59
Metascore
5 reviews · Provided by Metacritic.com
- 80The Globe and Mail (Toronto)Anne T. DonahueThe Globe and Mail (Toronto)Anne T. DonahueMuch like the heroes of this story, The Retreat manages to defy expectations. And while some gory clichés still abound, it makes for a gruesome, gritty thriller that lets its leads shine.
- 67Original-CinThom ErnstOriginal-CinThom ErnstThe Retreat’s premise is as effective as it is disconcerting. The violence against its gay characters is horrific, but the film’s gimmicks and twists eliminate it from adding much to a conversation about hate crimes. And the surprisingly comic elements that arrive in the third act suggest there was never any intent to be political.
- 58IndieWireKate ErblandIndieWireKate ErblandThere’s something much bigger afoot, something truly subversive and new, but The Retreat resists digging into that, instead leaning on its (admittedly, badass) leading ladies and their inspiring ability to kick butt. We love to see it, but we’d really love to see more.
- 50Movie NationRoger MooreMovie NationRoger MooreThe Retreat may be horror by the numbers, but there are solid reasons these character types and story tropes are recycled, again and again. As they teach you in horror film school, they endure because they work, even if they don’t have a prayer of surprising anybody as they do.
- 50Austin ChronicleRichard WhittakerAustin ChronicleRichard WhittakerUnderlit, shot in the same murky beiges that plague so many low budget horrors, and not as profound as it thinks it is, it isn't quite exploitation schlock or a cerebral shocker, instead relying on both conventions for a hybrid that ends up with the satisfaction of neither.