Ko-Ko's Hypnotism (1929) Poster

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7/10
Ko-Ko's Hpynotism is another amusing entry of Inkwell Imps for Max Fleischer
tavm6 June 2007
Warning: Spoilers
Using two special fake eyes, in this live-action segment a man uses them to hypnotise his dog into jumping in slow motion. He then gets an inkwell and, opening it, makes two drops of ink go on the drawing board and appear as Ko-Ko the Clown and his dog Fitz. He then turns Ko-Ko into a squirrel and Fitz into a nut as they give chase before the clown almost cracks the dog open with a nutcracker as their hypnotist laughs. He also turns them into two roosters fighting for a worm before turning them back and leaves. Ko-Ko and Fitz then encounter a haunted house where they're kicked by a lone shoe and bitten by dismembered teeth at the entrance before entering and finding a woman who teaches them hypnotism to get even on their boss. As they go back, they convince their tormentor to dive in the small fish bowl which gets stuck on his head as the clown and his dog go back in the inkwell...Among the gags I didn't mention: In order to teach Ko-Ko, the female hypnotist turns Fitz into a phonograph and her cat into a record which, when played, you hear what sounds like Cab Calloway singing as Ko-Ko dances. When the shoe kicks them and the teeth bites them, the clown and dog think they are kicking and biting each other and does likewise. And in the live-action at the end as the hypnotist prepares to dive in the fish bowl, he takes off his clothes except for shorts, puts a chair on his desk and jumps off it before his unfortunate end. Pretty amusing Inkwell Imps entry for Max Fleischer before sound made them mostly obsolete and Betty Boop would take over as the studio's main star. Oh, and the music that was added with sound effects and some voices as I watched this on YouTube was courtesy of Leroy Shield from the Hal Roach stock library as performed by The Beau Hunks from the last decade. Well worth seeing for Fleischer enthusiasts.
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7/10
Making Changes
Hitchcoc3 April 2018
Fleischer is the problem this time. He gets book on hypnotism and then torments the clown and his little dog. He makes them act in various ways, making fools of them. However, what's good for the goose prevails. Ko-Ko and Fitz find a way to learn hypnotism themselves. This is another one of those episodes where everything comes out of an inkwell and Dave Fleischers creative consciousness. There were so many of these and many are lost to us.
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10/10
Ko-ko out of control !
gengar8435 November 2021
THE STORY & GENRE -- Artist-creator hypnotizes Koko and Fitz, they get revenge via witchcraft!

VERDICT -- As you can see by my rating, this is great, and 8 minutes will fly by.

FREE ONLINE -- Yes. Look for the silent version, which is much superior to the sound version, IMO.
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8/10
Ko-Ko and the hypnotist
TheLittleSongbird17 March 2018
Dave Fleischer was responsible for many gems. Ones that were amusing and charming, though over-cuteness did come through in some efforts and the stories were always pretty thin, with appealing characters, outstanding music and visuals that were inventive and with innovative animation techniques.

Ko-Ko similarly was an always amiable character to watch and among the better recurring characters in Fleischer's early work. Likewise, his series of Out of the Inkwell cartoons were among the best early efforts of Fleischer and silent cartoons in general. Fleischer may not be at his very finest and there are other cartoons of his that fit the word gem more. It is impossible to dislike 'Ko-Ko's Hypnotism', which put a smile on my face and is very easy to be charmed by.

There may not be much to the story and it's easy to tell where some of the material is going to go, but like most Ko-Ko cartoons there is not much to criticise.

A lot is done very well to brilliantly however. The support characters delights as does the interplay between the characters. They are obvious good things, but they're not the only ones.

One expects the animation to be primitive and very low quality, judging by that it's the 20s when animation techniques were not as many, as refined, as ambitious and in their infancy. While Fleischer became more refined and inventive later certainly, the animation is surprisingly good with some nice visual wackiness and wit.

It all goes at a bright and breezy pace, while there are a fair share of funny and suitably wild (not always imaginative, but always well timed and clever) moments. Ko-Ko as ever is very likeable and amusing and it is impossible to dislike Fitz's contribution, they work so well together.

Summing up, very enjoyable. 8/10 Bethany Cox
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