This week’s Absolute Must Read: Ian Olds has a long and touching remembrance of helping the late Garrett Scott make the documentary Cul de Sac, one of the greatest, little-seen documentaries ever made. Read and learn how genius comes together. It’s not an easy or pretty process.The second Absolute Must Read: Filmmaker Jennifer Reeves is thankful to be alive and ambulatory after being struck by a car. Send good wishes her way.Simple, but really cool: Phil Solomon posts up a film loop of about 4 frames that Stan Brakhage once gave him. Click Phil’s tiny image to get the embiggened version, which is quite astounding looking.The S.F. Weekly has a brief preview of this week’s Ata Film & Video Festival retrospective at the Roxie. The Weekly calls it “a killer selection of experimental works,” with which I have to agree!While the 2011 San Francisco...
- 4/17/2011
- by Mike Everleth
- Underground Film Journal
First the history, then the list:
In 1969, Jerome Hill, P. Adams Sitney, Peter Kubelka, Stan Brakhage, and Jonas Mekas decided to open the world’s first museum devoted to film. Of course, a typical museum hangs its collections of artwork on the wall for visitors to walk up to and study. However, a film museum needs special considerations on how — and what, of course — to present its collection to the public.
Thus, for this film museum, first a film selection committee was formed that included James Broughton, Ken Kelman, Peter Kubelka, Jonas Mekas and P. Adams Sitney, plus, for a time, Stan Brakhage. This committee met over the course of several months to decide exactly what films would be collected and how they would be shown. The final selection of films would come to be called the The Essential Cinema Repertory.
The Essential Cinema Collection that the committee came up with consisted of about 330 films.
In 1969, Jerome Hill, P. Adams Sitney, Peter Kubelka, Stan Brakhage, and Jonas Mekas decided to open the world’s first museum devoted to film. Of course, a typical museum hangs its collections of artwork on the wall for visitors to walk up to and study. However, a film museum needs special considerations on how — and what, of course — to present its collection to the public.
Thus, for this film museum, first a film selection committee was formed that included James Broughton, Ken Kelman, Peter Kubelka, Jonas Mekas and P. Adams Sitney, plus, for a time, Stan Brakhage. This committee met over the course of several months to decide exactly what films would be collected and how they would be shown. The final selection of films would come to be called the The Essential Cinema Repertory.
The Essential Cinema Collection that the committee came up with consisted of about 330 films.
- 5/3/2010
- by Mike Everleth
- Underground Film Journal
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