Directed by
Nilo Saez |
Writing Credits (in alphabetical order)
Humilde 'Meek' Roxas | ... | (screenplay) |
Humilde 'Meek' Roxas | ... | (story) |
Jose Flores Sibal | ... | (screenplay) |
Jerry O. Tirazona | ... | (screenplay) |
Cast (in credits order)
Produced by
Nardo Guerrero | ... | associate producer (as Nard Guerrero) |
Manuel Nuqui | ... | executive producer / producer (as Manuel M. Nuqui) |
Music by
Rey Ramos |
Cinematography by
Rudy Monteloyola | ||
Nonong Rasca |
Editing by
Augusto Salvador |
Production Design by
Al Barbin |
Makeup Department
Malou Talplacido | ... | makeup artist |
Production Management
Peping O. Angeles | ... | production manager (as Peping Angeles) |
Dorie S. Nuqui | ... | in charge of production (as Mrs. Dory Nuqui) |
Second Unit Director or Assistant Director
Jose Flores Sibal | ... | associate director (as Jose F. Sibal) |
Art Department
Ben Otico | ... | setting director |
Sound Department
Francisco Espinosa | ... | sound effects |
Rolly Ruta | ... | sound engineer |
Special Effects by
Ludy Torrente Gallegos | ... | special effects (as Ludy Torrente) |
Stunts
Baldo Marro | ... | routine instructor |
Camera and Electrical Department
Roger Baruelo | ... | stillman |
Animation Department
Val Aleta | ... | layout |
Editorial Department
Jun Cabrales | ... | assistant editor |
Toto Natividad | ... | assistant editor |
Additional Crew
Pamela Amor | ... | filipino japanese interpreter |
Efren Esteban | ... | publicity director |
Hermie Francisco | ... | publicity director |
Val Iglesias | ... | filipino coordinator (as Val Iglesia) |
Sirichi Ohnoma | ... | japanese coordinator: Narita |
Boy Saga | ... | talent coordinator |
Toshihiko Satô | ... | japanese coordinator: tokyo |
Sumiko Shimada | ... | japanese coordinator: Yokohama |
Yutaka Shinjoh | ... | japanese coordinator: Kawasaki |
Thanks
Tony Banta | ... | acknowledgement (as Mr. Tony Banta) |