2013 was the year when Erik Matti released On the Job, showing the world that there was more to the Philippines than the suffering and dolor most of its films so valiantly depict. It was also the year when filmmakers Siege Ledesma (Shift), Jerrold Tarog (Sana Dati), and Whammy Alcazaren (Islands) broke away from the usual mold to tackles various facets of love that would be too complicated for commercial cinema. Norte, Hangganan ng Kasaysayan (Norte, the End of History), 2013's best film, even had Lav Diaz breaching his trademark aesthetics of monochromatic long takes to deliver a narrative that is comparatively easier to digest but still powerful like no other.2014 saw Cinemalaya and Cinema One Originals, the Philippines' most reliable fund granters, actively seek out...
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- 1/1/2015
- Screen Anarchy
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