks will play a character called “The Writer,” joining other just-announced cast members Leland Fowler, Greg Keller, Orville Mendoza, Kenita Miller, Lauren Molina, Martín Solá, and Pearl Sun.
Directed by Niegel Smith, Plays For the Plague Year will begin a strictly limited three-week engagement on Friday, Nov. 4 at the Public’s Joe’s Pub venue, with an opening night on Wednesday, Nov. 16. The production will run through Sunday,...
Parks’ performance in the production – the complete cast was announced today – will be yet another big moment in the playwright’s Fall season: A Broadway revival of Topdog/Underdog begins previews at the Golden Theatre on Sept. 27.
In the new Plays For the Plague Year, Parks will play a character called “The Writer,” joining other just-announced cast members Leland Fowler, Greg Keller, Orville Mendoza, Kenita Miller, Lauren Molina, Martín Solá, and Pearl Sun.
Directed by Niegel Smith, Plays For the Plague Year will begin a strictly limited three-week engagement on Friday, Nov. 4 at the Public’s Joe’s Pub venue, with an opening night on Wednesday, Nov. 16. The production will run through Sunday,...
- 9/14/2022
- by Greg Evans
- Deadline Film + TV
In 1970, Jimmy Cliff found himself at a crossroads. At the age of 26, the Jamaican singer-songwriter was already one of the pioneers and rising stars of reggae, having enjoyed top 10 hits in the UK with his joyous hymn to unity “Wonderful World, Beautiful People” and a spine-tingling cover of Cat Stevens’ “Wild World”. He was in London, preparing for an extensive tour, when he received an offer to star in a low-budget movie back home. “I said, ‘You know, I’m really glad to be here in Europe’,” recalls Cliff, now 78, his voice still rich and mellifluous as it sings down the line from his home in Miami. “It’s not wise to run all over the place and do something like that.”
Perry Henzell, the writer-director who wanted the musician for his film, flew to Britain to change Cliff’s mind. “He said one sentence to me that stopped me in my tracks,...
Perry Henzell, the writer-director who wanted the musician for his film, flew to Britain to change Cliff’s mind. “He said one sentence to me that stopped me in my tracks,...
- 9/10/2022
- by Kevin E G Perry
- The Independent - Music
Holdovers dominate chart again.
Rank Film (distributor) Three-day gross (Aug 5 - 7) Total gross to date Week 1. Bullet Train (Sony) £1.9m £2.9m 1 2. DC League Of Super-Pets (Warner Bros) £1.2m £6.2m 2 3. Minions: The Rise Of Gru (Universal) £1.1m £36.7m 6 4. Thor: Love And Thunder (Disney) £938,102 £33.3m 5 5. Elvis (Warner Bros)
£737,624 £22.7m 7
Gbp to Usd conversion rate: 1.21
Sony action thriller Bullet Train opened top of the UK-Ireland box office this weekend, with a £1.85m three-day start.
Playing in 671 locations, Bullet Train took an average of £2,751 per site – down on the opening averages of recent number ones DC League Of Super-Pets , Thor: Love And Thunder and Minions: The Rise Of Gru.
Rank Film (distributor) Three-day gross (Aug 5 - 7) Total gross to date Week 1. Bullet Train (Sony) £1.9m £2.9m 1 2. DC League Of Super-Pets (Warner Bros) £1.2m £6.2m 2 3. Minions: The Rise Of Gru (Universal) £1.1m £36.7m 6 4. Thor: Love And Thunder (Disney) £938,102 £33.3m 5 5. Elvis (Warner Bros)
£737,624 £22.7m 7
Gbp to Usd conversion rate: 1.21
Sony action thriller Bullet Train opened top of the UK-Ireland box office this weekend, with a £1.85m three-day start.
Playing in 671 locations, Bullet Train took an average of £2,751 per site – down on the opening averages of recent number ones DC League Of Super-Pets , Thor: Love And Thunder and Minions: The Rise Of Gru.
- 8/8/2022
- by Ben Dalton
- ScreenDaily
‘Westlife: Live From Wembley Stadium’ leads event titles.
Sony blockbuster Bullet Train opens in 671 locations at the UK-Ireland box office on a quiet weekend for new releases.
Starring Brad Pitt with a supporting cast including Aaron Taylor-Johnson, Brian Tyree Henry, Joey King, Hiroyuki Sanada, Michael Shannon and Sandra Bullock, Bullet Train is set upon the fast-moving eponymous vehicle, as five assassins discover that their missions have something in common.
In a 35-year screen career, Pitt has repeatedly visited the action genre – often in films with another genre element, such as historical action, action-comedy and zombie action.
His highest-grossing film in...
Sony blockbuster Bullet Train opens in 671 locations at the UK-Ireland box office on a quiet weekend for new releases.
Starring Brad Pitt with a supporting cast including Aaron Taylor-Johnson, Brian Tyree Henry, Joey King, Hiroyuki Sanada, Michael Shannon and Sandra Bullock, Bullet Train is set upon the fast-moving eponymous vehicle, as five assassins discover that their missions have something in common.
In a 35-year screen career, Pitt has repeatedly visited the action genre – often in films with another genre element, such as historical action, action-comedy and zombie action.
His highest-grossing film in...
- 8/5/2022
- by Ben Dalton
- ScreenDaily
The ongoing school holidays saw two family-friendly animated titles lead the U.K. and Ireland box office.
Warner Bros.’ “DC League Of Super-Pets” debuted atop the box office with £2.6 million (3.2 million), according to numbers released by Comscore.
In its fifth weekend, Universal’s “Minions: The Rise Of Gru” continued its stellar performance, collecting £1.99 million in second place, for a total of £33.5 million.
Disney’s “Thor: Love And Thunder” took in £1.90 million in third position in its fourth weekend for a total of £30.8 million. In fourth place, Warner Bros.’ “Elvis” collected £1.1 million in its sixth weekend and now has a total of £20.8 million.
Paramount’s Tom Cruise vehicle “Top Gun: Maverick,” which continued soaring in its 10th weekend with £981,129, rounded off the top five and has a mighty total of £76.1 million.
The big release this week is Sony Pictures Releasing International’s “Bullet Train,” starring Brad Pitt, Joey King, Aaron Taylor-Johnson,...
Warner Bros.’ “DC League Of Super-Pets” debuted atop the box office with £2.6 million (3.2 million), according to numbers released by Comscore.
In its fifth weekend, Universal’s “Minions: The Rise Of Gru” continued its stellar performance, collecting £1.99 million in second place, for a total of £33.5 million.
Disney’s “Thor: Love And Thunder” took in £1.90 million in third position in its fourth weekend for a total of £30.8 million. In fourth place, Warner Bros.’ “Elvis” collected £1.1 million in its sixth weekend and now has a total of £20.8 million.
Paramount’s Tom Cruise vehicle “Top Gun: Maverick,” which continued soaring in its 10th weekend with £981,129, rounded off the top five and has a mighty total of £76.1 million.
The big release this week is Sony Pictures Releasing International’s “Bullet Train,” starring Brad Pitt, Joey King, Aaron Taylor-Johnson,...
- 8/2/2022
- by Naman Ramachandran
- Variety Film + TV
Filmmaker Boaz Yakin discusses some of his favorite films with hosts Josh Olson and Joe Dante.
Show Notes:
Movies Referenced In This Episode
Aviva (2020)
The Harder They Fall (2021)
The Harder They Come (1972)
Reservoir Dogs (1992)
Pulp Fiction (1994)
Fresh (1994)
Mo’ Better Blues (1990)
Safe (2012)
Scream (2022)
The Punisher (1989)
The Adventures of Robin Hood (1938)
Kagemusha (1980) – Bernard Rose’s trailer commentary
Mean Streets (1973)
Jaws (1975) – Josh Olson’s trailer commentary
The 400 Blows (1959) – Robert Weide’s trailer commentary
Yojimbo (1961)
Dodes’ka-den (1970)
Short Cuts (1993) – Glenn Erickson’s Criterion Blu-ray commentary
Casablanca (1942) – John Landis’s trailer commentary
Coonskin (1975) – Larry Karaszewski’s trailer commentary
Fritz The Cat (1972) – Mick Garris’s trailer commentary, Charlie Largent’s Blu-ray review
The Lord of the Rings (1978)
Wizards (1977)
Heavy Traffic (1973) – Larry Karaszewski’s trailer commentary, Randy Fuller’s wine pairing
The Warriors (1979)
Quintet (1979)
Brewster McCloud (1970) – Larry Karaszewski’s trailer commentary, Glenn Erickson’s Blu-ray review
Mash (1970)
Nashville (1975) – Larry Karaszewski’s trailer commentary, Dan Perri’s trailer commentary,...
Show Notes:
Movies Referenced In This Episode
Aviva (2020)
The Harder They Fall (2021)
The Harder They Come (1972)
Reservoir Dogs (1992)
Pulp Fiction (1994)
Fresh (1994)
Mo’ Better Blues (1990)
Safe (2012)
Scream (2022)
The Punisher (1989)
The Adventures of Robin Hood (1938)
Kagemusha (1980) – Bernard Rose’s trailer commentary
Mean Streets (1973)
Jaws (1975) – Josh Olson’s trailer commentary
The 400 Blows (1959) – Robert Weide’s trailer commentary
Yojimbo (1961)
Dodes’ka-den (1970)
Short Cuts (1993) – Glenn Erickson’s Criterion Blu-ray commentary
Casablanca (1942) – John Landis’s trailer commentary
Coonskin (1975) – Larry Karaszewski’s trailer commentary
Fritz The Cat (1972) – Mick Garris’s trailer commentary, Charlie Largent’s Blu-ray review
The Lord of the Rings (1978)
Wizards (1977)
Heavy Traffic (1973) – Larry Karaszewski’s trailer commentary, Randy Fuller’s wine pairing
The Warriors (1979)
Quintet (1979)
Brewster McCloud (1970) – Larry Karaszewski’s trailer commentary, Glenn Erickson’s Blu-ray review
Mash (1970)
Nashville (1975) – Larry Karaszewski’s trailer commentary, Dan Perri’s trailer commentary,...
- 2/22/2022
- by Kris Millsap
- Trailers from Hell
The Criterion Channel’s February Lineup Includes Melvin Van Peebles, Douglas Sirk, Laura Dern & More
Another month, another Criterion Channel lineup. In accordance with Black History Month their selections are especially refreshing: seven by Melvin Van Peebles, five from Kevin Jerome Everson, and Criterion editions of The Harder They Come and The Learning Tree.
Regarding individual features I’m quite happy to see Abderrahmane Sissako’s fantastic Bamako, last year’s big Sundance winner (and Kosovo’s Oscar entry) Hive, and the remarkably beautiful Portuguese feature The Metamorphosis of Birds. Add a three-film Laura Dern collection (including the recently canonized Smooth Talk) and Pasolini’s rarely shown documentary Love Meetings to make this a fine smorgasboard.
See the full list of February titles below and more on the Criterion Channel.
Alan & Naomi, Sterling Van Wagenen, 1992
All That Heaven Allows, Douglas Sirk, 1955
The Angel Levine, Ján Kadár, 1970
Babylon, Franco Rosso, 1980
Babymother, Julian Henriques, 1998
Bamako, Abderrahmane Sissako, 2006
Beat Street, Stan Lathan, 1984
Blacks Britannica, David Koff, 1978
The Black Panthers: Vanguard of the Revolution,...
Regarding individual features I’m quite happy to see Abderrahmane Sissako’s fantastic Bamako, last year’s big Sundance winner (and Kosovo’s Oscar entry) Hive, and the remarkably beautiful Portuguese feature The Metamorphosis of Birds. Add a three-film Laura Dern collection (including the recently canonized Smooth Talk) and Pasolini’s rarely shown documentary Love Meetings to make this a fine smorgasboard.
See the full list of February titles below and more on the Criterion Channel.
Alan & Naomi, Sterling Van Wagenen, 1992
All That Heaven Allows, Douglas Sirk, 1955
The Angel Levine, Ján Kadár, 1970
Babylon, Franco Rosso, 1980
Babymother, Julian Henriques, 1998
Bamako, Abderrahmane Sissako, 2006
Beat Street, Stan Lathan, 1984
Blacks Britannica, David Koff, 1978
The Black Panthers: Vanguard of the Revolution,...
- 1/24/2022
- by Leonard Pearce
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Black Film Archive
Created by Maya Cade, the newly-launched Black Film Archive is an essential resource featuring every Black film made between 1915 and 1979 that is currently available stream. With over 200 films indexed, if you’re looking for a place to start, check out Cade’s curator picks, ranging from Ousmane Sembène’s Black Girl to Perry Henzell’s The Harder They Come to Madeline Anderson’s I Am Somebody. Also, if you’re able to help the evolving, self-funded project, consider supporting their PayPal, Cash App, or their monthly Substack here.
Where to Stream: Black Film Archive
The Courier (Dominic Cooke)
Early on in The Courier, directed by Dominic Cooke, British salesman Greville Wynne (Benedict Cumberbatch) realizes he’s sitting at a...
Black Film Archive
Created by Maya Cade, the newly-launched Black Film Archive is an essential resource featuring every Black film made between 1915 and 1979 that is currently available stream. With over 200 films indexed, if you’re looking for a place to start, check out Cade’s curator picks, ranging from Ousmane Sembène’s Black Girl to Perry Henzell’s The Harder They Come to Madeline Anderson’s I Am Somebody. Also, if you’re able to help the evolving, self-funded project, consider supporting their PayPal, Cash App, or their monthly Substack here.
Where to Stream: Black Film Archive
The Courier (Dominic Cooke)
Early on in The Courier, directed by Dominic Cooke, British salesman Greville Wynne (Benedict Cumberbatch) realizes he’s sitting at a...
- 8/27/2021
- by Jordan Raup
- The Film Stage
Way back in pre-pandemic 2015, Jimmy Cliff was on tour in Japan and missing his family. After one show, he sat down at a piano backstage and quickly wrote a song, “Human Touch,” about longing for personal connections: “I like the way I can keep in touch when you’re far away … There’s nothing like your smiling face and your warm embrace.”
Cut to six years later, and Cliff, finishing up his first album in nearly a decade, realized that in the Covid-19 era, the message of “Human Touch” took on a new meaning.
Cut to six years later, and Cliff, finishing up his first album in nearly a decade, realized that in the Covid-19 era, the message of “Human Touch” took on a new meaning.
- 8/6/2021
- by David Browne
- Rollingstone.com
Melvin Van Peebles and Perry Henzell made seminal 70s films – now their kids have recovered their fathers’ would-be classics
Justine Henzell and Mario Van Peebles both know what it’s like to grow up on movie sets as the child of a groundbreaking director. Henzell was six in 1972 when her father, Perry, finished The Harder They Come, Jamaica’s first full-length feature, starring the reggae legend Jimmy Cliff as a fugitive whose musical success coincides with his criminal notoriety. Van Peebles even starred in his father Melvin’s third film, the 1971 underground hit Sweet Sweetback’s Baadasssss Song, which is credited with inspiring the Blaxploitation genre.
As adults, each of them has now had a hand in rescuing and restoring great movies by their fathers that might otherwise have been lost or neglected: Henzell’s more ruminative second feature No Place Like Home, which was lost for more than 20 years, and Van Peebles’s stylish,...
Justine Henzell and Mario Van Peebles both know what it’s like to grow up on movie sets as the child of a groundbreaking director. Henzell was six in 1972 when her father, Perry, finished The Harder They Come, Jamaica’s first full-length feature, starring the reggae legend Jimmy Cliff as a fugitive whose musical success coincides with his criminal notoriety. Van Peebles even starred in his father Melvin’s third film, the 1971 underground hit Sweet Sweetback’s Baadasssss Song, which is credited with inspiring the Blaxploitation genre.
As adults, each of them has now had a hand in rescuing and restoring great movies by their fathers that might otherwise have been lost or neglected: Henzell’s more ruminative second feature No Place Like Home, which was lost for more than 20 years, and Van Peebles’s stylish,...
- 7/29/2021
- by Ryan Gilbey
- The Guardian - Film News
The Library of Congress’ National Recording Registry announced 25 new additions to its catalog, including recordings by Janet Jackson, Nas, and Kermit the Frog.
Jackson’s 1989 album, Rhythm Nation 1814, was added to the registry, with the Library of Congress recognizing how Jackson brushed aside record executive wishes to repeat the success of Control and instead made an album that grappled with racism and social injustice. Jimmy Jam, one of the album’s producers, told the LoC, “We wanted Rhythm Nation to really communicate empowerment. It was making an observation, but it...
Jackson’s 1989 album, Rhythm Nation 1814, was added to the registry, with the Library of Congress recognizing how Jackson brushed aside record executive wishes to repeat the success of Control and instead made an album that grappled with racism and social injustice. Jimmy Jam, one of the album’s producers, told the LoC, “We wanted Rhythm Nation to really communicate empowerment. It was making an observation, but it...
- 3/24/2021
- by Jon Blistein
- Rollingstone.com
Nadean Rawlins is participating in the Lab with a project called ‘Traytown’.
Nadean Rawlins is the first Jamaican producer to participate in the Rotterdam Lab as the Jamaican industry aims to establish international partnerships and create a sustainable film sector.
She took part in the Lab with her project Traytown. “It is a very character-driven, female-led film,” says the award-winning actress, theatre producer and talent manager. “It shows a strong female lead in a male-dominated world.”
A short film version of Traytown, scripted by Letay Williams, premiered at the Trinidad & Tobago Film Festival last September. Rawlins co-directed the film as...
Nadean Rawlins is the first Jamaican producer to participate in the Rotterdam Lab as the Jamaican industry aims to establish international partnerships and create a sustainable film sector.
She took part in the Lab with her project Traytown. “It is a very character-driven, female-led film,” says the award-winning actress, theatre producer and talent manager. “It shows a strong female lead in a male-dominated world.”
A short film version of Traytown, scripted by Letay Williams, premiered at the Trinidad & Tobago Film Festival last September. Rawlins co-directed the film as...
- 2/8/2021
- by Geoffrey Macnab
- ScreenDaily
So, How Was Your 2020 is a series in which our favorite entertainers answer our questionnaire about the music, culture and memorable moments that shaped their year. We’ll be rolling these pieces out throughout December.
In October, Low Cut Connie released their sixth LP Private Lives, a double album which — recorded pre-pandemic — featured frontman Adam Weiner collaborating with over 40 musical friends. “I’m obsessed with understanding people’s interior lives,” Weiner said of the album in April, before society was forced to spend the rest of the year with a...
In October, Low Cut Connie released their sixth LP Private Lives, a double album which — recorded pre-pandemic — featured frontman Adam Weiner collaborating with over 40 musical friends. “I’m obsessed with understanding people’s interior lives,” Weiner said of the album in April, before society was forced to spend the rest of the year with a...
- 12/6/2020
- by Rolling Stone
- Rollingstone.com
In 2004, Bonnie Raitt teamed up with Toots Hibbert for a joyous cover of his reggae classic “True Love is Hard to Find.” It was a huge moment for Raitt, who had been a major fan of Toots & the Maytals since she heard him on the soundtrack to The Harder They Come in the early 1970s; she also covered “True Love” on her own album Nine Lives in 1986. That cover led her and Hibbert to become friends. Their 2004 collaboration was the first of several, including a new version of Hibbert’s 1976 song “Premature,...
- 9/14/2020
- by Patrick Doyle
- Rollingstone.com
In 2019, Jimmy Cliff said he considered Frederick “Toots” Hibbert and the Maytals’ 1962 album Never Grow Old the birth of the reggae genre. The two singers often pushed each other artistically through friendly competition, with Cliff also recruiting Toots and the Maytals to appear in The Harder They Come. Following the death of his longtime friend and tourmate “Toots,” fellow reggae legend Jimmy Cliff spoke to Rolling Stone Saturday about the Maytals’ singer.
Toots, he’s out there somewhere now vibrating. Toots was one of the artists that I really loved and respected,...
Toots, he’s out there somewhere now vibrating. Toots was one of the artists that I really loved and respected,...
- 9/12/2020
- by Daniel Kreps
- Rollingstone.com
Frederick “Toots” Hibbert, one of the pioneers of reggae, a genre he is credited with naming, has died at age 77. He died Friday night at University Hospital of the West Indies in Kingston, Jamaica.
No cause of death was given, but Hibbert had been hospitalized for a month in intensive care.
His death was announced by his band on Twitter. “It is with the heaviest of hearts to announce that Frederick Nathaniel ”Toots” Hibbert passed away peacefully tonight, surrounded by his family at the University Hospital of the West Indies in Kingston, Jamaica. The family and his management team would like to thank the medical teams and professionals for their care and diligence, and ask that you respect their privacy during their time of grief.”
His death comes days after his group released its first full-length LP and new album in ten years, titled Got to Be Tough. The recording...
No cause of death was given, but Hibbert had been hospitalized for a month in intensive care.
His death was announced by his band on Twitter. “It is with the heaviest of hearts to announce that Frederick Nathaniel ”Toots” Hibbert passed away peacefully tonight, surrounded by his family at the University Hospital of the West Indies in Kingston, Jamaica. The family and his management team would like to thank the medical teams and professionals for their care and diligence, and ask that you respect their privacy during their time of grief.”
His death comes days after his group released its first full-length LP and new album in ten years, titled Got to Be Tough. The recording...
- 9/12/2020
- by Bruce Haring
- Deadline Film + TV
Frederick “Toots” Hibbert, who died Friday at age 77, wasn’t just a pioneer and key popularizer of Jamaican music; he was also an essential bridge between the worlds of ska, rocksteady, reggae, and the great American R&b tradition. His vocal delivery, raspy yet gorgeously supple, and poignant way of writing — “I realized it’s like you’re writing a letter to a girl; it’s got to sound like you mean it!” he told Rolling Stone recently of his craft — placed him firmly in the tradition of legends like Ray Charles and Sam Cooke,...
- 9/12/2020
- by David Browne, Jason Fine, Daniel Kreps, Jason Newman, Rob Sheffield, Hank Shteamer and Simon Vozick-Levinson
- Rollingstone.com
Two 2006 films paying tribute to American folk pioneer Harry Smith will be rereleased on Apple TV on September 8th.
The first, The Old, Weird America, is a 2006 documentary that traces the life and career of Harry Smith, the eccentric folklorist, filmmaker, artist and record collector best known for 1952’s 84-track canon-defining Anthology of American Folk Music. Compiling archival footage and interviews, the film includes appearances from everyone from Beck and Sonic Youth to Philip Glass and Elvis Costello.
The second film, The Harry Smith Project Live, chronicles a series of...
The first, The Old, Weird America, is a 2006 documentary that traces the life and career of Harry Smith, the eccentric folklorist, filmmaker, artist and record collector best known for 1952’s 84-track canon-defining Anthology of American Folk Music. Compiling archival footage and interviews, the film includes appearances from everyone from Beck and Sonic Youth to Philip Glass and Elvis Costello.
The second film, The Harry Smith Project Live, chronicles a series of...
- 9/1/2020
- by Jonathan Bernstein
- Rollingstone.com
This month marks the 40th anniversary of the Clash’s London Calling. Well, sort of. The album came out in England on December 14th, 1979, but didn’t cross the Atlantic to America until January 1980. That’s just a matter of weeks, but it’s the reason that NME has called it one of the single best albums of the Seventies and Rolling Stone labeled it the best album of the Eighties.
It’s a rare album that can considered among the best works of two separate decades, especially ones as...
It’s a rare album that can considered among the best works of two separate decades, especially ones as...
- 12/13/2019
- by Andy Greene
- Rollingstone.com
Over tea and tequila, the actor and the rock star discuss making Motherless Brooklyn, the dark forces behind Trump – and why Yorke was too messed up to score Fight Club
In Edward Norton’s new film, Motherless Brooklyn, a keening ballad blows in and out, affecting the narrative and painting the prevailing mood with a deep shade of blue. It’s unmistakably the work of Radiohead’s frontman, Thom Yorke.
Some film songs sit so snugly with the tale that one can barely see the join. Others drop like gaudy visitors from another world. It’s an inexact science, a curious alchemy. Norton and Yorke are still figuring it out.
In Edward Norton’s new film, Motherless Brooklyn, a keening ballad blows in and out, affecting the narrative and painting the prevailing mood with a deep shade of blue. It’s unmistakably the work of Radiohead’s frontman, Thom Yorke.
Some film songs sit so snugly with the tale that one can barely see the join. Others drop like gaudy visitors from another world. It’s an inexact science, a curious alchemy. Norton and Yorke are still figuring it out.
- 11/29/2019
- by Xan Brooks
- The Guardian - Film News
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Film at Lincoln Center
The J. Hoberman-curated “Make My Day: American Movies in the Age of Reagan” kicks off with Blow Out, Back to the Future, The King of Comedy and more.
Funny Face screens for free at the Josie Robertson Plaza.
Metrograph
“Shaw Sisters,” a series on female-directed Hong Kong cinema, begins.
The...
Film at Lincoln Center
The J. Hoberman-curated “Make My Day: American Movies in the Age of Reagan” kicks off with Blow Out, Back to the Future, The King of Comedy and more.
Funny Face screens for free at the Josie Robertson Plaza.
Metrograph
“Shaw Sisters,” a series on female-directed Hong Kong cinema, begins.
The...
- 8/23/2019
- by Nick Newman
- The Film Stage
The Harder They Come, the film that thrust both Jamaican cinema and reggae music into the global spotlight, arrives today on Blu-ray for the first time. To celebrate the rerelease, Rolling Stone spoke to the film’s star, reggae legend Jimmy Cliff, about shooting The Harder They Come, his future plans and his five all-time favorite reggae albums.
Nearly 50 years after the release of The Harder They Come, Cliff reflects on the film’s lasting impact, both as a document of early Seventies reggae and its “rude boy” story.
“[It] was...
Nearly 50 years after the release of The Harder They Come, Cliff reflects on the film’s lasting impact, both as a document of early Seventies reggae and its “rude boy” story.
“[It] was...
- 8/20/2019
- by Daniel Kreps
- Rollingstone.com
Hollywood Vampires: The Birth of Midnight Movies on L.A.'s Sunset Strip is a three-part series of essays by Tim Concannon.Targets: The Lost Midnight MOVIEIn revisiting Peter Bogdanovich’s Targets we’re invited to unearth an archaeology of cult cinema. Targets links the old Hollywood of Schwab's, Chateau Marmont and the Garden of Allah hotel to what, in 1968, was to be the new Hollywood of easy riders and raging bulls. "All the good movies have been made"—Peter Bogdanovich as Sammy Michaels, Targets1968's Targets, is the story of an aging film star played by expat Anglo Indian thespian, Boris Karloff. Karloff's Byron Orlok (named after Count Orlok in Murnau's 1922 Nosferatu) is clearly Karloff playing a grumpier version of himself. As two parallel stories converge in the film's Third Act, the Old Hollywood horror icon Orlok is confronted by a serial killer—gun nut and sniper Bobby Thompson,...
- 7/31/2019
- MUBI
When Ben Barenholtz, 83, died Wednesday at his new home in Prague, we lost one of the giants of American independent cinema. This vital and genial man has left a legacy behind few can equal. Many in the film community remember him as an entrepreneur, champion of new talent, mentor, cinephile and filmmaker. (Check out his many Facebook tributes here.) Others shared their thoughts in emails to IndieWire throughout the day.
“Ben’s passing is the end of an era,” said John Turturro. “I knew Ben first as a theater owner of the Elgin, which I used to frequent as a young man. Then I worked with him as a producer of ‘Miller’s Crossing’ and ‘Barton Fink.’ He introduced me to so many talented people. His great eye, his sense of humor and mischievous rebellious outlook masked a complicated and difficult early life. He was one of a kind and...
“Ben’s passing is the end of an era,” said John Turturro. “I knew Ben first as a theater owner of the Elgin, which I used to frequent as a young man. Then I worked with him as a producer of ‘Miller’s Crossing’ and ‘Barton Fink.’ He introduced me to so many talented people. His great eye, his sense of humor and mischievous rebellious outlook masked a complicated and difficult early life. He was one of a kind and...
- 6/28/2019
- by Tom Brueggemann
- Indiewire
This is the latest installment of “Breaking Black,” a weekly column focused on emerging black talent.
Jamaica is a long-favored foreign location for film, TV, and commercial production, from 1962’s “Dr. No” to the upcoming “Bond 25.” However, Negril, Jamaica native Storm Saulter is on a mission to bring his home’s complex social and cultural dynamics to the masses. His feature debut, “Better Mus’ Come (2010), was hailed as a landmark in Caribbean filmmaking, and his latest, “Sprinter,” which boasts Will and Jada Pinkett Smith as executive producers, marks a rare instance of a film by a Jamaican filmmaker, telling a Jamaican story, receiving a theatrical release in the Us.
“‘Sprinter’ is definitely breaking new ground with this release,” Saulter said. “Not that there hasn’t been great cinema to come out of Jamaica before, starting with of course ‘The Harder They Come,’ which is a brilliant work of independent cinema.
Jamaica is a long-favored foreign location for film, TV, and commercial production, from 1962’s “Dr. No” to the upcoming “Bond 25.” However, Negril, Jamaica native Storm Saulter is on a mission to bring his home’s complex social and cultural dynamics to the masses. His feature debut, “Better Mus’ Come (2010), was hailed as a landmark in Caribbean filmmaking, and his latest, “Sprinter,” which boasts Will and Jada Pinkett Smith as executive producers, marks a rare instance of a film by a Jamaican filmmaker, telling a Jamaican story, receiving a theatrical release in the Us.
“‘Sprinter’ is definitely breaking new ground with this release,” Saulter said. “Not that there hasn’t been great cinema to come out of Jamaica before, starting with of course ‘The Harder They Come,’ which is a brilliant work of independent cinema.
- 5/10/2019
- by Tambay Obenson
- Indiewire
Last summer, Donald Glover snuck off to Cuba to create something — a feature film collaboration, or so the rumors had it, based on scant information other than a photo of Glover and Rihanna posed up during production of their mysterious “Guava Island” project.
Creation is what Glover does best, constantly redefining audiences’ ideas of what he’s capable of and how he chooses to express himself: From his roots as a sketch artist (the Derrick Comedy troupe) and comedy writer (serving as a story editor on “30 Rock”) to an already wide-ranging acting career, Glover is constantly inventing, then stepping aside when the momentum seems greatest to try his hand at some fresh challenge.
That could explain the otherwise bewildering plan to the retire his most popular creation yet, falsetto-voiced hip-hop alter ego Childish Gambino. Now, following eight months of speculation over whatever this hush-hush movie brewing in the background...
Creation is what Glover does best, constantly redefining audiences’ ideas of what he’s capable of and how he chooses to express himself: From his roots as a sketch artist (the Derrick Comedy troupe) and comedy writer (serving as a story editor on “30 Rock”) to an already wide-ranging acting career, Glover is constantly inventing, then stepping aside when the momentum seems greatest to try his hand at some fresh challenge.
That could explain the otherwise bewildering plan to the retire his most popular creation yet, falsetto-voiced hip-hop alter ego Childish Gambino. Now, following eight months of speculation over whatever this hush-hush movie brewing in the background...
- 4/13/2019
- by Peter Debruge
- Variety Film + TV
Exclusive: Oscar-winning producer Jeremy Thomas (The Last Emperor) is relocating his revered Recorded Picture Company and HanWay Films labels from Soho to a new west London home.
The Hanway Street office has served as the HQ for Rpc and HanWay for more than 25 years, during which time Thomas has produced movies including Crash, Sexy Beast, The Dreamers and Dogman and HanWay has sold films such as Match Point, Shame, Brooklyn, Carol and Colette.
Staff will relocate next week from the iconic building to a new home in Basing Street, Notting Hill (pictured above), right next to the former Island Records recording studios which played host to a who’s who of music industry greats from Bob Marley to Queen, The Rolling Stones to The Eagles and Paul McCartney to Madonna. Queen recorded songs there including We Are The Champions and part of Bohemian Rhapsody. The studios were built in a former church,...
The Hanway Street office has served as the HQ for Rpc and HanWay for more than 25 years, during which time Thomas has produced movies including Crash, Sexy Beast, The Dreamers and Dogman and HanWay has sold films such as Match Point, Shame, Brooklyn, Carol and Colette.
Staff will relocate next week from the iconic building to a new home in Basing Street, Notting Hill (pictured above), right next to the former Island Records recording studios which played host to a who’s who of music industry greats from Bob Marley to Queen, The Rolling Stones to The Eagles and Paul McCartney to Madonna. Queen recorded songs there including We Are The Champions and part of Bohemian Rhapsody. The studios were built in a former church,...
- 3/26/2019
- by Andreas Wiseman
- Deadline Film + TV
Franco Rosso's Babylon star Brinsley Forde with Ed Bahlman and Dennis Bovell at Bam: "Let's be honest, a film like that had never been done before. We had The Harder They Come, the films from Jamaica, but nothing from the UK." Photo: Anne-Katrin Titze
At the Brooklyn Academy of Music before the Us theatrical première of Babylon at BAMcinématek, Brinsley Forde spoke with me about the cast, which includes Trevor Laird, Brian Bovell, Archie Pool, Victor Romero Evans, Stefan Kalipha, Cosmo Laidlaw, Cynthia Powell, T. Bone Wilson, David N. Haynes, Mark Monero, Karl Howman, and Jah Shaka, and the film "presenting a life that the people who were in the movie, extras and all, were totally aware of."
Franco Rosso's powerful feature, with the camerawork of Chris Menges and a score by Dennis Bovell, takes you upfront into a world of survival that remains relevant today. Brinsley brings...
At the Brooklyn Academy of Music before the Us theatrical première of Babylon at BAMcinématek, Brinsley Forde spoke with me about the cast, which includes Trevor Laird, Brian Bovell, Archie Pool, Victor Romero Evans, Stefan Kalipha, Cosmo Laidlaw, Cynthia Powell, T. Bone Wilson, David N. Haynes, Mark Monero, Karl Howman, and Jah Shaka, and the film "presenting a life that the people who were in the movie, extras and all, were totally aware of."
Franco Rosso's powerful feature, with the camerawork of Chris Menges and a score by Dennis Bovell, takes you upfront into a world of survival that remains relevant today. Brinsley brings...
- 3/16/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
There can’t be many pairs of hands as safe as Don Letts’s when it comes to music knowledge. A cultural polymath who has been front-and-centre of the music scene for over 40 years – as a musician, DJ, radio presenter, Grammy Award-winning music video and film director. Letts was one of the key figures in the introduction of reggae to the punk movement, working particularly closely with The Clash.
He’s returned to reggae, celebrating his first love with a series of podcasts for Turtle Bay, and in his latest Reggae45 podcast, he has zeroed in on reggae’s place in Jamaican cinema. “With this episode Don takes the term soundtrack from a literal point of view, delving deep into the world of film and how the sound has a parallel connection with the story on the screen.”
The Citizen Kane of Jamaican cinema is Perry Henzell’s 1972 crime thriller...
He’s returned to reggae, celebrating his first love with a series of podcasts for Turtle Bay, and in his latest Reggae45 podcast, he has zeroed in on reggae’s place in Jamaican cinema. “With this episode Don takes the term soundtrack from a literal point of view, delving deep into the world of film and how the sound has a parallel connection with the story on the screen.”
The Citizen Kane of Jamaican cinema is Perry Henzell’s 1972 crime thriller...
- 11/26/2018
- by Cai Ross
- HeyUGuys.co.uk
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Film Society of Lincoln Center
Films by Martel, Denis, Akerman, Todd Haynes, and more screen in “The Female Gaze,” a retrospective of female cinematographers. Read our piece on it here.
Metrograph
The films of actor and director Gérard Blain is underway, with films by Hawks and Chabrol in the mix.
The restoration of Wanda continues...
Film Society of Lincoln Center
Films by Martel, Denis, Akerman, Todd Haynes, and more screen in “The Female Gaze,” a retrospective of female cinematographers. Read our piece on it here.
Metrograph
The films of actor and director Gérard Blain is underway, with films by Hawks and Chabrol in the mix.
The restoration of Wanda continues...
- 7/26/2018
- by Nick Newman
- The Film Stage
The Harder They Come is definitely a product of the 70’s with a ‘shoot ’em up’ plot that involves the main character, Ivan, making some truly poor decisions as he tries and tries to make his name in the music industry. He starts off simply enough by fixing up an old bike and running errands for a producer that rips him off and pays him pennies on the dollar for a song that he writes. After that his life becomes a series of shoot-outs with the police as he becomes involved with a drug dealer, gets set up more than
10 Things You Didn’t Know about “The Harder They Come”...
10 Things You Didn’t Know about “The Harder They Come”...
- 3/8/2018
- by Wake
- TVovermind.com
Jampro has partnered with the Jamaica Film and Television Association (Jafta), and the Chase Fund to deliver Jafta Propella –a script to screen program which nurtures Jamaican content creators and enables them to tell their stories cinematically by providing funding and in-kind support.
Renee Robinson, a native Jamaican, is the new(ish) Film Commissioner of Jamaica, now in her second year of a three year term. In fact the first film professional to hold the office of Film Commissioner, she has instituted changes geared toward helping emerging filmmakers hone their talents to make Jamaica great again. She is a multi-lingual cultural industry strategist and thought-leader who has worked in Canada, Europe, South Africa, and the Caribbean in film, television, digital media, arts and culture, entertainment, and communications. With almost two decades of senior management experience in content programming, regulation/ policy, strategic planning, and industry intelligence, she has held in leadership...
Renee Robinson, a native Jamaican, is the new(ish) Film Commissioner of Jamaica, now in her second year of a three year term. In fact the first film professional to hold the office of Film Commissioner, she has instituted changes geared toward helping emerging filmmakers hone their talents to make Jamaica great again. She is a multi-lingual cultural industry strategist and thought-leader who has worked in Canada, Europe, South Africa, and the Caribbean in film, television, digital media, arts and culture, entertainment, and communications. With almost two decades of senior management experience in content programming, regulation/ policy, strategic planning, and industry intelligence, she has held in leadership...
- 8/21/2017
- by Sydney Levine
- Sydney's Buzz
In the 70s when "The Harder They Come" hit the cinema from Jamaica to the whole world and made a big impact with Jimmy Cliff "you can get it if you really want". 20 years later another Jamaican movie try to bring a storm to the world with the pop group Kla$h, but in their own movie they are just a filler, the rest of the movie is an exiting, humorous and adventurous reggae noir 1995 crime action movie. Story: A New Yorker photographer reporter Stoney (Giancarlo Esposito) is sent to Jamaica to make a scoop on the concert performed by Kla$h, but at the same time he tries to catch up with his ex girlfriend Blossom (Jasmine Guy). But sadly once a traitor always...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/5/2017
- Screen Anarchy
Episode Links Past Wish List Episodes Episode 63.9 – Disc 3 – Top Criterion Blu-ray Upgrades for 2011 Episode 110 – Criterion Collection Blu-ray Upgrade Wish List for 2012 Episode 136 – Criterion Collection Blu-ray Upgrade Wish List for 2013 Episode 146 – Criterion Collection Blu-ray Upgrade Wish List for 2014 Episode 154 – Criterion Collection Blu-ray Upgrade Wish List for 2015 Episode 169 – Criterion Collection Blu-ray Upgrade Wish List for 2016 DVD to BluRay Wish Lists Aaron: The Shop on Main Street Pickup on South Street Arik: Cleo from 5 to 7 Berlin Alexanderplatz Mark: Taste of Cherry Sisters David: Do the Right Thing Mishima: A Life in Four Chapters Ld to Blu-Ray Wish Lists Aaron: Blue Velvet (Announced as Ld Spine #219 but never released) Early Hitchcock Box (Sabotage, The Secret Agent, Young and Innocent, The Lodger, The Man Who Knew Too Much) Arik: A Night at the Opera Singin’ in the Rain Mark: 2001: A Space Odyssey The Producers David: I Am Cuba Letter From an Unknown Woman...
- 12/30/2016
- by David Blakeslee
- CriterionCast
The trinidad+tobago film festival (ttff) has unveiled its first selections for this year’s edition of the Festival with the announcement that ten classic Caribbean films will form part of the 2015 lineup.
These ten films will screen in a special sidebar to the main program in honor of the ttff’s tenth anniversary. The Festival takes place from September 15–29.
“Many people are unaware that there has been a Caribbean film industry for quite some time, or that almost every country in the region has produced feature films,” said Bruce Paddington, ttff Founder and Festival Director. “We are therefore very proud to present ten of the very best classic films from the Caribbean that will help one to appreciate and enjoy the rich diversity of the region.”
Comprising films from nine different countries, the sidebar ranges across the English, Spanish, French and Dutch-speaking sections of the region.
The lineup includes the Jamaican classic, "The Harder They Come," and "Bim," from T&T.
"Memories of Underdevelopment," the oldest film in the lineup, is from 1968, while the most recent, "Strawberry and Chocolate," was released in 1993. Both of those films hail from Cuba.
The full slate of films is as follows:
-"Memories of Underdevelopment" (Tomás Gutiérrez Alea, Cuba, 1968)
-"The Harder They Come (Perry Henzell," Jamaica, 1972)
-"Bim" (Hugh A. Robertson, Trinidad and Tobago, 1974)
-"One People" (Pim de la Parra, Suriname, 1976)
-"Man By the Shore" (Raoul Peck, Haiti, 1983)
-"Sugar Cane Alley" (Euzhan Palcy, Martinique, 1983)
-"One Way Ticket" (Agliberto Menéndez, Dominican Republic, 1988)
-"What Happened to Santiago" (Jacobo Morales, Puerto Rico, 1989)
-"Ava and Gabriel: A Love Story" (Felix de Rooy, Curaçao, 1990)
-"Strawberry and Chocolate" (Tomás Gutiérrez Alea and Juan Carlos Tabío, Cuba, 1993)
In addition to screening in honor of the Festival’s tenth anniversary, the classics also screen in recognition of the launch of the Caribbean Film Database, an online resource which, in the first instance, will present information on over 600 independent feature-length films made in and about the Caribbean. The database is co-financed by the Acp Cultures+ Program, funded by the European Union and implemented by the Acp Group of States.
The rest of the lineup for the ttff/15 will be unveiled over the upcoming months. For more information about the Festival, visit http://ttfilmfestival.com.
These ten films will screen in a special sidebar to the main program in honor of the ttff’s tenth anniversary. The Festival takes place from September 15–29.
“Many people are unaware that there has been a Caribbean film industry for quite some time, or that almost every country in the region has produced feature films,” said Bruce Paddington, ttff Founder and Festival Director. “We are therefore very proud to present ten of the very best classic films from the Caribbean that will help one to appreciate and enjoy the rich diversity of the region.”
Comprising films from nine different countries, the sidebar ranges across the English, Spanish, French and Dutch-speaking sections of the region.
The lineup includes the Jamaican classic, "The Harder They Come," and "Bim," from T&T.
"Memories of Underdevelopment," the oldest film in the lineup, is from 1968, while the most recent, "Strawberry and Chocolate," was released in 1993. Both of those films hail from Cuba.
The full slate of films is as follows:
-"Memories of Underdevelopment" (Tomás Gutiérrez Alea, Cuba, 1968)
-"The Harder They Come (Perry Henzell," Jamaica, 1972)
-"Bim" (Hugh A. Robertson, Trinidad and Tobago, 1974)
-"One People" (Pim de la Parra, Suriname, 1976)
-"Man By the Shore" (Raoul Peck, Haiti, 1983)
-"Sugar Cane Alley" (Euzhan Palcy, Martinique, 1983)
-"One Way Ticket" (Agliberto Menéndez, Dominican Republic, 1988)
-"What Happened to Santiago" (Jacobo Morales, Puerto Rico, 1989)
-"Ava and Gabriel: A Love Story" (Felix de Rooy, Curaçao, 1990)
-"Strawberry and Chocolate" (Tomás Gutiérrez Alea and Juan Carlos Tabío, Cuba, 1993)
In addition to screening in honor of the Festival’s tenth anniversary, the classics also screen in recognition of the launch of the Caribbean Film Database, an online resource which, in the first instance, will present information on over 600 independent feature-length films made in and about the Caribbean. The database is co-financed by the Acp Cultures+ Program, funded by the European Union and implemented by the Acp Group of States.
The rest of the lineup for the ttff/15 will be unveiled over the upcoming months. For more information about the Festival, visit http://ttfilmfestival.com.
- 7/11/2015
- by Sydney Levine
- Sydney's Buzz
By Alex Simon
2015 will most likely go down as the year that the once-taboo became respectable, with both gay marriage and marijuana finding legal and public acceptance nationwide. While the Supreme Court made same-sex marriage legal in all fifty states, the marijuana initiative is having an appropriately slower, but steady climb into legality. That said, we thought we’d take a look at some of cinema’s greatest proponents of the stoner lifestyle, before it all becomes downright conventional.
10. Jeff Spicoli—Fast Times at Ridgemont High (1982)
Sean Penn not only became a star with his turn as surfer/stoner Jeff Spicoli in the 1980s’ most iconic teen movie, he established how the stoners of the ‘80s differed from their predecessors: while the rebels of the ‘60s and ‘70s viewed their use of cannabis as a symbol of rebellion, and preferred it to alcohol and the other symbols of their parents’ generation and its decadence,...
2015 will most likely go down as the year that the once-taboo became respectable, with both gay marriage and marijuana finding legal and public acceptance nationwide. While the Supreme Court made same-sex marriage legal in all fifty states, the marijuana initiative is having an appropriately slower, but steady climb into legality. That said, we thought we’d take a look at some of cinema’s greatest proponents of the stoner lifestyle, before it all becomes downright conventional.
10. Jeff Spicoli—Fast Times at Ridgemont High (1982)
Sean Penn not only became a star with his turn as surfer/stoner Jeff Spicoli in the 1980s’ most iconic teen movie, he established how the stoners of the ‘80s differed from their predecessors: while the rebels of the ‘60s and ‘70s viewed their use of cannabis as a symbol of rebellion, and preferred it to alcohol and the other symbols of their parents’ generation and its decadence,...
- 7/9/2015
- by The Hollywood Interview.com
- The Hollywood Interview
Top brass at the 2015 trinidad+tobago film festival (ttff) said on Monday they have selected ten classic Caribbean films in the first programming wave of this year’s edition.
The films will screen in a sidebar at the ttff’s tenth anniversary outing, set to run from September 15–29.
“Many people are unaware that there has been a Caribbean film industry for quite some time, or that almost every country in the region has produced feature films,” said ttff founder and festival director Bruce Paddington.
“We are therefore very proud to present ten of the very best classic films from the Caribbean that will help one to appreciate and enjoy the rich diversity of the region.”
The sidebar covers multiple languages spoken across the region and features:
Memories Of Underdevelopment (Tomás Gutiérrez Alea, Cuba, 1968);
The Harder They Come (pictured, Perry Henzell, Jamaica, 1972);
Bim (Hugh A Robertson, Trinidad and Tobago, 1974);
One People (Pim de la Parra, Suriname, 1976);
Man...
The films will screen in a sidebar at the ttff’s tenth anniversary outing, set to run from September 15–29.
“Many people are unaware that there has been a Caribbean film industry for quite some time, or that almost every country in the region has produced feature films,” said ttff founder and festival director Bruce Paddington.
“We are therefore very proud to present ten of the very best classic films from the Caribbean that will help one to appreciate and enjoy the rich diversity of the region.”
The sidebar covers multiple languages spoken across the region and features:
Memories Of Underdevelopment (Tomás Gutiérrez Alea, Cuba, 1968);
The Harder They Come (pictured, Perry Henzell, Jamaica, 1972);
Bim (Hugh A Robertson, Trinidad and Tobago, 1974);
One People (Pim de la Parra, Suriname, 1976);
Man...
- 7/6/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Moved by his trip to Vietnam with fiancée and Stalker costar Maggie Q, Dylan McDermott produced a short video to "make people feel something," he tells People, about the "senseless killing of animals" that is unfortunately rampant in the country.
The couple visited Vietnam in April to support WildAid, an environmental organization with the mission to end the illegal wildlife trade, for which Q, 35, acts as an ambassador.
"We wanted to raise awareness for the rhinos that are being slaughtered in Africa and used for their horns in Vietnam and China," McDermott, 53, tells People. "A rhino horn can get as...
The couple visited Vietnam in April to support WildAid, an environmental organization with the mission to end the illegal wildlife trade, for which Q, 35, acts as an ambassador.
"We wanted to raise awareness for the rhinos that are being slaughtered in Africa and used for their horns in Vietnam and China," McDermott, 53, tells People. "A rhino horn can get as...
- 5/7/2015
- by Amanda Michelle Steiner, @amandamichl
- People.com - TV Watch
I suppose if you asked anyone to name a Jamaican film, they would say, “The Harder They Come”. And if you asked them to name another one, they would say, “The Harder They Come”.. And that’s the point; as far as many people are concerned, there’s only been one Jamaican film, and that’s it. But, admittedly, the Jamaican Film industry is small, unique and singular, and there’s a lot more to it than just Jimmy Cliff - like educational films. These days, when people see these films, they laugh, and deservedly so, at their antiquated, simplistic and politically incorrect point of views, such as "Dating Do’s and Don’ts for Teenagers," or the notorious “Boy Beware,”...
- 4/23/2015
- by Sergio
- ShadowAndAct
El Rey Network will air a triple feature in recognition of Black History Month on Grindhouse Friday on February 6, 2015 featuring three 1970s urban films that helped revolutionized the cinema industry.The Network will also highlight African-American talent both in front and behind the camera through a dynamic triple feature focusing on Blaxploitation classics. Beginning with the game changing crossover film “Shaft” at 10 Pm/Et followed by “Dolemite” at 12:15 Am/Et and finishing off with a showing of “The Harder They Come” the film that is said to have brought reggae music to the world, at 2:15 Am/Et.Shaft Friday, February […]...
- 2/3/2015
- by April Neale
- Monsters and Critics
“Eraserhead” (Directed by David Lynch, 1977)
(The Criterion Collection)
Everything Ugly Is Beautiful
By Raymond Benson
One of the many excellent supplements that appear on this disc is a rare video interview from 1979 with David Lynch (and cinematographer Frederick Elmes). For those of us who have aged along with the director, it is a striking glimpse at a young artist at the beginning of his strange and wonderful career. In it, he explains that he is attracted to sometimes harsh, oppressive settings, such as the nightmarish industrial cityscape in Eraserhead. “What everyone else finds ugly, I find beautiful,” he says proudly. And the director has pretty much remained true to his word, hasn’t he?
Eraserhead is a landmark picture, but its original release in 1977 was slow to reach an audience. It gained its must-see reputation only after the film was picked up to run on the midnight movie circuit that...
(The Criterion Collection)
Everything Ugly Is Beautiful
By Raymond Benson
One of the many excellent supplements that appear on this disc is a rare video interview from 1979 with David Lynch (and cinematographer Frederick Elmes). For those of us who have aged along with the director, it is a striking glimpse at a young artist at the beginning of his strange and wonderful career. In it, he explains that he is attracted to sometimes harsh, oppressive settings, such as the nightmarish industrial cityscape in Eraserhead. “What everyone else finds ugly, I find beautiful,” he says proudly. And the director has pretty much remained true to his word, hasn’t he?
Eraserhead is a landmark picture, but its original release in 1977 was slow to reach an audience. It gained its must-see reputation only after the film was picked up to run on the midnight movie circuit that...
- 9/16/2014
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
This week is Ben Barenholtz' birthday.
We'd like to celebrate by running 2 pieces on his amazing wonderful life.
This is his public bio, which in itself, tells of a rich wonderful career in film.
In the next days we'll publish his amazing memoir of his European childhood when he narrowly escaped from the hands of Jew killers during the War.
I personally owe Ben a lot. When I was producing some years back Ben was working for Almi and bought an indie film I produced 'Home Free All' by Director Stewart Bird for that company. The money from that deal paid our investors and took us out of a deep financial hole. I am always grateful to Ben for his vision and belief in us then.
Now for his professional bio -
Biography for Ben Barenholtz
Birth Name Benjamin Barenholtz
Mini Biography
As an exhibitor, distributor, and producer, Ben Barenholtz has been a key presence in the independent film scene since the late 1960s, when he opened the Elgin Cinema in New York City.
Barenholtz secured his first job in the film business when he became assistant manager of the Rko Bushwick Theater in Brooklyn in 1958. From 1966-68 he managed and lived in the Village Theater, which ultimately became the Filmore East. At the Village Theater Barenholtz provided a home for the counterculture, with appearances by Timothy Leary, Stokley Carmichael, Rap Brown, and Paul Krasner. Some of the first meetings of the anti-Vietnam War movement, including the Poets Against Vietnam, were held at the Village Theater. It was also a major music venue, with performances by The Who, Cream, Leonard Cohen, John Coltrane, Ornette Coleman, Nina Simone and many others.
In 1968 he opened the Elgin Cinema. The theater became the world's most innovative specialty and revival house, relaunching the films of Buster Keaton and D.W. Griffith, running a variety of independent films by young American directors, and screening cult, underground, and experimental films for the emerging countercultural audience. The films of Stan Brakhage, Jack Smith, Maya Deren, Kenneth Anger, Jonas Mekas, and Andy Warhol, as well as early works by Jonathan Demme and Martin Scorsese, all played at the Elgin.
Barenholtz also developed new ways of screening movies. He started screening dance and opera films on Saturday and Sunday mornings. He created the "All Night Show" - movies started at midnight and ended at dawn. Most notably, Barenholtz originated the "Midnight Movie" in 1970 with Alexander Jodorowsky's El Topo, which ran for 6 months, 7 days a week, to sold out audiences.
The film was eventually bought by John Lennon. El Topo was followed at midnight by John Waters' Pink Flamingoes and Perry Henzell's The Harder They Come. Barenholtz formed the specialty distributor Libra Films in 1972.
The first film Libra distributed was a revival of Jean-Pierre Melville's Les Enfants Terrible, followed by Claude Chabrol's Just Before Nightfall, and Jean-Charles Tacchella's Cousin, Cousine, which became one of the largest grossing foreign films in the Us and was nominated for 3 Academy Awards.
Libra also launched and distributed, among others, George Romero's Martin, John Sayles' first feature Return of the Secaucus Seven, David Lynch's first feature Eraserhead, Karen Arthur's first feature Legacy, Earl Mack's first feature Children of Theater Street, and Peter Gothar's first feature Time Stands Still.
Barenholtz sold Libra Films to the Almi Group in 1982, but stayed with the company to become the President of Libra-Cinema 5 Films. In 1984 he left Almi and joined with Ted and Jim Pedas to form Circle Releasing. Among the films released by Circle were Yoshimitsu Morita's The Family Game, Guy Maddin's first feature Tales From the Gimli Hospital, Vincent Ward's The Navigator, John Woo's The Killer, Catherine Breillat's 36 Fillette, DeWitt Sage's first feature Pavarotti In China, Alain Cavalier's Therese, and Blood Simple, the first film by Joel and Ethan Coen.
His involvement in film production began with Wynn Chamberlain's Brand X and George Romero's Martin. He continued working with the Coens on the production of Raising Arizona, and as executive producer of Miller's Crossing and Barton Fink, which won the Palme d'Or at the 1991 Cannes Film Festival, as well as awards for Best Director and Best Actor. This was the first and last time the three top honors have all gone to the same film at Cannes.
Barenholtz went on to produce George Romero's Bruiser, J Todd Anderson's The Naked Man, Adek Drabinski's Cheat, executive-produced Gregory Hines' directorial debut Bleeding Hearts and Ulu Grossbard's Georgia, which earned an Academy Award nomination for Mare Winningham. He served as co-executive producer of Darren Aronofsky's Requiem for a Dream, which earned Ellen Burstyn an Academy Award nomination for Best Actress in 2000.
Barenholtz appeared in the documentary The Hicks in Hollywood, had a bit role in Liquid Sky, and appeared as a zombie in Romero's classic Dawn of the Dead. He was the main subject of Stuart Samuels' 2005 documentary Midnight Movies: From the Margin to the Mainstream.
Barenholtz directed his first feature, Music Inn, a documentary about the famed jazz venue.
Barenholtz was the producer of Jamie Greenberg's feature film Stags.
In 2012, Barenholtz produced Suzuya Bobo's first feature Family Games.
Barenholtz has recently completed directing and post production on Wakaliwood the Documentary, which was shot entirely in Kampala, Uganda. The film will be released in 2013.
He is now developing two feature fiction films which begin production in 2013.
IMDb Mini Biography By: Ben Barenholtz...
We'd like to celebrate by running 2 pieces on his amazing wonderful life.
This is his public bio, which in itself, tells of a rich wonderful career in film.
In the next days we'll publish his amazing memoir of his European childhood when he narrowly escaped from the hands of Jew killers during the War.
I personally owe Ben a lot. When I was producing some years back Ben was working for Almi and bought an indie film I produced 'Home Free All' by Director Stewart Bird for that company. The money from that deal paid our investors and took us out of a deep financial hole. I am always grateful to Ben for his vision and belief in us then.
Now for his professional bio -
Biography for Ben Barenholtz
Birth Name Benjamin Barenholtz
Mini Biography
As an exhibitor, distributor, and producer, Ben Barenholtz has been a key presence in the independent film scene since the late 1960s, when he opened the Elgin Cinema in New York City.
Barenholtz secured his first job in the film business when he became assistant manager of the Rko Bushwick Theater in Brooklyn in 1958. From 1966-68 he managed and lived in the Village Theater, which ultimately became the Filmore East. At the Village Theater Barenholtz provided a home for the counterculture, with appearances by Timothy Leary, Stokley Carmichael, Rap Brown, and Paul Krasner. Some of the first meetings of the anti-Vietnam War movement, including the Poets Against Vietnam, were held at the Village Theater. It was also a major music venue, with performances by The Who, Cream, Leonard Cohen, John Coltrane, Ornette Coleman, Nina Simone and many others.
In 1968 he opened the Elgin Cinema. The theater became the world's most innovative specialty and revival house, relaunching the films of Buster Keaton and D.W. Griffith, running a variety of independent films by young American directors, and screening cult, underground, and experimental films for the emerging countercultural audience. The films of Stan Brakhage, Jack Smith, Maya Deren, Kenneth Anger, Jonas Mekas, and Andy Warhol, as well as early works by Jonathan Demme and Martin Scorsese, all played at the Elgin.
Barenholtz also developed new ways of screening movies. He started screening dance and opera films on Saturday and Sunday mornings. He created the "All Night Show" - movies started at midnight and ended at dawn. Most notably, Barenholtz originated the "Midnight Movie" in 1970 with Alexander Jodorowsky's El Topo, which ran for 6 months, 7 days a week, to sold out audiences.
The film was eventually bought by John Lennon. El Topo was followed at midnight by John Waters' Pink Flamingoes and Perry Henzell's The Harder They Come. Barenholtz formed the specialty distributor Libra Films in 1972.
The first film Libra distributed was a revival of Jean-Pierre Melville's Les Enfants Terrible, followed by Claude Chabrol's Just Before Nightfall, and Jean-Charles Tacchella's Cousin, Cousine, which became one of the largest grossing foreign films in the Us and was nominated for 3 Academy Awards.
Libra also launched and distributed, among others, George Romero's Martin, John Sayles' first feature Return of the Secaucus Seven, David Lynch's first feature Eraserhead, Karen Arthur's first feature Legacy, Earl Mack's first feature Children of Theater Street, and Peter Gothar's first feature Time Stands Still.
Barenholtz sold Libra Films to the Almi Group in 1982, but stayed with the company to become the President of Libra-Cinema 5 Films. In 1984 he left Almi and joined with Ted and Jim Pedas to form Circle Releasing. Among the films released by Circle were Yoshimitsu Morita's The Family Game, Guy Maddin's first feature Tales From the Gimli Hospital, Vincent Ward's The Navigator, John Woo's The Killer, Catherine Breillat's 36 Fillette, DeWitt Sage's first feature Pavarotti In China, Alain Cavalier's Therese, and Blood Simple, the first film by Joel and Ethan Coen.
His involvement in film production began with Wynn Chamberlain's Brand X and George Romero's Martin. He continued working with the Coens on the production of Raising Arizona, and as executive producer of Miller's Crossing and Barton Fink, which won the Palme d'Or at the 1991 Cannes Film Festival, as well as awards for Best Director and Best Actor. This was the first and last time the three top honors have all gone to the same film at Cannes.
Barenholtz went on to produce George Romero's Bruiser, J Todd Anderson's The Naked Man, Adek Drabinski's Cheat, executive-produced Gregory Hines' directorial debut Bleeding Hearts and Ulu Grossbard's Georgia, which earned an Academy Award nomination for Mare Winningham. He served as co-executive producer of Darren Aronofsky's Requiem for a Dream, which earned Ellen Burstyn an Academy Award nomination for Best Actress in 2000.
Barenholtz appeared in the documentary The Hicks in Hollywood, had a bit role in Liquid Sky, and appeared as a zombie in Romero's classic Dawn of the Dead. He was the main subject of Stuart Samuels' 2005 documentary Midnight Movies: From the Margin to the Mainstream.
Barenholtz directed his first feature, Music Inn, a documentary about the famed jazz venue.
Barenholtz was the producer of Jamie Greenberg's feature film Stags.
In 2012, Barenholtz produced Suzuya Bobo's first feature Family Games.
Barenholtz has recently completed directing and post production on Wakaliwood the Documentary, which was shot entirely in Kampala, Uganda. The film will be released in 2013.
He is now developing two feature fiction films which begin production in 2013.
IMDb Mini Biography By: Ben Barenholtz...
- 10/8/2013
- by Peter Belsito
- Sydney's Buzz
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